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Reviews tagging 'Deadnaming'
The Sandman, Vol. 5: A Game of You by Neil Gaiman, Colleen Doran
24 reviews
Graphic: Body horror, Body shaming, Deadnaming, Death, Blood, Murder
Moderate: Transphobia, Religious bigotry
Minor: Infidelity, Pregnancy
Graphic: Body horror, Deadnaming, Gore, Transphobia, Blood
Moderate: Infidelity
Graphic: Deadnaming, Death, Transphobia, Violence, Religious bigotry
Minor: Abortion, Sexual harassment
Graphic: Animal death, Deadnaming, Homophobia, Misogyny, Transphobia, Lesbophobia
Moderate: Death, Homophobia, Injury/Injury detail
Minor: Domestic abuse, Abortion
Graphic: Deadnaming, Death, Hate crime, Transphobia, Dysphoria
Moderate: Animal death, Blood
Minor: Abortion
Graphic: Deadnaming, Transphobia
Graphic: Animal death, Deadnaming, Transphobia, Murder
The art in The Sandman: A Game of You is nothing like Charles Vess’s illustrations, it’s much more comic-book-y, and while individual visuals were arresting, the overall style might not be appealing to readers who enjoy more conventional book art. That said, there were some cool references to older media which made it fun to give the pictures a second look, and they would probably reward even closer scrutiny.
The Sandman: A Game of You works very well as a stand-alone story. Even without having read the previous four volumes, Neil Gaiman gives the characters enough context for a reader to pick up both the different worlds and the relationships between them. Wanda, Hazel and Foxglove particularly stand out as being nuanced female characters who don’t conform to archetypes; their lives feel as though they extend beyond the pages dedicated to their stories in this one book.
As a villain, the cuckoo is interesting, and Neil Gaiman raises a lot of questions about what exactly she is and where she comes from. As with the whole of the dream world, the reader is invited to interpret it as a metaphor, and every person’s understanding will probably be a little different. Book club focused (perhaps unsurprisingly) on dreams as a way of interrogating stories and story-telling, which was particularly rewarding. The tension between the 'real’ world of New York and the dream kingdom worked to really emphasise the dramatic moments in the New York storyline, especially the ending.
My first graphic novel was always going to feel a little uncomfortable and unfamiliar, but I know I have at least two more in my TBR so I’m curious to see how they feel now that I’ve dipped my toe in the water!
Moderate: Animal cruelty, Animal death, Deadnaming, Death, Transphobia, Blood, Abortion
Minor: Pregnancy
Graphic: Animal death, Deadnaming, Death, Transphobia, Blood
Moderate: Hate crime, Sexual content, Violence, Grief
Minor: Pregnancy
Critical Score: A-
Personal Score: A-
Reading Experience: 📘📘📘📘(4/5)
Another one that gets better as it goes. I’m shocked that this straight (I think) guy wrote something so progressive 30 years ago and managed to get by with few problems. I was bawling my eyes out at the end. The fantasy adventure was magical and brought out my joy for stories.
Gaiman is such a mature writer. He consistently merges wisdom and creativity in moving, fresh stories. Bravo again.
I’ve decided to, instead of continuing to make my way through the series gradually, go ahead and get the rest of the installments from my library and read to the end.
Graphic: Deadnaming
Moderate: Transphobia