Reviews tagging 'Adult/minor relationship'

The Final Girl Support Group by Grady Hendrix

94 reviews

root's review against another edition

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dark emotional funny hopeful medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

I loved this book. The story is inherently about someone who has survived horrific trauma--she is an unreliable narrator with interpersonal issues as a result. It is not just about current events in the book, it is about how trauma survivors' lives change drastically because of what they experienced and how they are trapped in the past even as they deal with the present.

The majority of the "plot twists" are not plot twists so much as the product of an unreliable narrator jumping to conclusions about small things that, if you look at the actual evidence she is using, is utterly meaningless or at least is missing details. Because she is not just reacting to what's happening now--peppered in are comparisons of people who look like someone else, how she trusts them or wants to keep them safe because they remind her of people, how she distrusts others for the same reason. 

I think that itself makes the book outstanding, to depict a variety of very real reactions to trauma in such an accurate way, including their flaws. It is a testimony to the fact that being hurt does not make you inherently better at surviving: it can also make you that much more vulnerable and unsafe. It is a very real look at the effects of trauma, and a good critique of how the true crime community and of the horror genre turn real events into mindless entertainment at the detriment and suffering of real, living people.

Criticisms of the book would be the following:

It is a very rudimentary, white feminist perspective of the world that goes exactly one layer deep in gender politics which is "man evil, violent inherently" and "girl (not woman) innocent, dainty, victim." Even the author's attempted subversion of it still ultimately played back into this rather elementary understanding of the sociopolitical effects of gender. It's very "girlhood is grief" in its angle.

The very few times race is brought up is...unfortunate. I think it can be difficult to include only one Black character in horror media due to the limitations in author choices. His choice in this instance was essentially to have the Black character die or have the Black character live but being chased down and tormented by a white man. Neither of which are particularly good to read about. It tried to be progressive about race but just failed spectacularly.

The last point is something I've seen others bring up. Although the author was presenting a criticism of how the true crime community and horror in general utilize real events and make references to external stories, he was also simultaneously doing the same thing. I understood what the author was trying to do with this. He was trying to show that the book itself is Also That, that the reader should be cognizant that THEY are being criticized and that their consumption of the book itself is participatory in this exact thing. But it wasn't done well so the message was lost on a lot of people and so it just felt flat. I appreciated the sentiment, though.



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c_dmckinney's review against another edition

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adventurous challenging dark emotional hopeful sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I think it would have been a little better with a female author.

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e_fensterle's review against another edition

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dark inspiring mysterious reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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alytzel's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0


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slpysnek's review against another edition

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dark funny mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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maryellen's review against another edition

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adventurous challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5


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alexisgarcia's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

overall, i enjoyed reading this. the writing was so digestible and the characters were all so different and distinct. i think my biggest issue was the ending. i did not think it was realistic or well flushed out. it felt kinda cheap imo. also nobody ever talks about how graphic this. i was kinda caught off guard to be honest. please keep that in mind before reading. 

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morningtide's review against another edition

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

This was, overall - a fun book (if you find horror and gore fun, that is.) I was really into horror movies as a kid, but kind of moved past it, but I like to toss some back in to mix it up and was getting in the spooky mood. I loved the concept, and I love anything with this kind of meta approach, but I don't think I can say I totally loved this final product. I listened to the audiobook, and while I enjoyed the bits interceding the chapters as backstory to all the characters and why they were so messed up, I had been feeling like they managed to tell me something and nothing at the same time. I've discovered after reading that they were meant to be literal magazine clippings, VHS blurbs, etc "scanned" into the book, which made more sense knowing - I admit that those visually do add more to the vibe of the story as an inclusion than just a bit read aloud. 

I've said it before about the horror & thriller, and it may be a personal feeling, but when you've consumed enough of the genre, you become trained to expect the worst. I'm always going to spend the entire story imagining the most dramatic, gory, twisted, or even happy endings while I go along. I don't necessarily expect to be surprised at this point, only hope that the twist is delivered in a satisfying way. I wouldn't say it was in this case on this one. However, Lynette's character growth made up for this, for me. Despite being an annoying, paranoid recluse, I didn't dislike her. I predicted where the story was going mostly, but seeing Lynette overcome her fears and protect her sister(s) was what truly made this book enjoyable for me.
 
Throughout the entire book I felt like there was something a tad bit off with the characterization of everyone, and the "man-hating" felt kind of overhanded even for a book where the women are all victims of extreme violence from men, based on a movie industry where the violence against women has always been extra aggressive. I couldn't quite put my finger on it and it didn't stop me from reading, but it was definitely a small criticism I felt throughout the book. Anyways, after looking more at the book after finishing it, I realized I had gone through the whole thing assuming the author was a woman - I didn't think deeply about their name and the premise of "how did the victims deal with life afterwards" felt like a take a woman would have on the genre (and that's on me for assuming.) Finding out it's actually a male author kind of answered what I couldn't put my finger on about what seemed just a little off, but maybe that's just my feelings. But overall gave the inclination of "He's a little confused, but he's got the spirit."

PS. Dani was my favorite, and I actually appreciated Heather by the end - would have liked to hear more about her monsters

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sunsetcity's review against another edition

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dark funny mysterious tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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cinderrunner's review against another edition

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adventurous dark emotional funny hopeful inspiring mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

On the surface, yes, this is a great book for classic 80s slasher fans. It has awesome nods to all your favorite movies and iconic final girls (so scream, halloween, friday the 13th, nightmare, texas chainsaw). It has just the right dash of campiness to tickle the senses of camp fans but not piss off people who dont like campy things. The book is very fast past which i liked. The author does very well writing an almost exclusively female cast and making them feel authentic while keeping strong individual voices. I get nervous when male authors try to tackle female trauma but i think it is very well done here. The final girls all offer an interesting look on the ways trauma can impact people. There are valuable themes of found family, different forms of trauma, the complexity of "monsters" and what defines a victim. The concept of gender violence and our society's lackluster response to it is dealt with very well. I read this not long after the Evan Peter's Dahmer thing came out on Netflix and there has been a lot of DISGUSTING discourse in favor of Dahmer online as a result. When looking through that specific lens, this book hits so much harder. It gets into the ways we trivialize trauma for entertainment and the sick ways some "true crime fans" will glorify serial killers. And how, even if youre watching something like a fictional slasher, many of us are complacent in allowing this exploitation of the victims to continue. 

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