Reviews with content warning for Alcoholism - A Study in Drowning

No Spoilers:

"A Study In Drowning" was captivating, magical, and mysterious. I typically am not drawn to romances, but the relationship between the main love interests was compelling and sweet. I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract.

Act 1 is quite slow to pick up, Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. Nonetheless, it is very well structured.

Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical).

Spoilers:

Something I thought was interesting about the book was that Reid created this entirely new world of fantasy realism just as the backdrop for her academic mystery. It could have just as easily been set in the irl 20th century United Kingdom. This isn't a gripe -- it's a fascinating choice that I found myself enjoying immensely. The faintly magical history, the cultural views of the characters, the fake excerpts from fake scholarly critiques and essays, the vague implication that this is a post apocalyptic fantasy future following the impact of irl climate disaster... -chefs kiss-

Act 1 was slow to start, as if the author wasn't quite sure where to begin. In her effort to avoid giving away Effy's character and history too quickly, the beginning was just too vague and I found myself almost DNF-ing. I just didn't feel compelled to care about any of the characters yet.

Ava Reid did an excellent job finding ways to push her characters to engage with the plot. This was especially important considering Effy as a character is described as an escape artist -- always running away from difficult problems. The plot really starts when Effy has no way to go back to college OR go back home. While her psychosis ends up just being the "Magical Psychosis" trope (booooo), I feel like her other mental illness is very real. The splitting, the assumptions, the black and white thinking, the urge to escape, the lack of identity colliding with the urge to know how other people view her, etc. All very common for folks with C-PTSD (or, if I were to armchair diagnose her, BPD). I feel like the author was very well versed in Effy's style of trauma response and handled it well.

I don't know how many times Effy was described swallowing her pills dry. Folks -- DO NOT DO THIS. I don't know how this poor girl did not develop an ulcer.

The book glosses over a lot of the characters' bodily functions. As far as we can tell, Effy's guesthouse has no bathroom, and the only bathroom we see in Hiraeth Manor is dilapidated and Ianto doesn't allow Effy to use it. Where does she piss?! Where does anyone piss?! No one ever seemed to eat breakfast or dinner either, except the one time at Blackmar's mansion. While there is a degree in which an author shouldn't be expected to elaborate each and every human maintenance, this was a very noticeable exclusion.

I loved the artificial history and scholarship surrounding Myrddin and literature as a whole in Llyr. It really made the world feel big and real, even if it was just a backdrop for the mystery. It made the characters feel big and real -- the world matters to them. However, I was disappointed that there was a brief descent into the politics of the warring countries, their respective settler colonial history, and which of them could actually be considered the aggressor, only to have it dropped entirely without a single additional mention.

I often see the book marketed as Enemies to Lovers or Rivals to Lovers, but I'd moreso call it Disagreement to Lovers or perhaps simply Opposites Attract. Effy got annoyed at Preston for petty reasons and Preston was more or less minding his business. There was a moment of conflict upon Effy discovering the truth of Preston's thesis, but an alliance formed quickly. It was well done and great to read, but not exactly what I'd call Enemies/Rivals to Lovers.

The changeling reveal for Effy was a bit sloppy, in my opinion. While the book was clear there was a secret to Effy, it would have been more interesting and rewarding if the concept of changelings and their naming conventions had come up earlier in the book.

The book deals heavily with Effy's sexual assault trauma and her responses -- escaping, escapism, anxiety, lying, splitting, emotional responses, etc. I also feel like the book was not-so-subtly hinting at the affects of childhood sexual trauma as well, thought less explicitly described. This can be seen in the way Effy both admires and vilifies Angharad (the character), and fears and fantasizes about the Fairy King. It makes sense -- even if the Fairy King did not touch her the same way her human assailant did, knowing that an adult wants to take you as a child bride is incredibly distressing.

Act 2 does a good job building the tension, and Act 3 is exhilarating -- until it's not. It seems like the author lost some confidence that her work would speak for itself and added 30-ish pages of exposition that essentially explained the whole book and then some. A lot of it would have been more rewarding sprinkled through the earlier parts of the book. It was incredibly boring sitting and reading Angharad reveal the answers to all the mysteries to our protagonists who'd almost died trying to solve them. Most of the evidence they managed to uncover was lost entirely, which was disappointing -- but I suppose they needed that information as the big push to go into the basement and find the box, which did survive. Given that Reid gave an acknowledgment to Zelda (presumably Fitzgerald) at the end of the book, I suppose Angharad's long winded exposition was the spirit of every female writer whose work secretly bolstered a man's career. Still, it was just not very fun to read after the excitement of the climax.

Speaking of the climax -- at some point, I totally lost track of how Ianto was doing anything. How was he grabbing Preston AND shackling him to chains AND hammering a stake into a wall AND holding a musket to his chest? Totally took me out of the scene trying to figure it out.

Overall, the book was an amazing read and extremely rich in both prose, world building, and themes surrounding misogyny and sexual assault (both literal and metaphorical). The Fairy King as a stand in for sexual trauma and grooming, paired with the recurring symbol of green representing victimhood, was very gratifying.

Content Warnings

wrensreadingroom's review against another edition

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challenging dark emotional mysterious reflective sad tense fast-paced

5.0

Content Warnings

lovesickpages's review against another edition

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dark mysterious reflective slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

Content Warnings

ghostlyprince's review against another edition

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emotional mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Content Warnings

lizzye33's review against another edition

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adventurous challenging dark emotional hopeful informative mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

Content Warnings

krisglomb's review against another edition

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dark emotional hopeful mysterious reflective sad tense medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.25

Things about this book that hit and hit HARD: atmosphere, a sense of doom, romantic descriptions of nature and people so heavy they feel positively gothic. This is the type of book I love however, there were some parts I felt could’ve been better.

First, the overall mystery. I liked the interplay of a haunted house/person, the ugly realities of Effy’s (and others’) day to day, and the main mystery of Angharad’s authorship. I feel like the 3 didn’t come together to make each story line stronger, however. I think it became obvious to the reader the solution to the main mystery halfway through. And while sometimes its ok for a reader to have information our MCs don’t, in this case it didn’t make much sense. And then, even though we had known the answer to the question for about half the book, we get to the end and instead of a clarity of pieces being put together in an event or revelation, its all revealed in an info dump. It wasn’t very satisfying. There was also a distinct tie between Effy’s “haunting” and her daily atrocities, but by the end they feel so far separated. Their combined resolution make her a stronger person able to step into her life more fully, but it felt like the author couldn’t quite decide if she wanted to keep her worlds separate/the consequences separate/etc.

I love this book for the potential for discussion and while sometimes the prose hit you over the head (yes, not only the sensation of drowning, but the word drowning is used HEAVILY in the book), it didn’t end up taking away from the atmospheric quality overall.

I would also say this is more light academia than dark academia. I know the definition is squishy and more of an aesthetic, but I was expecting some themes and tropes and mechanisms in this book that I didn’t get.

QUOTES

The solitude that had once comforted her had become an enormous empty space where so many bad things could happen.

She was tired, tired of trying so hard for something she didn’t even want.

It was an eternal feeling, this sense of being unwelcome.

There was an intimacy to all the violence, she supposed. The better you knew someone, the more terribly you could hurt them.

She wasn’t a Southerner, but she knew what it was like to drown.

“No one owns the right to tell a story.”

As if stories were not spoils of war.

“You don’t have to love something in order to devote yourself to it.”

“It’s beautiful, isn’t it?” “It’s terrifying.” “Most beautiful things are.”

“They didn’t think to fear the Drowning until the water was lapping at their door […] It’s the fear we have to learn. The fear keeps the sea from taking us.”

She was not afraid of the ghost. But she was horribly, wretchedly afraid of whatever had killed the woman it had once been.

“You’d be surprised of how much cognitive dissonance people are capable of.”

Anything can be taken from you, at any moment. Even the past isn’t guaranteed. You can lose that, too, like water eating away at stone.

Even though she was afraid of living, she didn’t want to die.

“Survival is bravery, too.”

Content Warnings