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bookycnidaria's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal cruelty, Self harm, Sexual content, Violence, Injury/Injury detail, Pandemic/Epidemic, Physical abuse, Blood, Misogyny, Torture, Animal death, Sexual assault, Sexual violence, and War
aksmith92's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
The setup: Vasya needs to go into hiding. The Girl in the Tower, the second book in the series, left off with those in Moscow in a rage after a fire nearly destroyed their home, and they believe a witch to be the culprit. Vasya is now left with one goal only: to care for her family. Her brother Sasha, her sister Olga, and Olga's daughter Marya are all in Moscow, piecing together what happened the night before with Vasya, the frost demon, and Kaschei.
However, those in Moscow want someone accountable for their suffering, and Vasya is an easy target. We follow Vasya as she faces many obstacles, including an angry mob, a vengeful demon, and a forgetful ally. She feels the weight of not only Moscow on her shoulders but all of Rus' and her beloved chyerti - the spirits she has called family her whole life. Can she bring together her people of Rus' - those who vehemently believe in the one God, and those of the spirit world, who seem to fade the more people forget about them and move on to another religion? Can she keep her family safe from the Tatars, those trying to take the rule of Rus'? The world seems to weigh heavy on Vasya's shoulders with these questions, and we watch her continuously battle for peace, not only for those in her country but for herself.
What I loved: Katherine Arden is a phenomenal writer to me - her work is unique, poetic, and her version of atmospheric. She takes 14th-century historical Rus' customs and somehow integrates them into her writing, both from a prose perspective and a literal historical take (one battle scene near the end is essentially a retelling of an actual battle in 1380 Rus' - read the author's note at the end, it's pretty lovely!). The intersection between fantasy and historical fiction continues to amaze me, and it is one of the most vital reasons why I can't help but feel this book is so fantastic.
As typical in this series, I loved Vasya and her strength, resilience, and grit. While the poor thing went through it in this book (even more so than the others), she was incredible. She was strong, powerful, and intelligent. Yet, she was imperfect and flawed. She had to continue making incredibly challenging decisions and understood that only some things would always work out. I think that is what I loved most about this book: Vasya learned from those around her, her environment, and herself to make better decisions in the future instead of just ~always knowing~ what to do, like other fantasy books I have read. I loved her character and what she tried to do for both the spirit world and Rus'.
I also thoroughly enjoyed many of the other characters - Sasha, Olga, Morozko (I'm glad we dove a little bit deeper into his character on this one, albeit I was still itching for more!), the Grand Prince Dmitrii, and I just loved Polunochnitsa (Lady Midnight) and the Bear. I had no intention of laughing during this book because it seemed so bleak and dark, but Polunochnitsa and the Bear truly helped provide (very minimal) comedic relief and were much more layered than I had anticipated (especially the Bear). My favorite secondary character was Ded Grib, the chyerti, a lil mushroom. Konstantin continued to be a unique, morally grey character that I also learned to enjoy, even if he was the worst. He was complicated, and you couldn't help but empathize with him.
Somehow, Arden did a brilliant job of making all characters nuanced and beautiful while juggling two plots without losing anything. I was so impressed by how much Arden could put into this under-400-page book because it packed such a punch, but it wasn't overwhelming. I just loved it. And somehow, like the first two, I read this under some snowy skies - something I didn't think would happen in early March, and I read this through Libby.
I'm a sucker for some political intrigue which was why I enjoyed the second book in this trilogy so much, but I liked this one even more because of the magical elements in it - less politics, more chyerti. I was impressed that Arden could do both so well.
Anything that could have made this a 6-star read? While I rated this a five because of Arden's beautiful ability to intertwine so many interesting plots and characters and the overall unique storytelling of Russia's history and Russian fairytales, this was imperfect, and others may have some criticism for it. For one, 90% of this book seemed to have no hope. Anything wrong that could happen seemed to have occurred, even if there were a few quick wins in the plot throughout the process. It was dreary. I swear that Vasya had eight broken ribs throughout this book and plenty of ample scars and concussions. It was hard to read because it just felt so BAD. Because of this constant dread, I felt the book read just a bit choppy, especially in the middle.
However, I had a blast with this and shed a few tears at the end. While sad, there was finally a dash of goodness and hope, and the ending was quite fitting. I look forward to reading more from Katherine Arden in the future!
Graphic: Fire/Fire injury, Gore, Murder, Sexual harassment, Suicidal thoughts, Suicide, Injury/Injury detail, War, Sexual assault, Torture, Misogyny, Physical abuse, Sexism, Death, Animal death, Blood, Religious bigotry, Grief, and Violence
Moderate: Animal cruelty, Rape, and Sexual content
Minor: Vomit, Child death, and Death of parent
Child death/death of parent = mentioning previous books, not on page. Rape is not detailed or even implied, but there are threats of it. Sexual assault and harassment is on page but not heavily descriptive or long.mary_stormageddon's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Blood, Animal death, Violence, Injury/Injury detail, Physical abuse, Animal cruelty, Fire/Fire injury, Torture, Death, Murder, War, Vomit, Grief, Misogyny, and Sexual content
mnerd63's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: War, Violence, and Blood
ireadinbed's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Yes the first book is still my favorite. I preferred the smaller, more intimate struggles and the hints of horror. But this book really brings all the themes full circle and doesn't pull punches.
Ded Grib was such a needed reminder of how Vasya started out. Chefs kiss.
My only real complaint is that it feels like it needed more denouement. It seemed like it cut off suddenly.
Graphic: Animal death and Blood
Moderate: War
Minor: Sexual assault
beesknees's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Fire/Fire injury, Violence, and War
Moderate: Blood, Animal death, and Injury/Injury detail
basil_touche's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
There were some things that I felt were too quickly explained and others where I wished there were more details about but overall this is a fine conclusion to the triology.
Graphic: Blood, Torture, Suicidal thoughts, Sexism, War, Death, Sexual assault, Misogyny, Animal death, Fire/Fire injury, Grief, Murder, Physical abuse, Religious bigotry, Suicide, Violence, and Vomit
Moderate: Sexual content, Gore, Pregnancy, Panic attacks/disorders, and Xenophobia
micallab's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
Graphic: Animal death, Violence, Blood, and War
Moderate: Sexual content
Minor: Torture and Vomit
queer_bookwyrm's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
5.0
The Winter of the Witch by Katherine Arden is the third and final book in the Winternight Trilogy. This series is so freaking good. Every time I read one these books, I'm struck by beautiful prose and the unflinching way she wrote the MC Vasya. This book devasted me, cranked up the stakes, and then pat me on the head in the end with a morally gray message.
We pick up with Sasha, Dimitri, and Vasya after the events of the previous book. When Vasya set the golden mare free, she accidentally set fire to Moscow, making the inhabitants, goaded by that self-loathing jerk Konstantin, mob Vasya and try to burn her for a witch. All the while Konstantin is being aided by Medved, The Bear. A lot happens, there is tragedy. Now Vasya must escape and bind Medved again for good and thwart the priest, but when that is done, a whole new enemy awaits.
Looking back, a lot happened in this book! At it's heart this book was about unity. Unity for all of Rus' and unity for the chyerti. Vasya is sort of a bridge between worlds, an equalizer. She is the definition of morally gray. I love how wild she is and how wild she stays. Nothing changes that, not even the romance with the Winter-King. She's such a great character. I'm also gonna need some short stories about my mushroom buddy Ded Grib. He's adorably fierce, and I love him.
This is a great series set in medieval Russia, and examines through historical fiction the coexistence of Christianity and paganism. It also gives us a look at what things might have been like politically during the time of the Tartars invading Russia. We get so much Russian folklore about hearth spirits, forest spirits, and Baba Yaga. There are even really creepy vampire creatures.
Graphic: Violence, Misogyny, Self harm, Blood, and Animal death
Moderate: Sexual content and Torture
kaiyakaiyo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
There was a lot of suffering in this book! Some of it was gratuitous, but overall I really like when fantasy doesn’t gloss over how fucking disgusting and dreary life could be in these historical settings. Battle half-planned half-freestyle, mud everywhere, cold as fuck, and everything sucks until the fight is over; it felt more accurate than if Vasya had ridden up in shiny armor with the perfect plan and giant allies. Still have complaints about the heavy-handed sexual assault & harassment throughout these books as an attempt at “historical accuracy” but … whatever
My biggest complaint that took this down a full star: The Bear actually liking Konstantin was… weird. I don’t love retroactive queering of villains, and this iteration of it felt especially shoehorned and strange. The author could have easily written in a few queer monks or cheyrti if they were that anxious to inject queerness after like 600+ pages of het-fest… loads of potential material given how willing they were to bend and freestyle mythology… Having the murderous mentally ill monk with a fetish for harming women he desires and the giant chaos bear that literally possessed and assaulted said monk be lightly gay for each other was ill-timed and ill-chosen. Don’t get me wrong, I live for queerness in historical fantasy but i thought we’d long ago established that throwing a little fruit into abusive, horrible villain characters was not an okay way to add diversity…
Graphic: Blood, War, Death, Violence, and Misogyny
Moderate: Torture, Sexual harassment, Religious bigotry, Toxic friendship, Grief, and Toxic relationship
Minor: Vomit