Reviews

Europe in Winter by Dave Hutchinson

beefmaster's review against another edition

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5.0

The pleasure of reading these Fractured Europe novels is in becoming hopelessly lost, both geographically (the point) and narratively (the fun!). For much of this third of four volumes, I was wonderfully confused, adrift among seemingly unrelated plot points and characters hitherto never seen. The finale does do a bit of explaining, thankfully, but I spent much of my time with the final 40 or so pages shaking my head and smirking, impressed with Hutchinson's masterful mashup of Len Deighton and parallel world narratives. We've spoken before on Twitter, sharing our mutual admiration for Deighton's early stuff, and though Le Carre gets the explicit name drop in Europe in Winter, it's to Deighton the novel gives its heart and soul. Though I haven't finished the series, I can confidently state the Fractured Europe sequence might be one of the all-time great SFF series of the 2010s... maybe even of the 21st century. I can't think of any other series of speculative fiction which is as insightful, sharp, clever, and politically necessary. There are bigger thematic goals for the series than a unique or fresh take on the parallel universe narrative, an ambition to be applauded. I find it frustrating Hutchinson hasn't received any major award attention for these novels. It's wholly deserving.

rocketiza's review

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4.0

A nice wrap up that makes you want to read the series again to try and see where all the strings were and try to figure out if there were loose ends or if you weren't paying enough attention.

chromatick's review

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3.0

Not sure what happened with this book, but it felt very off compared to the first two.

I had a lot of trouble getting into it, and the plot seemed all over the place and disjointed.

Hopefully the final book goes back in a more positive direction.

mjfmjfmjf's review against another edition

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3.0

This book was inconsistent. It ended well. But there was a piece just before then where it was just tedious. And a chapter before then which involved a character I swear didn't appear before or after in the rest of the book. It just was too convoluted and went off the rails. And missed getting back to details. There was a better book near this one screaming to get out. There was also the piece in which we are apparently in a simulation but there is a couple of pages of exact reprint from the first book without explanation (until your told you are in a simulation). A difficult book. I expect to read the sequel eventually but the library doesn't have it, which is good since I'm not ready for it.

david_r_grigg's review against another edition

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5.0

Europe in Autumn; Europe at Midnight; Europe in Winter ~ Dave Hutchinson

The first book in this ‘Fractured Europe’ series was recommended to me by a friend, and I bought it as a ebook for a few dollars. Then I rapidly went out and bought the second. The third, maddeningly, wasn’t yet released, but I placed it on pre-order and it arrived a couple of weeks ago.

So I read these three books in a matter of a few weeks. And then I turned around and immediately read them all through again from cover to cover, and I’m glad I did — so much I had missed or not understood now became clear(er). But even now I’m not sure that I fully understand what has been going on, and I’m wondering if there will be a fourth or fifth book in the series which may reveal more. Talk about ‘a riddle, wrapped in a mystery, inside an enigma’! (A not-inappropriate quotation, as it turns out).

Where to start? Well, first we have to set the scene, which is the near-term future in Europe after the European Union has essentially broken up back into its individual nations. But the rot hasn’t stopped there, and there’s a wave of independent nations, principalities or ‘polities’ breaking off from those nations, as regional and ethnic loyalties come to the fore. This reaches an almost absurd degree, with in some cases a few blocks of some cities declaring their independence. The whole concept of the Schengen Treaty of doing away with borders in Europe is now a sad, half-forgotten joke. Borders and border controls are everywhere.

Even more interesting, a trans-continental railway line has been built from Spain through to Eastern Sibera. On its completion the company promptly declares the railway and the land immediately surrounding it to be sovereign territory, and that the Line is now an independent nation. The Line’s stations are Consulates. One needs a visa to travel on the train, and to become a citizen to work for the Line. The author somehow makes this all seem perfectly rational.

We’re introduced to Rudi, the young Estonian-born chef at Restaurant Max in Kraków, in Poland. Through some shady connections of his boss Max, Rudi is eventually recruited into a shadowy organisation called Les Coureurs de Bois (“the runners of the woods”?). It’s kind of a courier operation, carrying mail and packages from one nation to another — something no longer easy, or even necessarily legal. It’s like a cross between a courier company, a smuggling ring, and an espionage outfit. Most governments heavily disapprove of it.

For most of the first book, we’re learning about Rudi and following him on the various Situations he’s placed in from time to time (while still mostly working as a chef). Some of these go well, a few go wrong, and eventually disastrously wrong. Something very strange is going on, and Rudi finds that he is being hunted and that his life is in danger. All of this (other than the slighly futuristic setting) has the engaging fascination of a spy thriller, or perhaps one of the Jason Bourne movies. Apart from the occasional use of advanced technology like ‘stealth suits’, this all seems barely like science fiction at all.

I can’t describe too much more without spoilers. Suffice it to say that about 80% through the first book, Rudi has finally tracked down what a dying former Coureur tells him is ‘the proof’. It’s in the deciphering of this proof that Rudi discovers a secret which does plunge us into real science fiction territory.

I enjoyed the second book even more than the first, as we encounter the first person narrative of ‘Rupert’ who lives in a vast (really vast) university campus run as a totalitarian regime, which has just undergone a bloody revolution. How this ties in with what Rudi has discovered in the first book takes quite a while to emerge.

It was really worthwhile re-reading the books. So much of what is going on in earlier parts of the narrative is explained by what comes later that you are almost compelled to go back and read those earlier passages again. It’s a tribute to how good the writing is that all three books were just as enjoyable to read again so soon.

Gosh these books are good! Puzzling, challenging, but very good. Written, by someone who seems to know Eastern Europe (and the restaurant trade) very well; very clever plotting; really original concepts; great characterisation. I loved them and look forward to reading more from this author.

matosapa's review

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adventurous dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.0

grimbo's review

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adventurous challenging funny mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

4.0

smalljude's review against another edition

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adventurous dark tense medium-paced
  • Plot- or character-driven? A mix

5.0

jercox's review

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2.0

Wraps up the series, but the story feels even more fragmented and disconnected than the others. Even more things that don't make a lot of sense, and it just left me feeling disoriented and not really enjoying it that much.

fivemack's review

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3.0

The sort of unsatisfying end of all real spy stories

Across a multiverse somehow sadder and less whimsical than in the previous two novels, the consequences of universe-hopping play out in a collision of lives in Warsaw, Estonian islands, and fantastical Siberian arcologies.