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bonniereads777's review against another edition
4.0
1n 1952, Harriet Waterhouse faces an untenable choice as her husband is released from the mental institution where he has lived for the past five years.
In 1960, thirteen-year-old Rebecca Waterhouse faces a tragedy that takes her away from Seaview Cottage.
In 2014, journalist Iris Waterhouse covers the story of a mother and her newborn daughter, missing from the hospital.
The Lost Child is a well written novel that explores three timelines and deals with the issues of mental health, the effects of war on returning soldiers, and the effects of postpartum depression on women. The constant in this story is Seaview Cottage and the families who lived there. The timelines change back and forth, and the story is told from five different points of view. If you enjoy multigenerational stories, you will enjoy this book.
In 1960, thirteen-year-old Rebecca Waterhouse faces a tragedy that takes her away from Seaview Cottage.
In 2014, journalist Iris Waterhouse covers the story of a mother and her newborn daughter, missing from the hospital.
The Lost Child is a well written novel that explores three timelines and deals with the issues of mental health, the effects of war on returning soldiers, and the effects of postpartum depression on women. The constant in this story is Seaview Cottage and the families who lived there. The timelines change back and forth, and the story is told from five different points of view. If you enjoy multigenerational stories, you will enjoy this book.
wombat_88's review against another edition
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
octa's review against another edition
challenging
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
rubyrobin's review against another edition
emotional
hopeful
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
noveldeelights's review against another edition
The Lost Child is a story that seamlessly switches between events in the present and the past, all the while touching on some extremely tough topics like postnatal depression or psychosis, war neurosis and domestic abuse.
On a cold November morning, new mother Jessica takes her desperately ill newborn baby and goes on the run. Why would Jessica leave the hospital and deny her baby much needed help? Iris, a journalist, is sent to cover the story and soon discovers the trail leads to a devastating event in the life of her own mother, Rebecca. Rebecca was thirteen years old when her abusive father beat her mother to death and then killed himself. There’s more to the story than that though. But how does the past affect the present? And will Jessica be found before it’s too late?
I’m sure I’m not the only one whose concentration levels have hit rock-bottom considering our current circumstances so I have to admit that the various points of view and the switching back between the past and the present was a little hard for me to deal with at first. Luckily, I was soon able to keep better track of things as the various threads and connections between the characters started to unravel, and to appreciate the clever and beautiful way Emily Gunnis plotted this story which spans fifty years.
The chapters set in the past were especially harrowing. Times were different but it’s quite surreal to realise that those times weren’t exactly that long ago. A time when an abused woman had nowhere to turn to; that it was expected from her to stand by her husband, no matter what. A time when men could somehow just drop their wives off at an asylum for whatever reason and that these wives could be held there indefinitely. A time when little was known about postnatal psychosis and how to help the mothers who suffered from it. Traveling through the years allows Emily Gunnis to really bring these differences to light.
The Lost Child is an emotional novel. Watching mothers deal with that extraordinary conviction that their child is somehow in danger really pulls at the heartstrings. More than anything though, it is an immensely thought-provoking account of all the horrible things women were forced to endure throughout the ages. And let’s not forget, there’s a family secret to discover! A complex, multilayered and often heartbreaking story about trying to protect the ones you love which will undoubtedly appeal to fans of this genre and of the author herself. I look forward to seeing what Emily Gunnis comes up with next.
On a cold November morning, new mother Jessica takes her desperately ill newborn baby and goes on the run. Why would Jessica leave the hospital and deny her baby much needed help? Iris, a journalist, is sent to cover the story and soon discovers the trail leads to a devastating event in the life of her own mother, Rebecca. Rebecca was thirteen years old when her abusive father beat her mother to death and then killed himself. There’s more to the story than that though. But how does the past affect the present? And will Jessica be found before it’s too late?
I’m sure I’m not the only one whose concentration levels have hit rock-bottom considering our current circumstances so I have to admit that the various points of view and the switching back between the past and the present was a little hard for me to deal with at first. Luckily, I was soon able to keep better track of things as the various threads and connections between the characters started to unravel, and to appreciate the clever and beautiful way Emily Gunnis plotted this story which spans fifty years.
The chapters set in the past were especially harrowing. Times were different but it’s quite surreal to realise that those times weren’t exactly that long ago. A time when an abused woman had nowhere to turn to; that it was expected from her to stand by her husband, no matter what. A time when men could somehow just drop their wives off at an asylum for whatever reason and that these wives could be held there indefinitely. A time when little was known about postnatal psychosis and how to help the mothers who suffered from it. Traveling through the years allows Emily Gunnis to really bring these differences to light.
The Lost Child is an emotional novel. Watching mothers deal with that extraordinary conviction that their child is somehow in danger really pulls at the heartstrings. More than anything though, it is an immensely thought-provoking account of all the horrible things women were forced to endure throughout the ages. And let’s not forget, there’s a family secret to discover! A complex, multilayered and often heartbreaking story about trying to protect the ones you love which will undoubtedly appeal to fans of this genre and of the author herself. I look forward to seeing what Emily Gunnis comes up with next.
hooksbookswanderlust's review
4.0
Wow. I first heard of [a:Emily Gunnis|17250194|Emily Gunnis|https://images.gr-assets.com/authors/1530724877p2/17250194.jpg] through the Chirp Audio Books newsletter. I saw her first book, [b:The Girl in the Letter|40189902|The Girl in the Letter|Emily Gunnis|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1526945484l/40189902._SY75_.jpg|58144765], for a good price through their app and with my Girls Weekend in Nashville on the horizon, I purchased the audio book to listen to while I was driving. That book was amazing and it was a given that, when I saw her second book, The Lost Child, pop up in my Chirp newsletter, it was an immediate buy, download, and listen to it right away.
I would compare Ms. Gunnis to Kate Morton for her easy style of writing, flowing so easily that you can just keep going and going with this book and just get lost in the story.
In this story, Ms. Gunnis expertly unfolds the mystery surrounding the single one event that has shaped each of the main characters in one way or another. It’s an intimate look at mental health, and how much has changed about our perception of it and our reaction to it. Through the journal entries of Harriet, we see the ramifications of living with someone post WWII with PTSD. We see how PTSD has affected Jacob, who is prone to violent outbursts, and is physically and emotionally abusive, and his wife, Harriet, who is forced to endure, how she was rebuked as disloyal, traitorous for seeking help to get out of her abusive situation.
Then there is Cecilia, who “scandalized” her husband’s good name, and who, after the birth of her daughter, suffered postpartum depression, At her husband’s behest, after she presumably murdered her baby girl, Cecilia was committed to the local sanitarium for being “psychotic.” She was brushed under the rug and locked away to be forgotten so that her husband could move on to his next wife. Sadly, in this time, women didn’t even have to present with any signs of psychosis to be locked away by their husbands or families, so long as those who wanted them out of the way could pay off the doctors.
Then you have the fateful evening that shaped the lives of everyone that came after, the murder of 13-year-old Rebecca’s parents, Harriet and Jacob. Who was at the door that night, or was it all in Rebecca’s head? This poor child was ruthlessly questioned without an advocate by a detestable constable, whose face and voice would later haunt Rebecca for years to come.
And then there’s Harvey, Rebecca’s childhood friend and father of her oldest daughter, Jessie. Instead of believing Rebecca, and in the midst of her postpartum depression after their daughter Jessie was born, Harvey dismissed Rebecca as “crazy” and began pulling away, hiring a nanny to take care of their daughter, and allowing mother and daughter’s relationship to become strained, and eventually marrying said nanny, who did everything she could to discourage Jessie’s relationship with her mother. As a result, Jessie, having just given birth, is suffering PPD just like her mother all those years ago and is completely estranged from the one person that might be able to help her.
Enter Iris, Jessie’s half sister and second daughter of Rebecca. Iris and her mother have a wonderfully close relationship and they share everything with each other, except the one night that Iris is forbidden to talk or ask about. But when her sister Jessie goes missing from the hospital with her sick newborn baby, Iris has to race against the clock to find her sister and to get her niece the medicines she so desperately needs.
It’s equal parts a cautionary tale of what can result from ignoring mental illness, as well as an in-depth look at family dynamics and relationships, from the secrets we keep to the misunderstandings that cause strife. Gunnis takes us on this journey, keeping us guessing the whole way, and faithfully leads us to the end in such a way as to be bereft with the finish of this stunning piece of fiction.
I am adding Emily Gunnis to my “read every title” list of authors, and you should too. Please also be sure to check out her heart-pounding debut novel, [b:The Girl in the Letter|40189902|The Girl in the Letter|Emily Gunnis|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1526945484l/40189902._SY75_.jpg|58144765].
This review also appears on my blog at Hooks, Books, & Wanderlust.
PS: If you haven’t heard of Chirp, it was created by the same people who brought you BookBub, but Chirp is strictly for audio books. If you want to check them out, use my referral link for 20% off your first purchase!
I would compare Ms. Gunnis to Kate Morton for her easy style of writing, flowing so easily that you can just keep going and going with this book and just get lost in the story.
In this story, Ms. Gunnis expertly unfolds the mystery surrounding the single one event that has shaped each of the main characters in one way or another. It’s an intimate look at mental health, and how much has changed about our perception of it and our reaction to it. Through the journal entries of Harriet, we see the ramifications of living with someone post WWII with PTSD. We see how PTSD has affected Jacob, who is prone to violent outbursts, and is physically and emotionally abusive, and his wife, Harriet, who is forced to endure, how she was rebuked as disloyal, traitorous for seeking help to get out of her abusive situation.
Then there is Cecilia, who “scandalized” her husband’s good name, and who, after the birth of her daughter, suffered postpartum depression, At her husband’s behest, after she presumably murdered her baby girl, Cecilia was committed to the local sanitarium for being “psychotic.” She was brushed under the rug and locked away to be forgotten so that her husband could move on to his next wife. Sadly, in this time, women didn’t even have to present with any signs of psychosis to be locked away by their husbands or families, so long as those who wanted them out of the way could pay off the doctors.
Then you have the fateful evening that shaped the lives of everyone that came after, the murder of 13-year-old Rebecca’s parents, Harriet and Jacob. Who was at the door that night, or was it all in Rebecca’s head? This poor child was ruthlessly questioned without an advocate by a detestable constable, whose face and voice would later haunt Rebecca for years to come.
And then there’s Harvey, Rebecca’s childhood friend and father of her oldest daughter, Jessie. Instead of believing Rebecca, and in the midst of her postpartum depression after their daughter Jessie was born, Harvey dismissed Rebecca as “crazy” and began pulling away, hiring a nanny to take care of their daughter, and allowing mother and daughter’s relationship to become strained, and eventually marrying said nanny, who did everything she could to discourage Jessie’s relationship with her mother. As a result, Jessie, having just given birth, is suffering PPD just like her mother all those years ago and is completely estranged from the one person that might be able to help her.
Enter Iris, Jessie’s half sister and second daughter of Rebecca. Iris and her mother have a wonderfully close relationship and they share everything with each other, except the one night that Iris is forbidden to talk or ask about. But when her sister Jessie goes missing from the hospital with her sick newborn baby, Iris has to race against the clock to find her sister and to get her niece the medicines she so desperately needs.
It’s equal parts a cautionary tale of what can result from ignoring mental illness, as well as an in-depth look at family dynamics and relationships, from the secrets we keep to the misunderstandings that cause strife. Gunnis takes us on this journey, keeping us guessing the whole way, and faithfully leads us to the end in such a way as to be bereft with the finish of this stunning piece of fiction.
I am adding Emily Gunnis to my “read every title” list of authors, and you should too. Please also be sure to check out her heart-pounding debut novel, [b:The Girl in the Letter|40189902|The Girl in the Letter|Emily Gunnis|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1526945484l/40189902._SY75_.jpg|58144765].
This review also appears on my blog at Hooks, Books, & Wanderlust.
sarajuni's review against another edition
emotional
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Miscarriage, Domestic abuse, and Murder
Moderate: Rape, War, Suicide attempt, Medical content, Mental illness, and Forced institutionalization