Reviews tagging 'Child abuse'

The Story of the Lost Child by Elena Ferrante

5 reviews

radfordmanor's review

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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ingridced's review against another edition

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dark reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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flucillie's review

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challenging dark emotional reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

it touched a layer of my heart and gave a name to feelings i labelled as mundane but controlled my life so much. it felt so real and each character was fleshed out so well.

there’s so much nuance and no one was truly the villain. everyone had their own faults and did not necessarily (ish) want to cause harm. it’s a rollercoaster of emotions: trust, betrayal, and hope.

it follows a point in our lives when all we talk about is marriage, and then babies, and then the accomplishments and failures of our children, and then deaths.

ferrante intertwined the personal and the public so intricately. clearly, the external stressors forced the characters to act the way they did and believe the ideologies they had.

what really shined in this book was the complex female friendships. its sad but we end up competing with other women (whether deliberate or as a consequence) to gain some crumbs of rewards from this patriarchal society. despite the competition, we still find some comfort and solidarity in one another. ferrante illustrated so painfully realistically well the desperation to be desired by men. i felt so disgusted in my own skin knowing i pulled shit like that just to get attention and affection from men i barely burned for. it’s even more barf barf barf how at every turn, men will disappoint you and weaponize their incompetence and violent masculinity against you. it’s not surprising anymore (seeing this depicted in so many media and played out in my own life) but i’m still here hoping someone will prove me wrong wRONG ??!? 🫢

some people found the ending lackluster and vague. i think it was perfect for this story. life is exactly like that, vague. we will never get a definite answer from elena, our narrator, as she has finally decided to stop thinking about lila, the subject of the entire series, and has no more words left to immortalize her.

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aegireads's review

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dark sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.5


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quickermorequickly's review

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dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Lenù comes to the end of the very long story we are reading, recounting as she and Lila go through their prime as adults, with parallel pregnancies in their early 30s, and eventually the difficult transition into old age.

Ferrante does unsettling very, very well. Reading this series (as well as The Days of Abandonment) is like taking  stiff shots of very different, equally strong emotions, and then realizing you're drunk, and stumbling through a sinister amusement park. In a good way, I swear!

I found Those Who Leave and Those Who Stay and The Story of the Lost Child to be less enchanting than the earlier installments of the series, if only because I haven't yet been through most of those life stages yet and so the pings of deep recognition or identification were less frequent. But I think the more time I spend on this planet seeing sad and strange things happen, the more I will recognize.

Hats off to Ann Goldstein for this very long project of translation.

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