Scan barcode
cepbreed's review
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
“The world isn’t ending,” she went on. “Our world isn’t ending. It already ended. It ended when the Zhaagnaash came into our original home down south on that bay and took it from us. That was our world.”
Holy shit. I was assigned this book as a part of my Indigenous Pop: Anticolonialism and Genre Fiction class and I never expected to love it so much. The building tension nearly had me shitting bricks. The way this book reads is perfectly timed with the rate at which the Ojibwe are also gaining more knowledge about their predicament. Sure, going into this book I knew it was apocalyptic fiction, but that never took away from the slow build of dread as the winter got colder and the electricity continued to stay shut off. I have an exactly equal amount of love and hate for the fact that the last couple chapters are so vague.
Graphic: Colonisation, Cannibalism, Death, Animal death, Murder, Abandonment, Grief, Gun violence, and Racism
Moderate: Injury/Injury detail, Blood, Medical content, and Violence
Minor: Suicide, Sexual content, Alcohol, and Alcoholism
talonsontypewriters's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
Graphic: Animal death, Grief, Gun violence, Murder, Violence, and Death
Moderate: Cannibalism, Injury/Injury detail, Alcohol, Gore, Body horror, Drug use, Colonisation, Fire/Fire injury, and Racism
Minor: Child death, Alcoholism, Racial slurs, Child abuse, Domestic abuse, Forced institutionalization, Suicide, Sexual content, and War
More...