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mnkeemagick's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Now then, I can confidently say that it feels like I've got smoke pouring from my ears after this one. This 1200 page behemoth was something to behold: it's a blur of philosophy, experimental writing form, various points of view, and shifting styles all wrapped into a love letter for the downtrodden, dirty, and forgotten. The way that Moore writes is enthralling without the prose itself being flowery or pretentious or overtly complicated, and it ultimately kept me going. Some sections range from slow to downright hard to get through either emotionally or technically, but overall, if you're a fan of experimental writing, nonlinear storytelling, interesting philosophy on death or God, or just want to experience a true delve into a lower class slice of life as they're immortalized and given mythos, then this is worth chewing through.
As I said above, be warned. There are many parts of these stories that feature explicit sexual assault, violence, harassment, and abuse. Parts of it are literally made hard to read at their most basic technical level. It's not a book for everyone, and in many instances it may not even be enjoyable, but it is certainly an interesting exercise that I feel is worth reading, and a ride worth taking.
Graphic: Kidnapping, Misogyny, Sexual harassment, Sexual violence, Addiction, Alcoholism, Death, Death of parent, Injury/Injury detail, Murder, Drug abuse, Emotional abuse, Suicidal thoughts, Racial slurs, Rape, Violence, Abandonment, Islamophobia, Pedophilia, Sexual content, Suicide attempt, War, Hate crime, Incest, Torture, Child abuse, Car accident, Self harm, Suicide, Physical abuse, Racism, Classism, Confinement, Cursing, Infidelity, Child death, Drug use, Fatphobia, Fire/Fire injury, Gaslighting, Grief, Mental illness, Schizophrenia/Psychosis , Sexual assault, Terminal illness, Alcohol, and Sexism
angus_mckeogh's review against another edition
2.0
willow1113's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Religious bigotry, Classism, Sexual assault, Incest, Sexual violence, Racism, Schizophrenia/Psychosis , and Sexual content
Moderate: Mental illness, Drug use, Gaslighting, Alcoholism, Adult/minor relationship, Death, Infidelity, Addiction, Alcohol, Child death, Grief, Antisemitism, and Drug abuse
Minor: Homophobia, Toxic friendship, Slavery, Gaslighting, Misogyny, Racial slurs, Panic attacks/disorders, Toxic relationship, Suicide attempt, Suicide, and Sexism
lost_gods937's review against another edition
5.0
-Alma Warren, Jersualem, Alan Moore
eantczak's review against another edition
5.0
aarws22's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
jstrahan's review against another edition
5.0
retrophrenologist's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Diverse cast of characters? Yes
4.25
deadlight01's review against another edition
- Plot- or character-driven? Character
5.0
trilbynorton's review against another edition
5.0
Know it in space and in time. Time is Moore's other major concern, both as a dimension and a human experience. Angles [sic] observe history as a four-dimensional plane in which every instant happens at once, while in Northampton the ghosts of eighth century monks walk down the high street.
The two most apt comparisons I can make are James Joyce's Ulysses and Moore's own From Hell. The former because, like Joyce's work, Jerusalem shifts form and style with every chapter (changing from stream-of-consciousness to verse to theatrical script), and of course is set in a single place, albeit extended into the fourth dimension. The latter because, as with Moore's exploration of Jack the Ripper, the century which birthed him, and the century which he in turn birthed, Jerusalem seems to be about...well, everything. History, economics, physics, philosophy, literature, Bauhaus.
Five stars seem somehow inadequate. Perhaps some sort of higher-dimensional score, of which stars are merely a lower extrusion of a points system beyond human comprehension.