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emalda's review against another edition
adventurous
dark
funny
inspiring
lighthearted
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
elbarto's review against another edition
adventurous
emotional
funny
lighthearted
mysterious
reflective
tense
medium-paced
3.5
mrginger42's review against another edition
adventurous
dark
funny
informative
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
stapilus's review against another edition
3.0
I've read this was supposed to be for Hawaii what Fear and Loathing in Las Vegas was for the gambling mecca. It didn't quite work, even though its story was more coherent than the other book. The time and sensibility were wrong, and something was off in the tone. The Steadman pictures were the best draw by this time. Maybe Hawaii didn't give Thompson enough to rage against, or wasn't a good enough subject for satire.
lordcheez's review against another edition
4.0
Takes longer to get going than Fear and Loathing, but no less crazy once it gets there; classic Thompson.
rebus's review against another edition
3.5
More amusing than I would have imagined and far more informative than it should have been.
emma_fouche's review against another edition
adventurous
challenging
funny
informative
inspiring
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
5.0
sscalavera's review against another edition
4.0
This was an odd one. It feels a little like a collage, with Thompson jumping around a lot, and the resulting effect is that you don’t quite get the smack of a conclusion that appears in Fear and Loathing in Las Vegas. On the other hand, Steadman’s art is gorgeous (there’s a reason he’s co-credited - a lot of the images in the book are two-page illustrations, full of colour and odd detail) and there are some really choice lines. It demonstrates that Thompson’s gonzo spirit wasn’t limited to the seventies, and that his anarchic sensibilities continued until his death, and it’s worth reading if you can find a copy that isn’t incredibly expensive.