Scan barcode
mattyb's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.5
Content Warnings
Graphic: Child death, Injury/Injury detail, Blood, Body horror, Death, Gore, and Kidnapping
Moderate: Toxic relationship, Alcohol, Addiction, Confinement, Medical content, Stalking, Trafficking, Drug use, Sexual harassment, Torture, and Violence
Minor: Cannibalism
wardenred's review against another edition
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
There are rules, and I broke them. But the rules don’t matter in the market. They’re rules set by tricksters.
This was an enjoyable and highly atmospheric retelling with sone great ace and bi rep. It's worth noting that there are two storylines separate by eighteen years, and the one mentioned in the blurb that led me to pick up the book was the more boring one, tbh. I liked Lou well enough; I related to her struggle to find the balance between finding herself and belonging, and I found her relationship with her Mom, her aunt, and the rest of her family really interesting. However, May's story was simply more compelling. She had a more interesting deal right from the beginning, and while she had a somewhat similar conflict that's typical for YA ("what I want vs what my family needs me to be"), the way it unfolded against the backdrop of witchery and goblin murders was more compelling. I felt like it showcased the vibe of the whole story better, too. That whole thing about already living on the border of a mundane world and a magical one full of withcraft, and then stepping over yt another threshold into the goblin market? Beautifully done and instantly engrossing. Lou's journey was a more typical "I'm just a kid figuring myself out and overlooking some weirdness in my family, and now I've learned that a world of magic exists" one, and it was more predictable and less novel for me.
I felt like the first half of the novel was a lot stronger than the second one. In both storylines, there was some great build-up with big promises, and then the pay-off kind of... fell a little short. Looking back, perhaps it was actually a problem with the first half, too, at least in May's part; by the time we get to the most high-stakes parts, it's already way too clear how most of the big stuff is going to play out. Still, at least the thick atmosphere of beautiful terrors—the undeniable strength of this book—was very much there, whereas in Lou's story it falls a bit to the side. Upon some thinking, I actually like the blatant difference in how May and Lou interacted with the Market: May was strongly susceptible to its draw whereas Lou entered it with a single-minded purpose to find Neela, stuck to it throughout, and distanced herself from all the weirdness to some extent. She overlooked the addictive beauty all the horror was wrapped in and went straight for the horror, whereas May allowed herself to be drawn into the beauty first.
Speaking of horror: there was less of it than I expected from the way the book was presented. The story is definitely more on the fantasy side. But all the body horror bits were appropriately chilling, and everything about the Market, with the constant addictions and abductions it provides, was terrifying, and really, I just need to mention again how atmospheric Bovalino's writing is. Despite some of the book's weaknesses, I really want to read more by this author, especially if the later books end up going even deeper into the horror territory!
Content Warnings
Graphic: Kidnapping, Violence, Body horror, Addiction, Blood, and Alcohol
madamenovelist's review against another edition
adventurous
challenging
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror, Blood, Gore, Vomit, Violence, Confinement, Child death, Animal cruelty, Animal death, Alcohol, Torture, Medical content, Injury/Injury detail, Grief, Drug use, Death, Cursing, and Addiction
tinybluepixel's review against another edition
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.5
I received an ARC via NetGalley in exchange for an honest review.
I thought a long time about what to write in this review. Admittedly, I was not familiar with the Goblin Market poem (of which this book is a retelling), although it seems that other reviewers are. However, only hearing the word 'goblin' sets of the alarm sirens in my head, and, well ... Instead of saying anything more, let me cite the wikipedia article on the poem, specifically, the section on interpretations: "Some critics believe that some feminist interpretations of the work leave out an anti-semitic nature within the poem. The critic Cynthia Scheinberg believes the Goblins to be "Hebraic", anti-semitic and anti-Judaic characters that the tested Christian sisters Laura and Lizzie must face in order to transition into wholesome and complete young women." Now, we all know wikipedia is not the end-all-be-all of scientific research, but it does feel like a lot of reviewers on here seem to think of the original poem to be some kind of sexy coming-of-age story.
And ... yeah. An underground race of sub-human creatures who lure humans away to kill and eat them? Oh, that's a big yikes. A really big one. And if a portion of these creatures are described as having green skin? Hm. An even bigger yikes. And then their main area of existance is a market, where they trade in blood and tears and locks of hair for cursed fruit? Oh. That's ... I mean, that's not great.
Now, from other reviews on this book, it seems that Goblin Market retellings are ... a thing? And I'm not sure how retelling such a deeply antisemitic could ever work.
It doesn't work in this book.
I'm not sure if the author was aware of the antisemitic background of the poem, but honestly, it kind of feels hard to miss. The goblins in this book are not like the H*rry P*tter ones, but more akin to fairie creatures, built on trickery and brutality. However, they do still very much lure human teenagers underground and kill them. So, in my personal opinion, there wasn't much done to subvert the antisemitic tropes in the source material.
In addition to the antisemitic nature of the goblins, the rest of the novel just felt jumbled together. It's dual perspective, dual timelines: In the past, May falls in love with a goblin and disregards the treaty with the goblins to see her. In the present, Lou (May's niece) tries to save her other aunt Neela (May's sister) after Neela is captured in the market. It is said many times that Lou doesn't believe in goblins, but she sure as hell accepts her reality soon enough. It's weird, because at points it seems like the narrative can't decide whether Lou believes in the market or not? Additionally, we know exactly what happens to May because she tells Lou before we get to read things from her POV, so there's no suspense at all during her chapters. We already know she's gonna get captured. We already know she's gonna kill the market prince.
Also, what was the whole witch subplot about? Felt like a totally separate book, a totally separate story, and honestly, if it would've been left out, the story wouldn't have been altered at all. Same with May's pregnancy. None of these things had an impact on the story at all, nor were they necessary.
Now, to round this review out with: I liked that the author explicitly stated the sexualities of Lou, May, and Neela. It feels like it's too rarely that we actually read the words asexual and bisexual in books. Sure, there's asexual and bisexual characters, but how often do we actually read those words? That was a nice surprise. I just wish Lou's asexuality would've been more integrated into the story and not just used as an explanation as to why she feels alienated from other people her age. For example, the market works a lot on sexual temptation, and I think an asexual character in that environment could've made for interesting interactions. But alas, it was not to be.
I thought a long time about what to write in this review. Admittedly, I was not familiar with the Goblin Market poem (of which this book is a retelling), although it seems that other reviewers are. However, only hearing the word 'goblin' sets of the alarm sirens in my head, and, well ... Instead of saying anything more, let me cite the wikipedia article on the poem, specifically, the section on interpretations: "Some critics believe that some feminist interpretations of the work leave out an anti-semitic nature within the poem. The critic Cynthia Scheinberg believes the Goblins to be "Hebraic", anti-semitic and anti-Judaic characters that the tested Christian sisters Laura and Lizzie must face in order to transition into wholesome and complete young women." Now, we all know wikipedia is not the end-all-be-all of scientific research, but it does feel like a lot of reviewers on here seem to think of the original poem to be some kind of sexy coming-of-age story.
And ... yeah. An underground race of sub-human creatures who lure humans away to kill and eat them? Oh, that's a big yikes. A really big one. And if a portion of these creatures are described as having green skin? Hm. An even bigger yikes. And then their main area of existance is a market, where they trade in blood and tears and locks of hair for cursed fruit? Oh. That's ... I mean, that's not great.
Now, from other reviews on this book, it seems that Goblin Market retellings are ... a thing? And I'm not sure how retelling such a deeply antisemitic could ever work.
It doesn't work in this book.
I'm not sure if the author was aware of the antisemitic background of the poem, but honestly, it kind of feels hard to miss. The goblins in this book are not like the H*rry P*tter ones, but more akin to fairie creatures, built on trickery and brutality. However, they do still very much lure human teenagers underground and kill them. So, in my personal opinion, there wasn't much done to subvert the antisemitic tropes in the source material.
In addition to the antisemitic nature of the goblins, the rest of the novel just felt jumbled together. It's dual perspective, dual timelines: In the past, May falls in love with a goblin and disregards the treaty with the goblins to see her. In the present, Lou (May's niece) tries to save her other aunt Neela (May's sister) after Neela is captured in the market. It is said many times that Lou doesn't believe in goblins, but she sure as hell accepts her reality soon enough. It's weird, because at points it seems like the narrative can't decide whether Lou believes in the market or not? Additionally, we know exactly what happens to May because she tells Lou before we get to read things from her POV, so there's no suspense at all during her chapters. We already know she's gonna get captured. We already know she's gonna kill the market prince.
Also, what was the whole witch subplot about? Felt like a totally separate book, a totally separate story, and honestly, if it would've been left out, the story wouldn't have been altered at all. Same with May's pregnancy. None of these things had an impact on the story at all, nor were they necessary.
Now, to round this review out with: I liked that the author explicitly stated the sexualities of Lou, May, and Neela. It feels like it's too rarely that we actually read the words asexual and bisexual in books. Sure, there's asexual and bisexual characters, but how often do we actually read those words? That was a nice surprise. I just wish Lou's asexuality would've been more integrated into the story and not just used as an explanation as to why she feels alienated from other people her age. For example, the market works a lot on sexual temptation, and I think an asexual character in that environment could've made for interesting interactions. But alas, it was not to be.
Content Warnings
Graphic: Gore, Kidnapping, Violence, Antisemitism, Addiction, Blood, Body horror, Death, Cannibalism, Drug use, Medical content, Murder, and Torture
More...