Reviews with content warning for Alcohol - Not Good for Maidens

CW: discussion of antisemitism

Y'all. Let's talk about goblin markets. So, their origin(the poem Goblin Market, by Christina Rossetti) is commonly agreed upon to have contained antisemitic depictions. You can find details on google, and I encourage you to read up if you're unfamiliar. So it's one of those things that you should tread carefully with. Maybe be extra careful not to Jewish-code your predatory goblins, right?

Unfortunately, I didn't find this book to be very careful about it. Not only did this version of goblins draw from several elements associated with negative portrayals of or conspiracies about Jews(green skin, monstrous appearance, untrustworthy, habitually disguising themselves in plain sight among the non-goblin population to seek prey, etc), but also the plot veered far too close to blood libel for my liking. Namely, the fact that the goblins are portrayed as tricking young people so that they would get trapped in the market, where the goblins would consume their flesh and, as described often and in great detail, their blood.

So that's my thoughts on that. The horror plot would have been fine without the elements that read as Jewish-coding, but with that being how it was it made me very uncomfortable to read. And it's a shame because there were other parts of this book that were so good, especially the way the relationships between each pair was written and the alternating present-past chapters. Even the environment of the market and the way the horror and suspense elements were written was great, but because of the elephant in the room I couldn't fully immerse myself in rooting for either pair of girls.

Readers who enjoy LGBTQ stories will find a number of characters here: Lou is asexual, May is explicitly bisexual, and Neela is assumed to be pansexual. I'd been concerned at first that the book might be saying something weird about bi/pan people and vulnerability to sexual temptation, but by the end of the story my concerns were assuaged. The queer rep in this book is fine. Love a good ace lead. I just wish the rest of it had avoided the antisemitic baggage.

Content Warnings

wardenred's review against another edition

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dark mysterious reflective slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

There are rules, and I broke them. But the rules don’t matter in the market. They’re rules set by tricksters.

This was an enjoyable and highly atmospheric retelling with sone great ace and bi rep. It's worth noting that there are two storylines separate by eighteen years, and the one mentioned in the blurb that led me to pick up the book was the more boring one, tbh. I liked Lou well enough; I related to her struggle to find the balance between finding herself and belonging, and I found her relationship with her Mom, her aunt, and the rest of her family really interesting. However, May's story was simply more compelling. She had a more interesting deal right from the beginning, and while she had a somewhat similar conflict that's typical for YA ("what I want vs what my family needs me to be"), the way it unfolded against the backdrop of witchery and goblin murders was more compelling. I felt like it showcased the vibe of the whole story better, too. That whole thing about already living on the border of a mundane world and a magical one full of withcraft, and then stepping over yt another threshold into the goblin market? Beautifully done and instantly engrossing. Lou's journey was a more typical "I'm just a kid figuring myself out and overlooking some weirdness in my family, and now I've learned that a world of magic exists" one, and it was more predictable and less novel for me.

I felt like the first half of the novel was a lot stronger than the second one. In both storylines, there was some great build-up with big promises, and then the pay-off kind of... fell a little short. Looking back, perhaps it was actually a problem with the first half, too, at least in May's part; by the time we get to the most high-stakes parts, it's already way too clear how most of the big stuff is going to play out. Still, at least the thick atmosphere of beautiful terrors—the undeniable strength of this book—was very much there, whereas in Lou's story it falls a bit to the side. Upon some thinking, I actually like the blatant difference in how May and Lou interacted with the Market: May was strongly susceptible to its draw whereas Lou entered it with a single-minded purpose to find Neela, stuck to it throughout, and distanced herself from all the weirdness to some extent. She overlooked the addictive beauty all the horror was wrapped in and went straight for the horror, whereas May allowed herself to be drawn into the beauty first.

Speaking of horror: there was less of it than I expected from the way the book was presented. The story is definitely more on the fantasy side. But all the body horror bits were appropriately chilling, and everything about the Market, with the constant addictions and abductions it provides, was terrifying, and really, I just need to mention again how atmospheric Bovalino's writing is. Despite some of the book's weaknesses, I really want to read more by this author, especially if the later books end up going even deeper into the horror territory!

Content Warnings

madamenovelist's review against another edition

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adventurous challenging dark emotional mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Content Warnings

kaetheluise_nckl's review against another edition

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adventurous challenging dark emotional hopeful mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Thank you to Ellie @ Titan Books UK for sneaking me the ARC.

This book has a sapphic relationship, an asexual main character and a pan side character.

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