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The Flight of the Wild Gander: Explorations in the Mythological Dimension by Joseph Campbell
lanceschaubert's review
4.0
Rather than write a review of this man's life work, I'd rather just cite the various posts I've written about him in the past:
• Monomyth Definition: A Defense of The Hero’s Journey
• Hindu Monotheism : The Upanishads and Vedanta
• Follow Your Bliss : Results of Joseph Cambell’s Advice
• The New
Hero: Tolkien and Subversion
• Joseph Campbell Religion :: Did Joseph Campbell Believe in God?
• Joseph Campbell Religion :: Did Joseph Campbell Believe in God?
• Was Joseph Campbell atheist?
And because I like having fun, the Zero with 1,000 Faces
Mark: Got a new lighting rig and arrangement that I want to test out, but I need something that changes and moves around a bunch. You up for a challenge?
Lancelot: [silence. I’m thinking…]
Mark: Day… in the… studio?
Lancelot: New lighting set up?
Mark: Yeah, it’s–
Lancelot: What if I tapped into my old thespian and modeling skillset and tried to give you as many faces as possible?
Mark: So… you’d… wait. Like trying to get me to mix it up as you mix it up?
Lancelot: Yes. You’ll keep me on my toes, making sure the faces are all different. I’ll keep you on your toes so you switch your style.
Mark: Sounds fun.
Lancelot: We’ll call it… [Dr. Evil voice] THE ZERO WITH 1000 FACES.
Mark: [Quiet for awhile, then:] Okay.
Well we got into the studio and I brought exactly four billion props and costumes.
• Monomyth Definition: A Defense of The Hero’s Journey
• Hindu Monotheism : The Upanishads and Vedanta
• Follow Your Bliss : Results of Joseph Cambell’s Advice
• The New
Hero: Tolkien and Subversion
• Joseph Campbell Religion :: Did Joseph Campbell Believe in God?
• Joseph Campbell Religion :: Did Joseph Campbell Believe in God?
• Was Joseph Campbell atheist?
And because I like having fun, the Zero with 1,000 Faces
Mark: Got a new lighting rig and arrangement that I want to test out, but I need something that changes and moves around a bunch. You up for a challenge?
Lancelot: [silence. I’m thinking…]
Mark: Day… in the… studio?
Lancelot: New lighting set up?
Mark: Yeah, it’s–
Lancelot: What if I tapped into my old thespian and modeling skillset and tried to give you as many faces as possible?
Mark: So… you’d… wait. Like trying to get me to mix it up as you mix it up?
Lancelot: Yes. You’ll keep me on my toes, making sure the faces are all different. I’ll keep you on your toes so you switch your style.
Mark: Sounds fun.
Lancelot: We’ll call it… [Dr. Evil voice] THE ZERO WITH 1000 FACES.
Mark: [Quiet for awhile, then:] Okay.
Well we got into the studio and I brought exactly four billion props and costumes.
ddhoffman's review
5.0
A great piece. Campbell expounds upon ideas captured in his other works here, only the emphasis is on the personal experience from understanding the symbols of myth. My favorite part of the work was section five, which contains the name sake "flight of the wild gander." Throughout he weaves through different sources –-including Native American , Occidental, and Oriental mythology as well as modern psychology and novels-- to detail how stories are a metaphysical coping mechanism. However, the crux of his message in this book (and in his other works) is that there is a point beyond the symbol --as he quotes, "the space between two thoughts". A ultimate, transcendant wisdom that is unteachable. We come into contact with it through stories and art, which act as a bow and our souls the arrows. The tales catapult us past both the concrete world and the metaphysical world, elevating us, if only for a moment, into that realm. This penultimate identity is all we have to describe the ultimate, and this is what is captured in the flavor and texture of a myth.
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