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gattolinos_nerdy_nook's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I cannot wait to see how this trilogy goes and when the next book comes out I will definitely be getting it.
Graphic: Xenophobia, Blood, Violence, Fire/Fire injury, War, and Death
Moderate: Death of parent and Grief
teri_b's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
fire at its core.
Loved the introduction of the three main characters, Elena, the heir apparent to the thrown, Yassen, hired assassin now body guard, and Leo, the current Phoenix King and Elena's father. We experience the unfolding story through Elena's, Yassen's and Leo's point of view.
And then we also meet Elena's soon to be husband Samson, who comes with an army of his own, the Black Scales.
It becomes clear fairly quickly that all is not well in the Kingdom of Ravence, and rebellion maybe even a revolution maybe well on its way.
As events escalate Elena finds herself thrown into a series of events that change her, as she has to make choices as to where her alliances and her trust lies, assuming, that there is anyone she can trust.
Underlying the whole novel is the magic of the phoenix and its outward symbol of fire. It is beautifully woven into the narrative as we get glimpses of the phoenix through what each of the main characters believes about the phoenix and his powers. And yet, the true magic of the phoenix still has to be revealed.
There, too, is an immersion into colours and flavours/scents that I have not yet encountered in a fantasy novel. I absolutely loved this sensual layer, that brought colour & spice into the story & to me as a reader.
The book ends on a cliffhanger of some magnitude.
And now we wait and see where the story takes us from there.
I have to admit that I am curious whereto the story will develop. Hopefully much more of the phoenix magic will become apparent. And me thinks, Elena, Yassen and Samson will be amazing in their new found powers.
Graphic: Violence and Fire/Fire injury
Moderate: Xenophobia, Racism, and Death of parent
gimmiiie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Colonisation, Blood, Death of parent, Gun violence, Religious bigotry, Police brutality, Murder, Death, War, Xenophobia, Ableism, Injury/Injury detail, Grief, Fire/Fire injury, Emotional abuse, and Violence
bookforthought's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I received an e-arc of this book for free from the publisher via NetGalley as part of the blog tour organised by Compulsive Readers. This did not affect my opinion of the book in any way.
Graphic: Fire/Fire injury, Grief, Death of parent, Religious bigotry, Death, and Violence
Moderate: Xenophobia
inkdrinkers's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? No
- Diverse cast of characters? Yes
2.0
The Phoenix King has a highly interesting premise and gorgeous cover.
I had such high expectations for this novel, and unfortunately it met none of them. Going in, I knew it would be a blend of sci-fi and fantasy (or science fantasy), something done rarely, but when done well it's incredible (see: Iron Widow by Xiran Jay Zhao) - this was not done well. I felt so disconnected from the world from the first page, and as I kept reading I just kept feeling more and more confused and like every bit of science was shoehorned into the plot and just left half-wedged in there to "make it fit" since the book was trying to genre blend.
I found it very awkwardly written, from the character perspective changes, to the way the world felt almost like a parody of sci-fi in some moments (the strange new curses, the religious zealots with no purpose). The tone of the entire novel is set forth with a prologue that I absolutely didn't connect with, featuring a bizarre chase (he's a highly trained assassin, why does he suddenly suck at his job?) and throws the reader into a world that doesn't even attempt to ground itself before creating and introducing new ideas.
I know this was the author's debut, and I feel like you can TELL it was their debut, because the writing is so choppy and, on a technical level, seems to be unable to handle the massive task of building an entire world, religion, and plot in 400 pages. I, also, can't help but be a little annoyed that this was published prior in 2021, and this is the updated edition of the book, with apparently edits, more content, and extras. I'm a little shocked that this version of the book is the one that's gone through more editing because I still feel like it's lacking clarity in far too many areas.
I wish I had enjoyed this as much as I hoped I would, but it completely and utterly missed the mark for me.
Thank you to NetGalley and Orbit Books for providing me a copy of this book for an honest review.
Content warnings: Grief, Death of parent, Murder, Gun violence, Racism, Violence, Sexual content, Slavery, Xenophobia
Graphic: Death of parent, Murder, and Grief
Moderate: Gun violence, Violence, and Racism
Minor: Slavery, Xenophobia, and Sexual content
thereadinghammock's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Fire/Fire injury, Colonisation, and Grief
Moderate: Racism, Gun violence, Violence, Death of parent, Religious bigotry, Injury/Injury detail, and Police brutality
Minor: Xenophobia, Slavery, Mass/school shootings, Sexual content, and War
jane_underground's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Graphic: Death, Fire/Fire injury, Death of parent, Violence, Ableism, Xenophobia, War, and Grief
concretecorn's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.0
let’s do the good first—
i love own voices stories, i am so glad to see representation in fantasy/scifi. this book is creative and not taken directly from indian lore so it’s cool to see it developed into a story that is inspired by my nation. i liked the depictions of kurtas and lehengas, i thought the kingdom politics had potential, and i liked the attempt to make the desert sort of its own character. i thought the internal lore was very well done, and though it took me a little bit to get it, the internal rules of the world ended up working out too.
i liked samson a lot. he’s the type of guy i’d hang out with. i thought yassen’s background story was shaping up nicely. liked the bits and pieces dangled for us to consume so we stay interested and invested in a trilogy since that’s what this is gonna be.
now the bad, and please remember this is just my opinion.
i legitimately was excited for this book, so it’s a shame how it turned out. at first, i thought i was just being harsh when i didn’t like the characters. i thought the point was that they’re flawed, and have bad relationships with one another. for example, i don’t understand king leo’s character at all. i mean, at all. his relationship to his daughter is so confusing because sometimes he’s mean, and other times his inner dialogue is filled with sweetness and love for her. elena was so uninteresting as a character that i didn’t learn her name until like, the 17th chapter. yassen was also similarly extremely boring, while spouting randomly “deep” one liners that make no sense. for example, at one point when he saves elena from an attack on her life, he is asked by king leo why he saved elena’s life. he says, “raveni or not, the desert does not claim me as it’s own. i am only what i am.” what does that mean?!?!?! he says things like this throughout the whole book. by the way, why was it supposed to be out of character for him to save elena? he is literally a part of her guard. they distrust him so much, yet give him unyielding access to the future queen, which literally sets them up to be betrayed in the worst possible way so easily. oh, also, there is no “slow burn” at all. the romance is injected randomly towards the end, and it really gives off “they are together because they are a male and female character traveling together.”
the world building is fine, the lore is fine. i mean, i think the writing could have more intricately woven elements of the story together. it didn’t escape me that the main conflict— the identity of the prophet— was missing from basically the last half of the book because king leo was driving that conflict and he dies. the twist about the gender of the prophet i saw coming from a mile away, and the eventual last twist was not big enough to counter for the unsurprising and mediocre middle.
elena learns to wield fire like, halfway through, and then that conflict becomes a background element in the overall story. the characters are fundamentally underdeveloped. the best characters were the yumi and samson, who disappear from the book halfway through. they’re not even main characters (though i assume samson will be in the next book).
also can we just talk about how yassen literally planned to betray elena from the very beginning, and sort of just became attached to her, and then was like “oh no! the princess! she’s broken!” and then randomly falls in love with her and she with him? and she just casually forgets that he was a) an assassin who was very good at what he did and b) participated in killing her father and betraying her at the highest magnitude? love how she’s like “i don’t trust yassen” at the beginning but then is like “oh he betrayed me in the worst way possible so now i love him.” i didn’t like the character’s actions, which would be fine, if i had understood why they were doing anything, ever. like, elena has a minor conflict moment when she remembers the jantari are, in fact, humans, but then decides to burn down their mines anyway.
the arohassin are not developed well. why are they doing what they do? i wish we got more of yassen’s time with them because i honestly think it would have been way more interesting.
the political commentary on how the kingdom doesn’t take care of its own is overshadowed by the way-to-long scenes with the king nonsensically obsessed with destroying the prophet.
and just as a point of personal conflict for me, the names were boring. elena and leo? i didn’t really care for the character names.
all in all, pretty disappointed.
Minor: Death of parent, Gore, Grief, War, and Xenophobia
lainiereads's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The worldbuilding? The politics? The characters? The quotes? SO GOOD!
This book has a slower start, there's a lot of worldbuilding and character introductions that take up a bit of time in the beginning, but it was written so well that it was still interesting the whole time. Even while the story was being set up, I was intrigued and constantly trying to guess where the plot was going (surprise surprise, I guessed everything wrong every time!).
Speaking of the plot, THE TWISTS! THE TURNS! THE DRAMA! I went into this expecting lots of plot twists, which meant I was actively paying attention to details to try and figure out where it was going, but man I still got everything wrong! I also have no idea how the next book is going to go (mainly because I've learned I can't predict anything), and I think that's part of what made this book so intriguing. You just had to keep reading to see what was going to happen next!
Another major positive is the characters. There is so much depth to every character, so even when they do the wrong thing, they're still lovable. Which, yeah a lot of wrong things are done! If you are a fan of morally gray characters, or you like characters who want to do the right thing but life just doesn't let them, then these characters are for you! Every character is so great (especially Yassen, he has my heart) and Verma does a great job of showing the struggle that each person goes through internally and how they justify their decisions/actions. I really connected with the characters (even though they had me yelling at the book to "stop!" or "please don't do that!" at times). Each character also spends a lot of time reflecting on themself and what they've done, which creates powerful quotes that I will definitely be reflecting on the next time I have a mental crisis. I mean the first line alone is great: "To be forgiven, one must be burned".
If you like reading about characters with a lot of depth, the political conflicts that come with leading a kingdom, and being kept on your toes the WHOLE time, then you will love this book. Plus some things that I didn't cover in-depth, like a wonderful slowburn romance, a strong female lead, conversations about religion and the dangers of fanaticism, and beautiful worldbuilding.
Okay, I am going back to reflect some more on that ending.
<3 Aparna Verma, u are a queen.
Graphic: Violence, Death, Injury/Injury detail, Grief, Ableism, Blood, Racism, Death of parent, Fire/Fire injury, and Murder
Moderate: Xenophobia, War, and Suicide
Minor: Cursing