Reviews tagging 'Child death'

On Earth We're Briefly Gorgeous by Ocean Vuong

36 reviews

kaimetcalfe's review

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challenging dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

3.5


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raelong12's review

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dark emotional hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.25


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novella42's review against another edition

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challenging dark emotional inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I can still hear Vuong's gentle, relentless voice when I read quotes or pages from the hardcopy I finally picked up. Sometimes I read a little to remind the writer part of my brain how lyrical words work, and what kind of writer I want to be.

His author-read audiobook performance of this powerful book was nothing short of magnificent. 

A queer Vietnamese American man writes a letter to his mother, a survivor of the Vietnam War, who cannot read. His love for her, and hers for him, is ferocious and beautiful beyond words. Vuong is a poet, but strangely, I find his novel more compelling than his poetry. Tons of content warnings, to the degree I don't know when I will ever feel mentally resilient enough in my own C-PTSD to re-read it in its entirety, but if you're in the mood for a good cry, I can't think of anything more cathartic.

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luckyone's review

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emotional reflective sad slow-paced
  • Loveable characters? Yes

3.25


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antoniaodernein's review against another edition

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challenging emotional hopeful inspiring medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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natalie_davies's review against another edition

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challenging emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

This was a beautifully articulate bit of autofiction, one of my favourite niches in literature. It had some moving perspectives on issues and lives I'd not considered before, and read like the best prose poem. That being said, because of a few graphic sex scenes, I'm not sure it was for me.

As a piece of literature it hangs together really well, it's just not always to my taste. There were universal ideas peppered throughout that tied me to the narrative; I loved the about language and art for instance, as well as the intrinsic theme of family, but the explicit nature of some scenes left me a bit cold... I'm not 100% why that is though.
 
It could be because of my own relative disinterest in sex scenes in literature, or because seeing certain anatomical words rubbing up amongst the rest of Vuong's eloquent and graceful language felt wrong. Either way I found myself losing track of the things I cared about in the middle portion of the book, which is mainly concerned with sexual discovery with a fellow immigrant and Tabacco picker, Trevor. It picked up again after this section, once the letters had become splinters rather than whole paragraphs, but it never quite thrilled me as it did in the first 30 pages.

Quick-ish note... Feel free to stop reading, I just need to ramble. 

One thing that has definitely been impactful on my reading has been the gendered critique surrounding the text. I've seen discourse online comparing Vuong's style to that of Rupi Kaur, and taking issue with the idea of style over substance (a debate that's raged for hundreds of years). My question is; why do we consider one to be frivilous and surface level while the other is subversive and holds great beauty?

Is it because Vuong is very much subverting expectations of masculinity, having the courage to express his vulnerability, while Kaur is a of feminine expectations to ONLY dwell in these realms?

I'm not suggesting that the argument is this surface level, but it's a thought I had.... Maybe ignore this bit 🤷





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bites_of_books's review against another edition

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challenging dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5

There is no question that Ocean Vuong can write. There were passages that struck deep in my core and that I can't shake. 

Little Dog is a young man who is writing a letter to his mother, telling her about many aspects of his life that he'd never told her before. We learn about his family's story in Vietnam as well as what happened as he grew up in the US. This is all told in snippets that jump back and forth between memories, almost like a structured and poetic stream of consciousness. While it was beautiful it was also violent and raw and simply overwhelming at times. 

I so wish that the structure of the novel had been a bit more linear, adding that to the poetic writing made it quite difficult to fully appreciate everything that was going on in the novel. If anything, I think this is one novel that I'll get a lot more out of upon re-reading it. 

I'd recommend it but definitely check the trigger warnings before reading, be patient, take your time, and keep an open mind for a novel that is blurring the lines between novel and poetry. 

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picoledenaranja's review

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challenging emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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sydapel's review

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dark emotional hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

There's a blurb on the back of this book that calls it "raw" and that's really all I've got to say about this story, these people, this writing. Its a book that requires revisiting, despite the heartache and suffering that almost leaks through the page, and it reminded me of the strength in remembering, of drawing beauty out of suffering, and oddly of the complex community of Hartford. 

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tessareads_'s review

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challenging dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.0

The story was interesting and I feel I learned a lot about Vietnam and Vietnamese Americans but I didn't like how it was written. It jumped all over the place, changed tenses (time and personal) and structure, making it hard to follow. It often started off telling one story and then went on a tangent about something unrelated and I found myself rushing through those parts to get back to the original point. Sometimes it focused way too much on particular imagery which just got a bit boring and repetitive. For me, a lot of it just felt pretentious. It felt like a lot of things were just thrown in, like the mention of friends who he hadn't mentioned previously.  Also, are we not over the bury your gays trope by now? This book was published in 2019, there was no need.

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