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The mystery was good and the story was often funny. I probably would have enjoyed it more if I’d read earlier books in the series and not started with number 22. Ah well.
The 23rd and next to last book in the series, to my regret. And what an excellent one, even making a glancing reference to the first book in this series.
Okay entry in the Inspector Jury series but not the best. Liked revisiting the character of Harry Johnson but there wasn't enough time spent with the characters that live in Long Piddleton, especially Melrose Plant. If you haven't ready any of the Richard Jury series by Grimes, I highly recommend starting at the beginning so you can meet Melrose and the the crew at the Jack and Hammer as well as Jury's neighbor Carol Anne.
I really enjoyed The Black Cat after a long break from Martha Grimes's Richard Jury novels. As usual, Grimes provides an odd combo of murder, detection, personal demons, quirky characters, and what really feels like complex inside jokes. I read The Old Wine Shades three? two? years ago and enjoyed/was frustrated by Grimes's deliberate refusal to solve the mystery/punish the bad guy/explain anything, and The Black Cat (there are actually three black cats--and three dogs--and they do communicate telepathically) follows the same m.o. by referring to characters and events from that same book, but with no real explanation or clarification. To explain: that means that one whole plot line of this later book all refers, in a "nudge-nudge, wink-wink" manner, to a completely different book that was almost completely opaque even when one was reading it firsthand. THANK GOD that was only one plot line. The other plot line dealt with women living double lives, and I have to admit I got DeeDee/Kate/Chris pretty muddled up for most of the time as well. However, that plot line did have a whole "murderer confesses in detail" scene that tied everything up.
Oh, and Jury's love life is continuing in its usual disastrous way. His former love is in a coma, Carole-Anne is as immature and frustrating as ever, Polly shows up once, the call girl he meets is a floozy, not a stunner. . . .
However, I did enjoy the book! It feels that Martha Grimes couldn't give a damn that probably 1/3 of her readers want a straight police procedural, 1/3 of them want a cozy mystery driven by zany characters, and 1/3 want something challenging that involves particle physics and probability (maybe I should rearrange those percents)--and then there's the whole population that likes stories "written by" animals! She seems to be having a wonderful time writing what she wants to write, slamming around from inside jokes to high fashion to string theory and back. It's like watching YoYo Ma, in cutoffs and a tee shirt, sit in a lawn chair and play some of his favorite tunes, top 40 and otherwise. The Black Cat would not be a good first Martha Grimes book, but I think it's a very good 12th (or whatever number it is).
Oh, and Jury's love life is continuing in its usual disastrous way. His former love is in a coma, Carole-Anne is as immature and frustrating as ever, Polly shows up once, the call girl he meets is a floozy, not a stunner. . . .
However, I did enjoy the book! It feels that Martha Grimes couldn't give a damn that probably 1/3 of her readers want a straight police procedural, 1/3 of them want a cozy mystery driven by zany characters, and 1/3 want something challenging that involves particle physics and probability (maybe I should rearrange those percents)--and then there's the whole population that likes stories "written by" animals! She seems to be having a wonderful time writing what she wants to write, slamming around from inside jokes to high fashion to string theory and back. It's like watching YoYo Ma, in cutoffs and a tee shirt, sit in a lawn chair and play some of his favorite tunes, top 40 and otherwise. The Black Cat would not be a good first Martha Grimes book, but I think it's a very good 12th (or whatever number it is).
The Jury novels have lately become noticeably formulaic, particularly now that Jury is obsessed with Harry Johnson and Mungo. I think this is the third book in a row? It's completely interfering with whatever mystery might be going on, to the point where this book didn't actually make much sense.
Grimes seems to be writing by formula. The asides and thoughts and angst and silliness ... Even the rhythm of the story is the same.
Martha Grimes is one of my favorite mystery writers. I always enjoy her books and recommend them if you like a good, Agatha-Christie-type book.
funny
mysterious
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
I gave up around page 65 ... it just wasn't holding my attention. No hard feelings, Martha Grimes.