Reviews with content warning for War - Regatul spinilor și al trandafirilor

Oh dear, this is awful.

The Writing

The title of this book is stupid. It's stupid and flashy and unrelated to the actual content of the book. It's solely for the ~wow~ factor. The quotable line, "I love you... Thorns and all" is wholely ineffective because "thorns" had not been established as a motif and was only used in that context in that very scene, more than halfway through the book. The word "thorn" was only used a grand total of 9 times in this book. The original Beauty and the Beast story had established rose motifs—you can't borrow good writing, even for a retelling. That's just lazy.

The writing itself was inconsistent and poorly done.

I pushed and pulled, but the mud was too slick, and held fast.

Are you aware of the definition of "slick", Sarah J Maas? I do not think it means what you think it means.

Besides that, Amarantha's hair drastically changed color after about 90 pages:

Her red-gold hair

Her black hair

Which is it, Maas? It can't be both unless she has unmentioned magical hair dyeing abilities.

The atmosphere and the opening chapter were excellent and I was intrigued by the idea that was offered me, but the actual book did not deliver at all.

This next point is a spoiler, but because I am disgusted with Sarah J Maas for including this, I am not going to mark it as such, since everyone should know what kind of morals this book is supporting before they read it especially when they are as filthy and vulgar as this was.

The attempted rape of Feyre by Tamlin was brushed off as no more than a mere romantic, steamy encounter to further their lukewarm love story. The only conclusions I can logically draw from this are all rather victim blamey, tbh—she was warned several times to stay inside with the doors locked until dawn, but she leaves her room not once but twice before dawn because she ~wants to go to the party~ and then later, after she almost gets gang-raped and is saved and then creeped out by Rhysand the sociopath, she thinks she is totally safe to go eat a bunch of cookies because, well the drums stopped, so it's probably okay now, and then she gets sexually assaulted by Tamlin, who was still high with lust magic.

I was about to pass out when he grabbed me, so fast I didn't see anything until he had me pinned against the wall.

"Let go," I said as evenly as I could.

I [pushed] him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn't move—I couldn't think.

Before, during and after the attack, she's thinking, Wow, he's really hot. I'm kinda uncomfortable with this, but I guess it's okay that he's drunk on lust magic, because I wanted to sleep with him anyway. That is a very wrong and dangerous way of thinking. No matter what, it is never okay for anyone to make someone else sexually uncomfortable or afraid, especially when they've given verbal disapproval. This entire scene left a bad taste in my mouth.

And then there's Rhysand's behavior. He repeatedly violates her personal space and comfort, drugging her and forcing her to "dance" for him in front of a large crowd for weeks on end after stripping her all but naked. Like all Fae males, apparently, he uses brute force to get her to comply with his sexual wishes.

"But he didn't actually touch her; he kept his hands just on her waist!" you say. Yeah, but did she say he could touch her at all? Did she actively encourage him to touch her? No, she did not.

I pulled away, but his hands were like shackles.

I would not have such an issue with this if Sarah J Maas didn't give the impression that she supports such behavior. That is what I find unconscionable.

Besides that, the plot made no sense, even after exposition-Alis gave us the lowdown—in fact, it almost made less sense then. It was cheesy and cliché and frankly, boring. The "riddle" was extremely easy and only proved that Feyre is an absolute idiot with no logical abilities, as I was able to figure it out before Amarantha had even finished saying it, and I'm notoriously bad at riddles.

The sex scenes were almost Empire of Storms levels of bad, cringey, and gross. I think Sarah J Maas doesn't know what YA means and isn't aware she's actually writing for NA.

The Worldbuilding

The Fae were, for one thing, almost exactly the same (primarily in appearance and personality) to the ones in the Throne of Glass series, and tbh I was disappointed. They're not even cleverly unique faeries. They're just Tolkien-esque elves that are actually vampires: fangs and biting, immortality, aetherial beauty, animalistic tendencies, superiority complex. They don't have any distinct differences from humans in their thought processes or emotional capacities—only the same degree of variety that exists in humans.

The religious system and creation story was very interesting and I really liked that aspect.

The Characters

Faerie aka Belle: Sarah J Maas decided to try something new and have a first-person fixed perspective, but it didn't really work, because Feyre was a bland complacent character without much substance passed the surface level, and most of the interesting action took place where she couldn't see it. She suffered, like Celaena did in Crown of Midnight, from what I call Nehemia syndrome: the character that the MC has grown to trust, despite obvious suspicious behavior, turns out to be manipulative, and yet the MC completely overlooks that fact in favor of idolization of their lying friend. In this case, everyone in Prythian is keeping secrets from her and after almost getting her questions answered by the Suriel, Feyre decides to "Stay with the High Lord. He will keep you safe," and just completely forgets that she wants answers about the blight. Also, whereas Belle left the Beast in the original story because her father was in mortal danger, in this book, Feyre leaves because Tamlin impies that she's gonna get ganked by Rhys or Amarantha, the evil Faerie Queen. She is not an active protagonist. Also, her painting skills aren't a part of her characterization; it just feels tacked on to make her ~cool~ and ~unique~

Tampon aka the Beast: I don't even care about this guy tbh. He's a confusing character who just feels like a Chaol-Rowan merge on steroids. He's violent, obsessive, and abusive, but also sweet, understanding, and caring, because that's not a contradiction. There's a difference between a complex character and a poorly written character.

Lucien aka Lumiere/Cogsworth (his steampunk eye suggests Cogsworth but his personality suggests Lumiere): So apparently he "hates" Feyre even though I almost shipped them more since they consistently had better chemistry than her and Tammy, and that's saying a lot, because they didn't have chemistry.

exposition-Alis aka Mrs Potts: She was okay. Just okay. She was fine.

Reese's Cups aka also the Beast and kinda Gaston too: Is he supposed to be her love interest for the rest of the series or something, because the fan art definitely suggests that, but, uh, did everyone forget that he's a dangerous sociopath with a history of violence?? He has no regard for her emotional well-being and sees her body as literally nothing beyond a sexual plaything. He's a horrible person.

Amarantha: Why did there have to be a "big bad evil Faerie Queen" in this at all? There's already one in the Throne of Glass series and I can only take so much female-against-female hate from a supposedly feminist fantasy writer. Amarantha was bland and predictable, and her motivations were extremely surface-level.

Her fam: Nesta was like, supposed to have some kind of implied character arc but lol it wasn't very good. Elain was nice and I liked her. The dad was okay, I guess. Pretty forgettable tbh

Isaac Hale aka fake-out Gaston: This character wasn't important at all, but I just wanted to say that I think this is the dumbest name choice in a high fantasy book that I've ever seen. Isaac Hale?? Really, Sarah J Maas? Really? That's the Jason of fantasy names. This is a the-guy-who-went-to-high-school-with-my-older-sister kind of name. It's not a fantasy name.

Conclusion

While I managed to read it fairly quickly, I had to dnf it for several days before deciding to trudge through. It was horrendous. I may pick up the sequel at some point, idk, but for now, from what I predict and understand from various spoilers I've encountered on the internet, I don't really care about this series very much. Frankly, it's not good.

Content Warnings

inadequate_hero's review against another edition

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adventurous dark lighthearted tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

2.5

Okay, this book was weak sauce. I want to say that I was told this was fairy smut, but it’s not; it’s romance with a fantasy element and that’s okay, but sheesh these characters are so unlikable.

Having already read the second in the series, I’m just going to say I’m glad I proceeded with it. Everything is muuuuch better.

Content Warnings

sarahina_b's review against another edition

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adventurous dark emotional funny mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Content Warnings

pawprintedpages's review against another edition

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adventurous dark funny medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Content Warnings

xxmedicxx's review against another edition

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adventurous dark emotional tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? N/A
Flaws of characters a main focus? It's complicated

4.75

The beginning was a bit slow at first but then it started to pick up towards the middle.

Feyre was a bit annoying in the beginning about wanting to leave and go back home. Like girl you have everything you want. Also Rhys!!! Talk about tall, dark, and mysterious

I'm definitely interested to see where the series takes off too!

Content Warnings

colloreda's review against another edition

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adventurous emotional mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? It's complicated

4.25

Content Warnings

mandersdraws's review against another edition

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adventurous dark emotional inspiring mysterious slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No

2.0

I guess I don’t hate it, but I really do not like it.

I’m currently reading the next book in the series, and the further I get, the more I think this book is only here to serve as a prequel. I don’t feel like it stands very well on its own merits, and as it is, I’m wondering if it was all set up just for the sequel to tear down.

Now. The main thread of this book, and one of the most frustrating things about it, is how the main character Feyre is kept incredibly uninformed about the world, its magic, and the people around her.

For most of the novel the characters have reasons or excuses for never telling her important details. But in my opinion, there are plenty of situations in the book where they definitely could have told her more. They could have answered many more of her questions. They could have explained why something was dangerous. Especially when it becomes clear that this girl will not follow a rule or a warning without being given any reasoning behind it. Characters then often blame Feyre for being uninformed about magic or faerie society, which I find to be…well, unfair and kinda slimy. Especially when sex gets involved.

It also means that some of the rules of the magic in the world are just murky and unclear and appear to be inconsistent. The narration is in 1st person so (with maybe a few exceptions) we only know what Feyre knows.

And on the topic of world building, I had a little trouble staying invested when it came to the main villain of this book. They felt a little stereotypical to me in the way they are described. Additionally one of the great challenges they present, that ends up being the climax of the book, just felt a little silly.

I mean you’re telling me that this incredibly jaded war lord, for her incredibly high stakes challenge, is going to present a riddle about…love? Besides which, I’ve seen that the riddle is pretty obvious to many readers (I solved it immediately lol I mean come on). I guess we can assume Amarantha doesn’t think humans to be very smart but to stake her power on that assumption? Even though Feyre was genuinely challenged by it, how would Amarantha know that? I dunno girl. It just seemed a little ridiculous.

I also have some thoughts about how the narration deals with class issues in this book. There seems to be kind of a rigid caste structure in this world that doesn’t really get examined.

The narrative establishes kind of an innate hierarchy of races and sub-races, and then from that point onwards, the narration seems to almost exclusively care about the lives of the “High Fae,” who basically act as the magical world’s rulers and nobility. Lots of other faeries are described but none really appear to have personalities— the servants even being literally invisible for a large portion of the book — and Feyre doesn’t seem to concern herself with them. She also starts to look down upon her fellow humans at one point. But at the end of the day, I guess Feyre wasn’t a poor girl. She was a temporarily embarrassed rich girl. /s

I might be taking this part of the book to seriously, but if you’re one to read your fantasy books through a lens of class consciousness, well. Might not be the one for you.

And the way she gets resurrected at the end? I found myself thinking, not for the first time since starting the book, “that was an option???” I can’t help but feel weird about them resurrecting our white girl romantic lead protagonist and not the literal child that also died at the end. But I guess was kind of necessary to set us up in the next book.

Another point of frustration for me are Feyre’s own feelings about her family. I feel personally like whenever the narrative turns towards her father and sisters that her feelings are inconsistent. And listen. I know feelings don’t have to make sense. But it was a frustrating reading experience, mostly because for the majority of the book, I don’t feel like the narration recognizes the dichotomy in how she feels about them. It just kind of switches back and forth between devotion and resent.

I also feel a little uncomfortable knowing who the fan-favorite love interest ends up being in later books. That character treats the protagonist absolutely horribly in this book, and while there are (again) lots of magical and political reasons for him to treat her that way, if it’s not addressed and reconciled later, I’ll be kind of grumpy about it lol. Of course, this book’s love interest doesn’t treat Feyre great either IMO, and has a fair few red flags himself, but honestly. It’s bad. It’s all bad.

Now here’s what I did like:

I like that Feyre has character growth. It’s subtle and slow, but as a character who hasn’t had the time or privilege for introspection in her adolescent life, I think it makes sense. Feyre is a hunter by trade but the story has her questioning who and what she wants to be.

I like that the love story has our characters finding common ground. That sounds like a low bar I guess, but the narrative is VERY EXPLICIT that they find each other sexy, so it’s nice that spice isn't all the characters have in common lol.

When the book bothers to flesh out other characters than our main couple, I do tend to like them. Lucien is very likable, and I even ended up liking Nesta.

Already I can see the sequel has more characters for us to get to know, and I hope for more development for them and for Feyre.

Content Warnings

kelseyr713's review against another edition

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adventurous mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

This was so fun! Uses tropes and elements from many different stories, but sometimes you just need an escape / brain candy book and I immediately wanted to read the rest of the series after finishing this one. I can’t wait to see what happens next!!

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