Reviews with content warning for Chronic illness - The Flatshare

Reviews tagging 'Chronic illness'

The Flatshare by Beth O'Leary

38 reviews

jadawhooreads's review against another edition

emotional funny hopeful lighthearted medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I loved this book! I really enjoyed Beth O’Leary’s casual and fun writing style; especially reading the differences in how Leon and Tiffy think with their split POVs. I thought it was very well paced and I didn’t want to put it down for long. Tiffy and Leon as characters were well fleshed out and I enjoyed their dynamic with each other and their slow burn attraction. I squealed a good amount of times while reading, I felt like I was reading fan fiction it was so wholesome at times! Even with Tiffy and Leon aside, I was interested in other characters and I didn’t find myself ‘skim reading’ over them (which is rare for some books I can’t lie). I would definitely read a sequel of Gerty and Mo and Richie and see how they’re getting on; I loved their different energies and they felt real, not just there to serve Tiffy and Leon. ALSO, can I just say I ADORE how Tiffy was clearly written as a plus sized woman and YET it wasn’t her only character trait and it didn’t affect how people were attracted to her, or how people treated her. I ALSO ADORE how Leon (and Richie) was both Black and Irish and yet again, it wasn’t his defining trait, and it wasn’t the defining reason why Tiffy was attracted to him. Sometimes when I read heterosexual romances it can be a bit bland or problematic, but this was full of life and making them both inclusive and yet not having Tiffy’s body or Leon’s race be the only thing they talk about was so refreshing; massive props!

I literally don’t have any criticisms of the book, perfect sized, well paced goodness! 🥰

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antireading's review against another edition

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emotional hopeful fast-paced

Plot- or character-driven? A mix
Strong character development? N/A
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

Absolutely loved this, read it in one sitting. The beginning felt a lot more drawn out compared to the third act, where it felt very fast-paced. The plot was definitely convenient but I don't really mind cause I enjoyed what it was, a cheesy, feel-good romance.

handles dealing with someone who has been emotionally abused really well. really admire how O'Leary wrote Leon to be so understanding of Tiffy's PTSD and panic disorder

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lawsam's review against another edition

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emotional hopeful lighthearted slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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chalkletters's review against another edition

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funny inspiring lighthearted tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.5

For professional reasons, I’ve read a lot of self-published romance novels, but they’re not usually something I pick up for fun. Despite enjoying romantic comedies, I’ve just never particularly gravitated towards them. I took The Flatshare home from an office book sale because it had a unique premise in two characters who share space, but don’t actually know one another. I then didn’t get around to reading it for ages, because two book clubs makes it tricky to fit other new reads into my schedule. When a space opened up, The Flatshare got picked partly because I’d seen posters for the new Paramount adaptation, and partly because it’s one of the thickest books on my tottering vertical pile…

The Flatshare is very unlike those instalove romance novels where the characters are immediately and overwhelmingly attracted to one another and can’t stop thinking about getting intimate. Tiffy and Leon’s only understanding of the other’s appearance comes from Facebook photos, descriptions and context clues. Needless to say, their attraction builds slowly, and is based on personality rather than physical chemistry.

The epistolary elements came as a very pleasant surprise. While Tiffy and Leon’s notes aren’t as amusingly eccentric as Jaclyn Moriarty’s use of post-it notes, they are full of character. Beth O’Leary distinguishes between her two characters’ voices excellently, though the switch between Tiffy’s effusiveness and Leon’s spare use of words can be a little jarring.

As is probably necessary in a story where the two leads can’t meet face-to-face, both Tiffy and Leon have a number of things going on in their lives outside their interest in one another. While Tiffy’s life as an assistant editor is rather more glamorous (and involves rather less actual work) than is realistic, Leon’s relationship with his brother is a foundational element of the novel. All the threads of plot and subplot are woven together expertly, with Tiffy having a place in Leon’s stories, as well as he in hers.

The climatic misunderstanding, necessary in all romance novels, involves a huge heaping of dramatic irony. It’s certainly tense enough to keep readers on the edge of their seat, though whether that’s pleasurable or painful might depend on individual tastes. The ending is predictable, of course, but effective and very sweet.

This was a fun change of pace for me, and I appreciated how easy to read it was at a time of year which can be pretty hectic.

Content Warnings