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limiwh's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Death, Gore, Violence, and Blood
Moderate: Child abuse and Gun violence
Minor: Domestic abuse, Racism, and Kidnapping
kallifornia05's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Moderate: Child abuse, Cursing, Death, Emotional abuse, Gore, Violence, Blood, Grief, and Death of parent
this book can just be very dark and intense, so i would just be sure if this stuff will bother you to take breaks while reading. other tw/cw in book: -r*pe joke (character gets mad about it) -if reading the opal extra story sex scenes are discussedcarlyisnotliterate's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Panic attacks/disorders, Violence, and Blood
Moderate: Child abuse, Domestic abuse, Gore, and Gun violence
myarae's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Body horror, Death, Gore, Violence, Blood, Kidnapping, Grief, and Murder
thecourtofreading's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
"i did something so that others would do something. that is kingly."
Graphic: Death, Gore, and Violence
Moderate: Body horror and Panic attacks/disorders
Minor: Blood and Kidnapping
heyitsdaliiii's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
5.0
Moderate: Blood
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
I'm so happy about Henry as a character. He had a slight presence in the previous books and is very welcome here. The pit scene with Henry and Gansey was chilling, dripping with threats, promises, and hope, all at once. The central group of Blue and the Raven Boys shifts even more as they start facing things they weren't ready to handle before, speaking truths previously left unsaid. The plot is more nebulous than the previous books, this time they're mostly existing and trying not to die, staving off a destructive force that eats up the narrative and any more complex plans they might have had. It works very well as the conclusion to a quartet, but I don't know that I could recount the actual story of this book. The narration for the four main kids (especially but not only Blue) is such a perfect encapsulation of a certain way of being a teenager, my favorite example of this is the whole of chapter 32 when Blue is waiting for the bus to move. It captures the way her thoughts skitter and circle around a sense that something is deeply unfair and structurally wrong, that the course of her life which led to this moment didn’t have to go this way. The whole series has been filled with moments like this, quirks of thought that aren’t limited to the transitory time that is the late teen years, but which belong perfectly there.
This wraps up a lot of things left hanging from the first book, since it is the last book it also wraps up things reaching back all the way to the first book. This includes but is not limited to the book-one prediction that Gansey would die. Henry was introduced previously, but has a much stronger presence here and his inclusion helps bring the feeling that this volume has its own storyline separate from the previous three, but everything bends back towards continuing and resolving things from earlier in the quartet. If I'm being honest, I don't quite think it has something that starts here and wasn't present (or heavily implied) before. It's not new that people are coming to Henrietta to try and get the magic, though that ramps up here, Henry isn't new though he feels fresh here, and the emotional core of the book is to settle whether it's possible to find Glendower, and to resolve the fates of Gansey and Cabeswater. If there is a small thing which is both introduced and resolved here I think it must relate to Henry, but I can't actually bring anything to mind. All the narrators have been point of view characters in at least one of the previous books. Their voices are distinctive from each other, and one of my favorite parts is the way they're all quintessentially teenage while being different flavors of teenager. This would not make sense if someone picked it up at random and didn't know about the series. It's stuffed with magic and mystery, doesn't pause to explain the why of Cabeswater, Blue's family, Ronan's family, really it doesn't explain the origin of any of their families, except in ways that answer questions you would only have if you'd read the first three books, without answering any of the things someone would ask if their first exposure was here in book four. This is perfectly fine for a series finale, and I think it does enough to connect this volume to the previous ones in ways that would provide a refresher if someone picked this up a while after reading BLUE LILY, LILY BLUE, but it's not intended to stand alone and makes no pretense of it.
I liked the ending overall, but I did come away with a few questions about what happens next. The ending does a pretty good job of conveying the trajectory after the story is over, so I think my feeling of something being missing is mostly that I just want to spend even longer with these characters. I love this series as a whole, and this is a strong conclusion to a wonderful quartet. If you like YA fantasy in a contemporary setting, give The Raven Cycle a try.
Graphic: Body horror
Moderate: Death, Mental illness, Panic attacks/disorders, Violence, Blood, Medical content, and Death of parent
Minor: Ableism, Child death, Confinement, Racism, and Kidnapping
CW for major character death.battybookworm's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
With some age and time, I have gotten over this hate and I was really hungry for a YA around that time anyway (I can't remember but I believe I'd just finished something dark and adult and was in need of a change in pace). I'm probably very late to the train on these books, but I was suddenly hearing about them everywhere and I decided to try them. I remember seeing Stiefvater's work when I was in school but I think it was only the Shiver series, and I'm afraid I've yet to get into werewolf books.
This series has been fun. I'll admit, there isn't a single book in the series that I outright hated and Stiefvater does a really good job of making them all significant in some way or another. That being said. I was super sick of reading them and they are not as fulfilling as a standalone book where I can get that connection and the magical reading moment where the book speaks directly to me and changes me as a person in some fundamental way. I think series books might just not do this as much for me. They're basically a prolonged book so the time it takes to get to life-changing places takes longer. I really like the tone of these stories. I didn't overly love the characters at first but they've grown on me and I did enjoy the story/adventure they go on so that helped.
The Raven King in particular had some of the best moments in character development. I think the shifts in POV and the way Stiefvater unwound events and opened chapters in this story were purposeful and almost expert-level at points. I did not expect where things went, and while that's not a requirement for me, it was enjoyable to continually be surprised. And, the magical moment finally happened in this book! I can't remember (plus it'd be spoilers) what it was in particular but I know it was something Blue-related and I just felt I finally got her and her motives and perspective and could say, 'yes, this makes sense to me and I love it.' I was very happy once I got there and the rest of the book was a breeze from then on.
These books take a little while for me to get going with them. This is something I think might be with most series that you sort of get more of a roller coaster effect than a single slow build and then drop. The starts of each book felt long but once they get momentum they get going pretty darn fast. They're fun, fairly quick, and easy to read, and definitely great fantasy with familiar elements but funky enough to be something all their own as well. Another part I loved with these books, completely unexpected, was that people knew these books and would share things about them with me. I don't know if it's the YA-ness or their general popularity, but these books are better known than most of what I usually read. I got lots of little sweet tidbits from other students and strangers: stuff about their experiences reading these and I treasure those the most!
Moderate: Body horror, Death, Gore, Violence, Blood, and Murder
Minor: Child abuse, Cursing, Gun violence, Panic attacks/disorders, Physical abuse, Suicidal thoughts, Vomit, Medical content, and Kidnapping
jcostacurta11's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Gore, and Blood
Moderate: Panic attacks/disorders