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howeonearth's review
adventurous
emotional
funny
hopeful
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Violence, Blood, Injury/Injury detail, and Classism
Moderate: Emotional abuse, Misogyny, Sexism, Torture, Grief, and Lesbophobia
Minor: Homophobia and Racism
therainbowshelf's review
adventurous
challenging
dark
emotional
funny
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Another enjoyable entry in this series. I was delighted to meet Ross and Violet and get to know Maud and Hawthorn more in this volume. I enjoyed the first book a bit more, because the pacing was better, but I felt the character connections just as strongly and laughed out loud just as often with this. Super excited for the next book!
Content Warnings
Graphic: Sexism, Sexual content, Sexual violence, Torture, Violence, Blood, Grief, Murder, and Injury/Injury detail
Minor: Homophobia
18soft_green's review
adventurous
funny
hopeful
lighthearted
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
4/5
I enjoyed this story though not as much as I enjoyed the first book. It was funny, the plot was entertaining enough, the characters were complex for the most part.
I like that the story centers the feminine characters without making it a girlboss situation and actually shows some of the toxicity with that mindset while still supporting women's agency. I also really loved how it showed that women are important and strong even though society doesn't give them the freedom to be independent. I didn't like how Maud and Violet's relationship starts but I think that's just a preference.
Violet is an interesting character but also one of my least favorite types of characters. Her independent woman with no deep feelings performance is exhausting but that's kind of the point. Maud is fun except her innocence felt kind of forced. But then again, this is the 19th century where women legit didn't get to learn about sex and stuff until after they were married. I love Hawthorn and am curious about Ross.
The sex scenes were awesome! I like how realistic they were about the mechanics of sex and dialogue, the jokes and awkwardness. I like how Maud was new to it but excited and interested so we got a whole scene in safety. I like how the scene was hot but not in a fantastical way and descriptive while also being practical. I love Marske's writing style so much! It's so difficult to find a sapphic story that's smutty but not written for men or perfect the act but is also intimate.
I didn't like how the story kind of particularizes Maud and Robin like their individuality and personness is something that runs in the family and they're just saints among humans but it doesn't go too over the top with it. Maybe that's just because that's how people treat my family so I want to smash it instead of observing that it's just art depicting life? Idk, it's weird.
4/5 Like this story, would recommend
I enjoyed this story though not as much as I enjoyed the first book. It was funny, the plot was entertaining enough, the characters were complex for the most part.
I like that the story centers the feminine characters without making it a girlboss situation and actually shows some of the toxicity with that mindset while still supporting women's agency. I also really loved how it showed that women are important and strong even though society doesn't give them the freedom to be independent. I didn't like how Maud and Violet's relationship starts but I think that's just a preference.
Violet is an interesting character but also one of my least favorite types of characters. Her independent woman with no deep feelings performance is exhausting but that's kind of the point. Maud is fun except her innocence felt kind of forced. But then again, this is the 19th century where women legit didn't get to learn about sex and stuff until after they were married. I love Hawthorn and am curious about Ross.
The sex scenes were awesome! I like how realistic they were about the mechanics of sex and dialogue, the jokes and awkwardness. I like how Maud was new to it but excited and interested so we got a whole scene in safety. I like how the scene was hot but not in a fantastical way and descriptive while also being practical. I love Marske's writing style so much! It's so difficult to find a sapphic story that's smutty but not written for men or perfect the act but is also intimate.
I didn't like how the story kind of particularizes Maud and Robin like their individuality and personness is something that runs in the family and they're just saints among humans but it doesn't go too over the top with it. Maybe that's just because that's how people treat my family so I want to smash it instead of observing that it's just art depicting life? Idk, it's weird.
4/5 Like this story, would recommend
Content Warnings
Graphic: Death, Sexual content, Gaslighting, and Classism
Moderate: Animal cruelty, Cursing, Emotional abuse, Gun violence, Stalking, Death of parent, and Alcohol
Minor: Body shaming, Emotional abuse, Homophobia, Sexism, Blood, Police brutality, and Grief
imds's review
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
3.75
Content Warnings
Graphic: Confinement, Death, Homophobia, Sexism, Blood, Police brutality, Kidnapping, Grief, Murder, Lesbophobia, Abandonment, and Classism
Minor: Death of parent
booksthatburn's review against another edition
adventurous
emotional
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
A witty and enchanting follow-up, A RESTLESS TRUTH follows Maud Blyth as she tries to secure a piece of the Last Contract.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
Content Warnings
Graphic: Death, Sexual content, Violence, Blood, Grief, and Murder
Moderate: Cursing, Injury/Injury detail, and Classism
Minor: Mental illness, Slavery, Suicide, Vomit, Car accident, Death of parent, and Pregnancy
wilybooklover's review against another edition
adventurous
mysterious
medium-paced
4.5
While this didn’t quite live up to the first book for me, I still found it gorgeously enchanting. Freya Marske’s prose is as lush and evocative as ever. Sometimes beautiful prose can get in the way of the narrative and leave the reader (at least, this reader) confused about what’s actually going on, but this was eminently readable.
I’ve found that many sapphic romances are lacking in the tension and sexiness that you find in other romances — not so in this book! This book was delightfully horny. Violet and Maud are both deeply flawed and almost mirror images of each other, in a way; where Maud is naive on the surface and unwaveringly strong inside, Violet is confident and sophisticated on the outside but soft and scared on the inside. I especially loved Violet’s characterisation: how she used illusion and artifice as a shield, how she was all defensive sharp edges whenever someone tried to get close to the real Violet, which in turn made it all the sweeter when she dropped those defences and let Maud in. Their story ends on a very satisfactory HFN note that felt right for the characters and their short acquaintance.
While I missed the magical houses and murderous mazes of the first book, I did enjoy the ship setting, and I thought the magical world and its rules were deftly expanded. The reveal at 50%, that Maud is a medium was a really fun addition and took me by genuine surprise. The mystery was fun and engaging, mostly due to the hijinks and banter of Maud’s assembled group of investigators but also in part to some very creepy villains. The comparison to Knives Out was a very apt one.
I think (hope!) that the next book will feature Hawthorn and Ross, because they both made fantastic side characters in this.
Content Warnings
Graphic: Death, Sexual content, Blood, Grief, and Murder
Moderate: Confinement, Misogyny, Sexism, Torture, Violence, Kidnapping, and Injury/Injury detail
Minor: Homophobia, Racism, Death of parent, Fire/Fire injury, Sexual harassment, and Classism
azrah786's review against another edition
4.5
**I was provided with an ARC through Netgalley in exchange for an honest review**
CW: violence, blood, torture, injury, death, murder, grief, misogyny, sexism, classism, confinement, kidnapping, alcohol, sexual harassment, sexual content
--
Full of magical mayhem, a swashbuckling sapphic romance and a marvelling murder mystery, A Restless Truth is a brilliant sequel to Freya Marske’s A Marvellous Light.
This second instalment follows Maud Blyth - sister to previous MC Robin – who gets tangled up in a murder investigation aboard a ship that is taking her home from America when the very person she has found to help Robin and Edwin with The Last Contract situation ends up dead.
I absolutely loved that Maud was the lead protagonist and got her own romantic adventure in this book as I really liked her character from the moment we met her in book 1. The rest of the newly introduced characters were also a really fun bunch. Hawthorn is a character I couldn’t remember well from book 1 (I probably should have done a reread) but I’m really glad he got pulled in for the shenanigans as it made the central murder mystery all the more amusing. Honestly the humour in this and the banter between the characters was great! Violet, I took a little longer to fully warm to but I loved everything she stood for.
I feel like the romance in this second book though just as steamy felt a lot more like a side plot. It was balanced well with the rest of the main plot points however, I feel like the whodunnit storyline and direction of the series as a whole became a lot more apparent and took the limelight.
Nevertheless, alongside the highly entertaining mystery I really enjoyed that we got to see more elements of the magic system and learn more about the history of it all and The Last Contract. It brought the whole conspiracy that started in the first book to a nice place to be continued and concluded in the final book of the trilogy and I’m excited to see who is going to be the lead!
Final Rating – 4.5/5 Stars
CW: violence, blood, torture, injury, death, murder, grief, misogyny, sexism, classism, confinement, kidnapping, alcohol, sexual harassment, sexual content
--
Full of magical mayhem, a swashbuckling sapphic romance and a marvelling murder mystery, A Restless Truth is a brilliant sequel to Freya Marske’s A Marvellous Light.
This second instalment follows Maud Blyth - sister to previous MC Robin – who gets tangled up in a murder investigation aboard a ship that is taking her home from America when the very person she has found to help Robin and Edwin with The Last Contract situation ends up dead.
I absolutely loved that Maud was the lead protagonist and got her own romantic adventure in this book as I really liked her character from the moment we met her in book 1. The rest of the newly introduced characters were also a really fun bunch. Hawthorn is a character I couldn’t remember well from book 1 (I probably should have done a reread) but I’m really glad he got pulled in for the shenanigans as it made the central murder mystery all the more amusing. Honestly the humour in this and the banter between the characters was great! Violet, I took a little longer to fully warm to but I loved everything she stood for.
I feel like the romance in this second book though just as steamy felt a lot more like a side plot. It was balanced well with the rest of the main plot points however, I feel like the whodunnit storyline and direction of the series as a whole became a lot more apparent and took the limelight.
Nevertheless, alongside the highly entertaining mystery I really enjoyed that we got to see more elements of the magic system and learn more about the history of it all and The Last Contract. It brought the whole conspiracy that started in the first book to a nice place to be continued and concluded in the final book of the trilogy and I’m excited to see who is going to be the lead!
Final Rating – 4.5/5 Stars
Content Warnings
Graphic: Death, Sexual content, Blood, and Murder
Moderate: Confinement, Misogyny, Sexism, Torture, Violence, Kidnapping, Grief, Alcohol, Sexual harassment, Injury/Injury detail, and Classism
maxinesf's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Sexual content, Blood, Grief, and Murder
Moderate: Confinement
Minor: Classism
patricktreads's review against another edition
adventurous
emotional
funny
hopeful
informative
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
I have been wanting to read this series for a while now, and am super thankful for NetGalley/Macmillan allowing me an audio ARC.
I will start off with I really enjoyed this story as an individual. I was not expecting it to be different characters than the first, but I think it worked well. Even though it's a series, it now has a more anthology feel. I appreciated the growth in the two characters that had a larger role in this installment along with the new introductions. I think there are a couple of parts that could have been slightly tweaked but It was still good. I also enjoyed the certain comedic aspects spread throughout.
In regards to the narration, I think Aysha Kala did an absolutely amazing job. The voices and characters were distinct and unique, and the acting was chef's kiss. I would absolutely listen to any other work that Aysha narrates.
I can confidently say that I would absolutely recommend this book and series to others.
I will start off with I really enjoyed this story as an individual. I was not expecting it to be different characters than the first, but I think it worked well. Even though it's a series, it now has a more anthology feel. I appreciated the growth in the two characters that had a larger role in this installment along with the new introductions. I think there are a couple of parts that could have been slightly tweaked but It was still good. I also enjoyed the certain comedic aspects spread throughout.
In regards to the narration, I think Aysha Kala did an absolutely amazing job. The voices and characters were distinct and unique, and the acting was chef's kiss. I would absolutely listen to any other work that Aysha narrates.
I can confidently say that I would absolutely recommend this book and series to others.
Content Warnings
Graphic: Biphobia, Death, Homophobia, Misogyny, Sexism, Sexual content, Torture, Grief, Murder, Gaslighting, Alcohol, and Classism
caseythereader's review against another edition
adventurous
emotional
funny
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Thanks to Tor Books for the free advance copy of this book.
- A RESTLESS TRUTH was pitched as "lesbian Knives Out on a boat," and WOW does it deliver on that promise! I was so-so on the previous book in this series, A MARVELLOUS LIGHT, feeling that it never struck the right balance between the genres it was blending. This book does that beautifully, and puts at its heart a beautiful story about allowing yourself to be seen as you are.
- The mystery plot of this book is great fun, keeping it silly and surprising even with the high stakes.
- I think you can probably manage to read this book without having read the previous installment, but you'll be better off if you have, since this one doesn't really reexplain the magic system or the the larger ongoing story until well into the book.
- A RESTLESS TRUTH was pitched as "lesbian Knives Out on a boat," and WOW does it deliver on that promise! I was so-so on the previous book in this series, A MARVELLOUS LIGHT, feeling that it never struck the right balance between the genres it was blending. This book does that beautifully, and puts at its heart a beautiful story about allowing yourself to be seen as you are.
- The mystery plot of this book is great fun, keeping it silly and surprising even with the high stakes.
- I think you can probably manage to read this book without having read the previous installment, but you'll be better off if you have, since this one doesn't really reexplain the magic system or the the larger ongoing story until well into the book.
Content Warnings
Graphic: Confinement, Cursing, Death, Sexism, Sexual content, Violence, Blood, Vomit, Grief, Murder, Alcohol, Injury/Injury detail, and Classism