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storyorc's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
As with Paul Atreides, you haven't done Ender justice until you've read his sequel. Speaker for the Dead differs in setting, cast, and pace, but it retains the human heart and takes its time to reckon with a version of humanity that survived - thrived - off of technology won from xenocide. The narrative doesn't pull punches or excuse Ender, despite how he was manipulated, but nor does it leave him to wriggle on the hook of his own guilt. This reckoning is mournful, but productive, much like the duties of a Speaker.
Over everything, Speaker is an ode to empathy. It stands unashamed in its endorsement of the Saturday morning cartoon friendship-is-magic style of empathy, but also extends and deepens that to acknowledge how painful and difficult it can be to reveal truth and still choose understanding over hatred. Perhaps it's not realistic, but it's optimistic enough to suggest it could be. If nothing else, every chapter makes it more irreconcilable that this attitude of relentless, courageous kindness was penned by someone who campaigned against gay marriage.
The appetite for sci-fi is also well and truly filled by the mystery of a new alien species, the 'piggies', who kick off the plot with ritualistic murder of a human, putting humanity's lofty ideas of remorse for their xenocide to the test as well as calling into question how moral a Prime Directive-esque policy of non-intervention actually is. Card has obviously devoted great thought to their species and culture, and doles out hints as well as any murder-mystery author.
Of course, none of us are perfect. Orson Scott Card remains one of the worst namers in SFF, adding "piggy" and "ramen" aliens to a lexicon already burdened with "bugger".
Over everything, Speaker is an ode to empathy. It stands unashamed in its endorsement of the Saturday morning cartoon friendship-is-magic style of empathy, but also extends and deepens that to acknowledge how painful and difficult it can be to reveal truth and still choose understanding over hatred. Perhaps it's not realistic, but it's optimistic enough to suggest it could be. If nothing else, every chapter makes it more irreconcilable that this attitude of relentless, courageous kindness was penned by someone who campaigned against gay marriage.
The appetite for sci-fi is also well and truly filled by the mystery of a new alien species, the 'piggies', who kick off the plot with ritualistic murder of a human, putting humanity's lofty ideas of remorse for their xenocide to the test as well as calling into question how moral a Prime Directive-esque policy of non-intervention actually is. Card has obviously devoted great thought to their species and culture, and doles out hints as well as any murder-mystery author.
Of course, none of us are perfect. Orson Scott Card remains one of the worst namers in SFF, adding "piggy" and "ramen" aliens to a lexicon already burdened with "bugger".
Content Warnings
Graphic: Injury/Injury detail
Moderate: Incest
Minor: Religious bigotry and Homophobia
Outside the general theme of love, Christian doctrine is very prevalent - the setting is a Catholic colony - and many Christians are shown to be wise or correct, but equally they have faults and there are upstanding atheists too. || At one point homosexuality is dismissed uncritically as ridiculous. || Plenty of strong women characters but also yet another classic sci-fi book where the females of the alien race arebits_and_pieces_odds_and_ends's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Xenophobia, Colonisation, and Pandemic/Epidemic
Moderate: Infidelity, Domestic abuse, Infertility, Incest, Murder, Death of parent, Injury/Injury detail, Death, Grief, War, and Cancer
Minor: Child abuse
juliatsang's review against another edition
adventurous
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death and Physical abuse
Moderate: Death of parent, Grief, and Injury/Injury detail
Minor: Incest, Infidelity, Pandemic/Epidemic, Domestic abuse, and War
nrogers_1030's review against another edition
adventurous
challenging
emotional
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Grief, Child death, Death, Gore, Injury/Injury detail, Medical content, Terminal illness, Death of parent, Infidelity, Xenophobia, and Religious bigotry
Moderate: Incest
nytephoenyx's review against another edition
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
To enjoy Speaker for the Dead, you have to have an interest in species and social evolution. This book is somewhat fascinating in its study of the piggie race. That's about the best thing I can say about Speaker for the Dead - it's intellectually fascinating.
Speaker of the Dead, even more than Ender's Game, makes it abundantly clear exactly how highly Orson Scott Card thinks of himself. The slow-paced erudite reflections are haughty. In addition, there are too many things within the story that are far too convenient. The characters comment on this - "Surely this cannot be the SAME Speaker who spoke the Hive Queen and the Hegemon?" and so forth. There's a sense of over-importance to Ender's character that he has survived three-thousand years to create in a few days what generations of other humans were unable to accomplish.
I'm also a little perplexed about his take on women? On one had, he has female scientists and a female leader to the alien societies. However, all these women are easily overruled by their emotions and especially by the presence of Ender himself. Novinha, in particular, was a disappointment. Valentine, too, choses love over her intellectual pursuits. Maybe I'm reading into it too much, but at times it feels like Card is building a commentary to say that women are unable to be true intellectuals because of their inability to resist emotional drives?
I dunno. On an intellectual level I liked this, even though it was really slow-paced. On an emotional level (oh the irony) I found the pretentiousness to be a bit much. I also can't see this story going anywhere exciting, so I'm done with the Ender Saga. Doubly so since Orson Scott Card is openly and aggressively homophobic and I deeply disagree with his personal views.
Speaker of the Dead, even more than Ender's Game, makes it abundantly clear exactly how highly Orson Scott Card thinks of himself. The slow-paced erudite reflections are haughty. In addition, there are too many things within the story that are far too convenient. The characters comment on this - "Surely this cannot be the SAME Speaker who spoke the Hive Queen and the Hegemon?" and so forth. There's a sense of over-importance to Ender's character that he has survived three-thousand years to create in a few days what generations of other humans were unable to accomplish.
I'm also a little perplexed about his take on women? On one had, he has female scientists and a female leader to the alien societies. However, all these women are easily overruled by their emotions and especially by the presence of Ender himself. Novinha, in particular, was a disappointment. Valentine, too, choses love over her intellectual pursuits. Maybe I'm reading into it too much, but at times it feels like Card is building a commentary to say that women are unable to be true intellectuals because of their inability to resist emotional drives?
I dunno. On an intellectual level I liked this, even though it was really slow-paced. On an emotional level (oh the irony) I found the pretentiousness to be a bit much. I also can't see this story going anywhere exciting, so I'm done with the Ender Saga. Doubly so since Orson Scott Card is openly and aggressively homophobic and I deeply disagree with his personal views.
Content Warnings
Graphic: Body horror, Colonisation, Death, Death of parent, Emotional abuse, Incest, Infidelity, Injury/Injury detail, Medical content, Medical trauma, Murder, Physical abuse, Violence, Domestic abuse, and Xenophobia
Moderate: Child death and Dysphoria
Minor: Infertility
bookcaptivated's review against another edition
adventurous
challenging
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Murder, Death, Death of parent, Infidelity, Blood, and Grief
Moderate: Colonisation, Xenophobia, Injury/Injury detail, and Alcoholism
Minor: Infertility, War, Religious bigotry, and Body horror
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