Reviews tagging 'Islamophobia'

Dune by Frank Herbert

5 reviews

intermeyer's review against another edition

adventurous mysterious reflective medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.0

Dune is a wonderfull exploration of the economics and sociology of its universe, sadly for me Pauls character development takes precedent over the worldbuilding.

Additionally the pace of the book speeds up uncomfortably fast towards the end, which is definitly intended to bring across the feeling of a snowball effect gliding out of control but it still feels a bit to rushed towards the end for me. Overall the setting, mood and Pauls development are a delight to read, even if some of the themes are a bit out of their time.

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Content Warnings

Graphic: Violence, Islamophobia, and War

Moderate: Murder, Slavery, Fatphobia, Racism, and Pedophilia

Minor: Rape

nozomi's review against another edition

adventurous dark mysterious reflective tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? N/A

4.25

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Content Warnings

Graphic: Death, Death of parent, Classism, Sexism, and Cultural appropriation

Moderate: Racism, Violence, Xenophobia, Slavery, Religious bigotry, Misogyny, Islamophobia, Fatphobia, Addiction, Drug use, Pregnancy, and Colonisation

Minor: Pedophilia, Homophobia, and Child death

brnineworms's review against another edition

adventurous mysterious reflective tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

“Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic.”

I didn’t really know what to expect going in. I knew it was a science fiction classic featuring a young man called Paul on a desert planet that may or may not be called Dune, and I knew that there were big worms and something to do with spice – a rough outline, nothing more.

I think Dune can best be described as sci-fi for history buffs. It’s full of political intrigue, factions and dynasties, empire building, and so on, but also of note are the incessant spoilers courtesy of Princess Irulan. We are told who these characters are and what they will go on to do, to the extent that it sometimes feels like watching a reenactment of what happened or a dramatisation of a well-known legend rather than events unfolding in real time. At first I was thrown off by it but I adjusted and learnt to accept the writing for what it is instead of getting hung up on what I thought it would be.

Dune is, above all else, a story about expectations and adaptation. Having to adjust my own perspective in response to this curveball of a novel meant there was a neat parallel between my own reading experience and the experiences of the characters on the page having to adjust to life on Arrakis – a good avenue for sympathy and connection.

Paul, our protagonist, is entirely shaped by the expectations placed upon him.

He takes on various names and titles over the course of the story (Duke Paul Atreides, the Kwisatz Haderach, the Lisan al Gaib, Muad’Dib, Usul) and these personas seem to supersede any true sense of self he may have once had. His identity fractures and frays at the climax; not only does he flit back and forth between multiple selves, he also refers to them in the third person and assigns them different motives and personalities (“You have the word of a Duke [...] but Muad’Dib is another matter.”) I don’t know if I’d insist that Paul is plural, but his selfhood is certainly compromised and complicated by all these assumed identities.

Of course, while I’m on the topic of identity, I have to talk about gender – this book is riddled with it. I wouldn’t be the first to point out that women exist in this narrative only as they relate to men, and that they’re portrayed as intuitive, emotional, nurturing, and, above all, passive. I also wouldn’t be the first to note the queerness inherent to the Kwisatz Haderach, a boy with access to powers normally possessed only by women, who can see “both masculine and feminine pasts” – “the male who can truly become one of us.”

Paul has a drug-induced epiphany late in the novel wherein he claims women are givers and men are takers, and that he himself is “the fulcrum” who cannot give without taking nor take without giving.

That moment serves as a good demonstration of Dune’s strange synthesis of essentialism and transgressiveness. And I must say, the fulcrum quote really resonated with me as a genderqueer person.

I’ve talked about Paul, now it’s time to talk about Baron Harkonnen.

He starts off as a vague force of evil that influences the actions of others, only becoming a fully fledged character after the betrayal of Duke Leto.

Herbert could not have made it any clearer that this guy is a villain we’re supposed to loathe. Not only is he a power-hungry capitalist, he’s also an incestuous pedophile and (even worse!) he’s very fat. Yeah, the fatphobia is... not great. And that’s not the only thorny issue here. Dune is inseparable from its Orientalist manner, genocide is treated as set dressing, and eugenics (though criticised) does seem to be granted some legitimacy within the narrative. I don’t want to dwell on these problematic elements but at the same time I can’t disregard them.

Does Dune deserve four and a half stars? Probably not. Am I going to give it four and a half stars anyway? You bet. It’s not beyond criticism (far from it) but I thoroughly enjoyed it nonetheless. I’m curious to see where the story goes from here and I’ve already ordered Dune Messiah, but I won’t be reading it just yet because I have quite a backlog of unread books to work through first. 

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Content Warnings

Graphic: Drug use, Fatphobia, Kidnapping, Sexism, Violence, Xenophobia, Blood, Death, Death of parent, Emotional abuse, Grief, Injury/Injury detail, Murder, and Torture

Moderate: Genocide, Addiction, Child abuse, Ableism, Incest, Sexual harassment, Body horror, Colonisation, Gore, Misogyny, Pedophilia, Pregnancy, Racism, Rape, Schizophrenia/Psychosis , Sexual content, Sexual violence, Slavery, Suicide, and War

Minor: Self harm, Islamophobia, Alcohol, Alcoholism, Animal death, Cannibalism, Child death, Excrement, Fire/Fire injury, Gun violence, and Homophobia

iwi's review against another edition

slow-paced

• Plot- or character-driven? Plot
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? No

3.0

There is little I enjoyed about this story. Unfortunately the views of the author are so blatant that I can't just detach it from real life. There is so much discrimination, I honestly I had to stop and reread like is that really what was said? And yes, every time. I would love to see what other people see that end up loving these stories. I do like the sandworms. But I couldn't even find the characters enjoyable. Paul is revolting in every way to me. The use of religion makes my skin crawl. I think he is a villain. I don't think we are supposed to like him. 

I think part of the intention here was to show how harmful humans and power is. That I can agree with. But I still wish that I liked more about this story. 

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Content Warnings

Graphic: Blood, Cannibalism, Colonisation, Death, Death of parent, Drug abuse, Drug use, Fatphobia, Islamophobia, Misogyny, Murder, Religious bigotry, and Sexism

Moderate: Animal cruelty, Body shaming, Fatphobia, Genocide, Homophobia, and Slavery

Minor: Addiction, Child abuse, Incest, Infertility, Pedophilia, Pregnancy, and Sexual content

owenwilsonbaby's review against another edition

adventurous emotional mysterious medium-paced

• Plot- or character-driven? Plot
• Strong character development? No
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? No

4.5

I really liked this book! It's the first book I've read for fun in almost two years and I think it may have reset something inside my brain. It is very long and the pacing drags at times but the plotting and narration more than make up for it.

I would definitely say I found the first two sections of the book - Dune and Muad'Dib - much more interesting. I think that might just be my personal preference for

tragedies and survival narratives

but the last part felt comparatively weaker, mainly owing to strange pacing, as information was released very slowly and then very quickly. I LOVED the themes of self-loathing and foreboding around an individual's own capabilities. In particular, the

dark prescience and subsequent self-loathing

Paul experiences. The

burdened with 'a great and terrible purpose' line

feels like it was specifically written in for my angsty tastes!

I did struggle with the scope of the world building. Often, in order to motivate myself to keep reading, I would just have to accept that I didn't really grasp all of the wider political and social contexts for the events of a scene. I also had to make peace with the fact that it's a book from the 1960s, so sometimes it's tricky to tell if it's pro or anti capitalist, and also that sometimes its Islamic influences can read a bit islamophobically. Also the blatant homophobia of having the villain

be the only camp and queer coded character but also a paedophile!

Overall it's definitely a good book and a well-deserved classic - I'm more excited for the movie now I kind of understand the plot and world! It is going to be interesting to see how Villeneuve cuts the book in half. I definitely think the first two sections are stronger and will make an excellent film, but I'm not sure the final third will work as a standalone.

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Content Warnings

Graphic: Adult/minor relationship and Violence

Moderate: Grief, Torture, Religious bigotry, Body horror, Medical content, and Pedophilia

Minor: Homophobia and Islamophobia

I was really surprised by the homophobia and Islamophobia in this book. It's not massively present but it is there. And the Baron's queer-coding is often directly linked to his inherent evilness and paedophillia, so tread lightly when reading.