Reviews with content warning for Sexual harassment - Dune

Classic, impactful, science fiction novel but anticlimactic.

The novel before the two year time jump lives up to expectations, but the last section just seems rushed compared to the careful world building previous. (More specifics under the cut)

Take the Baron. In the beginning he really seems to be a competent and formidable enemy. Sneaky, smart, whatever. But then he becomes more and more pitiful until he's finally murdered by a literal four year old. And I get that the Emperor shows up as a bigger badder guy™, but still. Underwhelming.

The Emperor only gets to be the bigger badder guy for like half a chapter anyway. Ostensibly he gets to return as the antagonist in later books.

I understand that Paul is a literal CHOSEN ONE and all that, but he's pretty OP. Being able to molecularly change a poison administered to him seems like cheating.

Also not a big fan of Paul's son dying. I feel like that was needlessly depressing. Character development or whatever bs.

idk, I guess the takeaway is that this is not a strong standalone novel. It's impotent without the rest of the series.

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luminifera's review against another edition

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adventurous challenging dark mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

I find some of the characters very annoying for many different reasons, but the worst for sure is Chani. She simply

has no personality outside of being Paul's love interest

, which is kind of outrageous.

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brnineworms's review against another edition

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adventurous mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

“Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic.”

I didn’t really know what to expect going in. I knew it was a science fiction classic featuring a young man called Paul on a desert planet that may or may not be called Dune, and I knew that there were big worms and something to do with spice – a rough outline, nothing more.

I think Dune can best be described as sci-fi for history buffs. It’s full of political intrigue, factions and dynasties, empire building, and so on, but also of note are the incessant spoilers courtesy of Princess Irulan. We are told who these characters are and what they will go on to do, to the extent that it sometimes feels like watching a reenactment of what happened or a dramatisation of a well-known legend rather than events unfolding in real time. At first I was thrown off by it but I adjusted and learnt to accept the writing for what it is instead of getting hung up on what I thought it would be.

Dune is, above all else, a story about expectations and adaptation. Having to adjust my own perspective in response to this curveball of a novel meant there was a neat parallel between my own reading experience and the experiences of the characters on the page having to adjust to life on Arrakis – a good avenue for sympathy and connection.

Paul, our protagonist, is entirely shaped by the expectations placed upon him.

He takes on various names and titles over the course of the story (Duke Paul Atreides, the Kwisatz Haderach, the Lisan al Gaib, Muad’Dib, Usul) and these personas seem to supersede any true sense of self he may have once had. His identity fractures and frays at the climax; not only does he flit back and forth between multiple selves, he also refers to them in the third person and assigns them different motives and personalities (“You have the word of a Duke [...] but Muad’Dib is another matter.”) I don’t know if I’d insist that Paul is plural, but his selfhood is certainly compromised and complicated by all these assumed identities.

Of course, while I’m on the topic of identity, I have to talk about gender – this book is riddled with it. I wouldn’t be the first to point out that women exist in this narrative only as they relate to men, and that they’re portrayed as intuitive, emotional, nurturing, and, above all, passive. I also wouldn’t be the first to note the queerness inherent to the Kwisatz Haderach, a boy with access to powers normally possessed only by women, who can see “both masculine and feminine pasts” – “the male who can truly become one of us.”

Paul has a drug-induced epiphany late in the novel wherein he claims women are givers and men are takers, and that he himself is “the fulcrum” who cannot give without taking nor take without giving.

That moment serves as a good demonstration of Dune’s strange synthesis of essentialism and transgressiveness. And I must say, the fulcrum quote really resonated with me as a genderqueer person.

I’ve talked about Paul, now it’s time to talk about Baron Harkonnen.

He starts off as a vague force of evil that influences the actions of others, only becoming a fully fledged character after the betrayal of Duke Leto.

Herbert could not have made it any clearer that this guy is a villain we’re supposed to loathe. Not only is he a power-hungry capitalist, he’s also an incestuous pedophile and (even worse!) he’s very fat. Yeah, the fatphobia is... not great. And that’s not the only thorny issue here. Dune is inseparable from its Orientalist manner, genocide is treated as set dressing, and eugenics (though criticised) does seem to be granted some legitimacy within the narrative. I don’t want to dwell on these problematic elements but at the same time I can’t disregard them.

Does Dune deserve four and a half stars? Probably not. Am I going to give it four and a half stars anyway? You bet. It’s not beyond criticism (far from it) but I thoroughly enjoyed it nonetheless. I’m curious to see where the story goes from here and I’ve already ordered Dune Messiah, but I won’t be reading it just yet because I have quite a backlog of unread books to work through first.

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samdalefox's review against another edition

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adventurous mysterious reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

The word that comes to mind is Epic. Epic in length, complexity, world building, and social commentary, that to be brutally honest is still extremely revelant to today. The only other comparable work of fiction I would describe as epic in this sense is The Lord of The Rings. I am definitely going to continue reading the series.

For such a famous and epic book there are plenty of detailed reviews for you to peruse. I'll only highlight the themes I identified and top line likes and dislikes about the book.

Themes

Commentary on ecology and Earth's environmental crises
Investigation into different sorts of power e.g. resource control (spice production, a clear metaphor to oil in the Middle East), 'soft' political control (bene gesserit and other religious sects), 'hard' militarised imperial political control (classism with the Landsraad, Emperor, salusa secundus, and racism against the Freman).
Eugenics lack of morality e.g. the bene gesserit breeding program, and 'race conciousness'. I can see why the fascists love it so much. I read the book as criticising rather than advocating this point though.
Beware of 'heroes'/'Messiahs/Leaders - Keynes's last words were explicitly that Dune did not need Paul the Hero. The Freman would have been better liberating themselves on their own terms with their own ecology and power plan.
Investigation into the powers of the mind, mental capacities, and different ways of seeing. Perhaps influenced/inspired by 60s psychodelic drugs?

Likes

I enjoyed this as an opposition to Assimov's Foundation series where everything is determined by computers and tehcnology and statistics etc. Dune felt like the mirror image demonstrated in the powers of the mentat and the butlerian jihad.
Finally, women power! The bene gesserit. The Fremen women. Even Princess Irulan to a degree. Ok, they're not morally 'good' and don't have a lot of power, but women, with some agency, in a book from the 60s!
The whole world building was beautiful and swept me up. Though detailed, long, and written a long time ago, I found it very easy to read.
The three appendices: ecology of Dune, religion of Dune, Bene Gesserit motives and purposes.

Dislikes

Alia. Just weird. I suppose that's the point of her, but, just nope.
I find it difficult to believe that the missionaria protectivia planted the religious seed of The Prophet. Although reasonable (and possibly a shrewd criticism of religion in general), I get the niggly sense that this may have some unconcious bias or tinged racism to it. The fact that an entire people (brown, Islamic inspired people) so easily adopted this narrative of an outsider arriving to be their saviour... just I don't know, it was the only thing I thought hmmm really, sounds a bit off? I'd like to read reviews from Middle Eastern people to hear their opinions about whether Dune is racist or not.
Outdated homophobia painting Baron Harkonnen as a depraved homosexual. The film made a good call in updating this aspect. On this point, the film adapted the book brilliantly. It was largely true to the source material and anything it left out or embellished was to enhance the core story and update the text beyond homophobia, sexism, racism etc. So, bravo! I look forward to watching part II at the cinema when it's released.

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msib129's review against another edition

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adventurous challenging dark tense slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.75

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literarytaurean's review against another edition

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adventurous tense medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? No

4.5

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