1.09k reviews for:

The Spare Man

Mary Robinette Kowal

3.76 AVERAGE

adundon's review

3.0

3.5
Torn about this one. Loved the "Thin Man in Space" vibes, but pretty turned off by the
Spoiler"good thing I'm rich!"/money solves everything
(v. mild spoiler) dynamics.
onebook_more's profile picture

onebook_more's review

4.0
adventurous dark emotional medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
leandrathetbrzero's profile picture

leandrathetbrzero's review

4.25
funny mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

hallamahamster's review

3.0

Robinette Kowel writes good cozy sci fi. It's what I expected, what I wanted, and what she wrote. Once in a while I read a mystery, usually by accident, and I am typically surprised by the twist. True for this as well.

Is that a spoiler? That there is a twist in the mystery's plot?

mdcasey's review

4.5
adventurous mysterious fast-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated
adventurous funny lighthearted fast-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

splicedwords's review

3.75
adventurous funny mysterious fast-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

fannib's review

3.5
adventurous lighthearted mysterious medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Well-written for sure, but it actually stressed me out how annoying every single character (save for Gimlet and maybe Piper) was. The first third or so was especially rough, with Tesla and her obnoxious lawyer throwing their weight around and the security chief, first appearing perfectly reasonable in arresting Shal, quickly descending into almost cartoonish assholery (presumably to justify the aforementioned obnoxiousness). Then again, I might also develop a hatred of this woman and her foul-mouthed attack dog (would she dare speak like that to someone with actual means to bury them both, I wonder?) searing enough to abandon rationality within a few minutes.

I have begrudging respect for how it sticks consistently to Tesla's very deep flaws. Too bad she suffers absolutely zero actual repercussions, and learns no lesson. I suppose it's authentic to how the uber-rich live in reality, but I could have done with less gloating and self-congratulation.

The mystery itself is fine. I'm a bit concerned about the reading comprehension of some fellow reviewers who complain about being demonized for being afraid of dogs.
lord_satan's profile picture

lord_satan's review

3.5
adventurous funny lighthearted mysterious medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

while this is well-written and i absolutely was engaged by the retrofuturist vibes of the universe, there are some things about the story that really bug me. there's a running commentary on gender, privilege and disability throughout the work, and for the most part, it's well done - except for when it comes to tesla's privilege and status as a person of wealth. with such a utopia re: other issues, like the elimination of gender (which is something i found both interesting but also unnecessary - i think we can make spaces for genders beyond the male/female binary and allow genderless options without completely stripping ourselves of terms like "wife", "husband" etc, and there's just a point where it kind of seems to say, "if you use anything gendered, you're not exactly being inclusive," but where does that leave trans people who fit onto the gender binary and WANT to use gendered terms?), why is there even a social hierarchy based on money? why is tesla so famous and beloved because of her family name and wealth? it's stated in the book she tries to be "aware" of her privilege, but by the point it's said out loud, she's already weaponized her identity and wealth so much that it comes across almost as an afterthought to acknowledge the immense power she wields because of her wealth. every use of "i want to speak to the manager" or the tongue-in-cheek inner commentary about how often tesla uses that exact phrase makes me cringe. i'm not sure if the intention is supposed to be that tesla is attempting to not use her privilege, but ultimately does since that's typically how it goes with people of means, even those who want to be allies to those of "lesser" means, but it's just really hard to ignore the very present capitalist nature of the main character when it's how so much of the plot moves forward - because once her identity is fully made public (since she and her spouse had been traveling under fake identities), she's allowed to interfere almost unhindered with the investigation, primarily because she throws her money around to make it possible, and without those funds there wouldn't be any way for her to solve the mystery.

but if you overlook the capitalism, tesla's not too bad of a main character. her spouse is far more interesting to me and i wish he'd gotten just a little more development, but the portrayal of tesla's disability was refreshing. it's present without being her entire character, like often becomes the case. the only real downside is how the mystery is seemingly solved because of her service dog and how everyone seems to agree only a villain would Not be "charmed" by her little dog - so i guess people like me who are scared of dogs and would not want to be around gimlet are bad, or something :/

all this criticism aside, i really do want to reiterate how engaging this story was. i love noir and i love space and the marriage of the two was very well done. i think kowal did a great job at painting a vivid portrait of the setting, and although i think the pacing could have been quicker (particularly there were some bits that felt repetitive, like the continuous cycle of shal being released from custody > they drink > something happens > shal is a suspect again, etc), there was never a moment where it felt like the ending came out of nowhere. it's a very well-choreographed mystery. i'll definitely be giving some of her other books a chance, despite the mixed feelings i have about this one.