Reviews with content warning for Sexual harassment - The Rabbit Hutch

"The Rabbit Hutch" is a contemporary debut about the inhabitants of a deteriorating rust belt apartment building. Although the novel jumps around to multiple POVs, the book is mainly about a precocious young girl named Blandine and her three male roommates who all recently aged out of the foster care system.
This book deals with heavy themes related to sexual and physical abuse, trauma, and the gentrification of a dying Indiana city. As someone from Indiana, the way the author described the setting felt extremely accurate and hit close to home. These rust belt towns are places of rusty chain-link fences, random rubber shoes on the road, and broken glass covering every street corner. They're places where people born into poverty often never get a chance to leave. Blandine is extremely intelligent and had a rare opportunity to transcend this small town through academic achievement, but unfortunately, the effects of abuse and trauma make that kind of thing easier said than done.
Overall, every character in this book is ultimately searching for meaning and human connection. A current of loneliness and existential dread pulse through the entire story. The book is often satirically witty, and has a lot of commentary on the wildness of the internet and the detrimental effects of late-stage capitalism on both humans and the environment. I found the themes extremely resonant and thought-provoking, and the characters richly detailed and compelling. The only criticism I have is that some of the character's stories felt a little underdeveloped, but I definitely see how each and every character contributed to the overall meaning of the book.
I recommend this book to anyone that likes modern literary fiction, witty and irreverent writing, and intelligent social commentary. I'd definitely steer clear if you are sensitive to depictions of sexual abuse, violence, and trauma - or if you just prefer your fiction on the more lighthearted and plot-driven side.

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sofiajearally's review against another edition

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emotional reflective slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

I don't know where to start when I have to talk about this book, but let's give it a shot!

I want to start by pointing out how gorgeous Tess Gunty's writing is! It sometimes might be over-flourished for some readers but it was mind-blowing for me. Besides, she can really change her style to fit the characters or the setting of the scenes, which makes the writing never boring.

However, I struggled to get through the first quarter of the book and ended up reading it over the course of several months. Both because life happened so I couldn't read much but also because I felt that the story dragged on and on and on. In fact, I felt like there was no story because of the multiple storylines that added up to nothing. That is, until the chapter Variables (the girls that get it, get it). Suddenly, I couldn't put the book down. Then there were a few good chapters until the rise to the climax but I was a bit less invested.

So, when I finished it, I didn't really know what to think. Did I like it? I wasn't sure, beside that chapter. But I knew I wanted to skim it in order to annotate it because of the superb writing. When doing that, it hit me, I understood some of the author's choices way better in terms of storylines and realized it all came together by the end of the book. However, I stand by the fact that some things could have been cut off or shortened to make the whole more coherent and cohesive.

So, if like me you struggle at the beginning, please try to persevere for your own sake, it's really worth it!

To finish, I want to talk about Blandine's character. I didn't like her at first. But as the story went by and especially when I went back to annotate the book, I understood what had happened: she's seen by every character as this I'm-not-like-other-girls type of girl/manic pixie dream girl, and I fell for it too! But when you pay attention when it's her POV, she's just a girl. A teenage girl. Sure she can seem a bit weird but first off, she's traumatized and second, who's never had specific interests others deemed as weird as a teenager or wanted to dye their hair? She's actually very relatable, like when she plucks her leg hairs thinking of all the other things she could be doing instead, or the whole story with James (he's an ass and I hate him more and more by the way). So yeah, go Blandine!

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cstein's review against another edition

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challenging dark emotional funny informative mysterious reflective sad tense fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

4.5

In this ambitious and then painfully pointed examination of contemporary struggle, Gunty employs a unique narrative style and extensive knowledge of her spiritual and philosophical forebears to great effect. The late, Dostoevsky-esque monologue chapter was the novel's highlight and a pleasure to parse through. Gunty has a keen eye for phenomena one passively observes but never articulates. However, when it finally arrived, the scene anticipated from page one felt underexamined.

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spacescape's review against another edition

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dark emotional mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.25

This writing on this book is an example of what current creative fiction writers love: intensely-detailed character development (or, as I call it: over-the-top inner mind description). Fleshing out characters is important; writing page after page of a character's likes and dislikes is maddening and a waste of good trees.

This book is an example of why I have a difficult time reading novels. After finishing & reflecting, there is one main character whom didn't need to exist at all, which would have cut out many unnecessary and shock-value pages. A letter to this individual--several pages on its own--could have been struck with it. Additionally, a particular argument between two other main characters is completely nonsensical.

I'll pause here to add some positive things: the setting of a dying Midwest town is perfect (even though a street-level description for part of the town only comes at the end, confusingly). The ideas of gentrification, the Midwest, mental disorders of several varieties, living far too deep in one's own head, drug abuse, and economic challenges are very well-woven into the whole story.

The ultimate frustration is that this novel could be a good 25% shorter, which would have made it better. Longer does not equal better, writers!

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