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writtenontheflyleaves's review against another edition
challenging
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Saltwater by Jessica Andrews 🌆
🌟🌟🌟🌟✨
🌆 The plot: To Lucy, London always seemed like the promised land. After growing up in Sunderland and the shadow of her father’s alcoholism, the city seems suffused with glamour and promise: conversations to be had, gigs to attend, people to meet. But after studying in the city for three years, Lucy finds herself exhausted. After graduating, she flees to her late grandfather’s cottage in a remote part of Donegal, where she reflects on growing up and growing out of your old dreams.
I wasn’t sure if this book was for me at first. It’s that particular kind of literary fiction that seems to skim along the surface of events, collecting only scattered poignant details, rather than digging down into actual scenes. It reminded me of a cross between Bluets by Maggie Nelson and The Outrun by Amy Liptrot, told in short vignettes and flicking between harsh urban scenes and wild nature. It’s beautiful, but I wasn’t sure it would give me the immediacy I wanted.
Safe to say it won me over though. While Andrews moves through scenes very fluidly, her descriptions are visceral and sensory. They place you bodily into the environments Lucy and her family move through and you come away with dirt under your fingernails - the smokiness of her granddad’s garden after a bonfire, the grit of a school playground in a skinned knee. I especially loved her descriptions of Lucy’s teenage years, the vulnerability and exhilaration of navigating a new body and the attention that comes with it, whether invited, uninvited, or somewhere in between.
🌆 Read it if you love memoirs (this is autobiographical fiction, but it reads like a memoir), and particularly Bluets or The Outrun. Also if you love university novels and mother-daughter narratives, as those are big themes.
🚫 Avoid it if you hate very “lyrical” literary fiction and prefer your prose to feel more grounded. Also if you’re sensitive to depictions of alcoholism, sexual assault, and ableism (specifically against d/Deaf people, as the protagonist’s brother is deaf).
🌟🌟🌟🌟✨
🌆 The plot: To Lucy, London always seemed like the promised land. After growing up in Sunderland and the shadow of her father’s alcoholism, the city seems suffused with glamour and promise: conversations to be had, gigs to attend, people to meet. But after studying in the city for three years, Lucy finds herself exhausted. After graduating, she flees to her late grandfather’s cottage in a remote part of Donegal, where she reflects on growing up and growing out of your old dreams.
I wasn’t sure if this book was for me at first. It’s that particular kind of literary fiction that seems to skim along the surface of events, collecting only scattered poignant details, rather than digging down into actual scenes. It reminded me of a cross between Bluets by Maggie Nelson and The Outrun by Amy Liptrot, told in short vignettes and flicking between harsh urban scenes and wild nature. It’s beautiful, but I wasn’t sure it would give me the immediacy I wanted.
Safe to say it won me over though. While Andrews moves through scenes very fluidly, her descriptions are visceral and sensory. They place you bodily into the environments Lucy and her family move through and you come away with dirt under your fingernails - the smokiness of her granddad’s garden after a bonfire, the grit of a school playground in a skinned knee. I especially loved her descriptions of Lucy’s teenage years, the vulnerability and exhilaration of navigating a new body and the attention that comes with it, whether invited, uninvited, or somewhere in between.
🌆 Read it if you love memoirs (this is autobiographical fiction, but it reads like a memoir), and particularly Bluets or The Outrun. Also if you love university novels and mother-daughter narratives, as those are big themes.
🚫 Avoid it if you hate very “lyrical” literary fiction and prefer your prose to feel more grounded. Also if you’re sensitive to depictions of alcoholism, sexual assault, and ableism (specifically against d/Deaf people, as the protagonist’s brother is deaf).
Content Warnings
Graphic: Alcohol
Moderate: Sexism, Sexual harassment, Vomit, Alcoholism, and Blood
Minor: Mental illness and Rape
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