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thysparklyreads's review against another edition
mysterious
reflective
tense
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.5
I wanted to rate this book higher because I loved the Sisterhood and the First Sister herself.
I was thrilled by the complexity of the world building with its characters at the beginning but soon I found myself dreading reading certain character's POV despite enjoying the character itself.Choosing to make Hiro's POV audio messages instead of letters or something else ruined it. No one speaks that way. Felt so very info dumpy that every time which is unfortunate because I do love them.
Overall an alright read that is a good setup for the next installments.
I was thrilled by the complexity of the world building with its characters at the beginning but soon I found myself dreading reading certain character's POV despite enjoying the character itself.
Overall an alright read that is a good setup for the next installments.
Content Warnings
Graphic: Violence, Xenophobia, Classism, and War
Moderate: Dysphoria and Physical abuse
planetesastraea's review against another edition
adventurous
tense
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
Content Warnings
Graphic: Racial slurs, Racism, Torture, Medical trauma, Medical content, and Religious bigotry
Moderate: Medical trauma, Medical content, Panic attacks/disorders, and Physical abuse
Minor: Slavery, Sexual assault, and Toxic relationship
booksthatburn's review
adventurous
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
The short version is that I loved this book and found it to be one of the more satisfying sci-fi books I've read in a while. Fantasy is my preferred genre, and I like my sci-fi squishy, conversation- or thought-driven, and not worried overly much about making sure I know how the FTL functions. This ticked all those boxes in addition to being a thoughtful exploration of various structures of power and how they are used to justify and perpetuate exploitation in the name of some other good.
THE FIRST SISTER is relationship-driven in the sense that their decisions have implications for other people and they're very aware of this as they proceed. Lito, in particular, has been ordered to hunt down his former partner. While he does want to find Hiro, he hasn't totally made up his mind about what he will do when that confrontation comes. First Sister has been ordered to spy on Captain Ren, also finding herself drawn to her. She's both terrified and intrigued by the captain's condition that restores some parity between them, but also places First Sister in even more danger.
I love the way the world is built here. There's a history of colonization and and an ongoing conflict, with main characters from different sides of the war. This means there's several places where he get to know what each side's propaganda is about the basic events, which shows what they actually do, what they say about themselves, and what their enemies think of them. I understand why this book gets compared to THE HANDMAID'S TALE, and while I do think some of that comparison is appropriate, it also made me nervous before I started reading, and gave me a distorted anticipation of how traumatic this book might be. While it does deal with systematic sexual exploitation (mostly of women but implicitly some men as well), it focuses much more on the systems and structures that are controlling and perpetuating this exploitation and lack of agency -- as well as the way that the sister within this exploitative system are encouraged to work against each other in order to support the group as a whole and eke out some measure of comfort and privilege at the expense of those around them. There are many moments when First Sister is terrified of what might happen to her, but much of my trepidation was soothed when it became clear that I was not going to have to read a graphic assault scene just to have the book hammer home how frightening a loss of bodily autonomy can be. Instead, THE FIRST SISTER takes a multifaceted approach to exploring different kinds of exploitation and loss of autonomy, from classism and financial precarity making people vulnerable to medical experimentation, loss of individual freedom and mental autonomy in military settings, to commodification of emotional labor and sexual exploitation in the Sisterhood.
I like the soft sci-fi approach; things work because they work, they have particular ways that they function, but the story never grinds to a halt to make sure I understand exactly how a mercurial blade can do what it does. The things that it does take the time to specifically explain are much squishier things, like the various ways that people synced by an implant can or can't access each other's minds. Even those come up in the moment as they're needed, when a character is trying to do something and it either succeed or fails.
There's a pair of revelations towards the end which completely reframed my understanding of some dynamics which had been been in play for most of the book. The reveal is a very cool moment and I absolutely do not want to spoil it, but one of them sits in that sweet spot of being a twist in a deeply personal sense related to one of the main characters without quite changing what the rest of the story means. It's followed up with a different discovery in the same incident, in a delightful moment of revelation and confusion as three seemingly disparate plot threads cohere and the main characters actually meet.
I like the trio audiobook narrators, in particular I appreciate Emily Woo Zeller's performance, as always. She's narrated several other audiobooks that I've enjoyed and this was no exception.
As the first book in a trilogy, THE FIRST SISTER resolves several major plot points in a way that gets the three main characters to each have a new status quo and an idea of their plan for what's next. Because of the way the story is structured, it makes sense that all three of them would have new situations and goals as the result of what transpired, especially with the upheaval towards the end of the book. I'm excited for the rest of the trilogy, especially for how the structure of the Sisterhood is affected by what transpires next.
*A quick note that this follows a Western anglophone trend of naming the only significant Japanese character “Hiro”. No one instance is automatically a problem, but over time it starts to seem like the main Japanese name fiction authors reach for. Part of what bothers me particularly in this instance is that the name “Hiro” is a traditionally male name in Japanese, and while nonbinary people are not limited to ambiguously-gendered names, I get the sense that this name was chosen for the “Hiro”/“Hero” pun (which is made explicitly at one point.
Content Warnings
Graphic: Death, Bullying, and Emotional abuse
Moderate: Sexual harassment, Transphobia, Murder, Physical abuse, Medical content, Racism, Violence, Body horror, Confinement, Injury/Injury detail, Child abuse, Dysphoria, Ableism, Colonisation, Medical trauma, Sexual content, War, and Xenophobia
Minor: Rape, Vomit, and Self harm
howwoolatthemoon's review against another edition
0.25
CONTENT WARNING: rape and sex slavery.
In a sense this review *might* be spoilers, but I'm not giving away major plot points. I will merely reveal some details that I believe the author means for the reader to discover gradually. But you, Dear Reader, deserve a Strong Content Warning!
In some ways this was inventive and an interesting world, but I couldn't at all say I enjoyed it. The first sister is part of an order of priestesses who are also sex slaves. While not uncommon historically, it's certainly not pleasant to imagine. Told by a female author, it feels less like the women are objectified for the sake of the male gaze. But still, I think I'd rather not read about such a brutal and terrifying situation. They're raised from children to become sex slaves, and fairly horrible abused while growing up. They have no choice in who they have sex with unless they get a powerful man to choose to "own" them. Unless or until they are owned by one man, their job is to hear the confessions of soldiers and then fuck them. The fucking is neither optional nor rare; it's an integral part of the confession/absolution. And they take confessions at apparently all hours of the day or night, often many times a day. They also are physically unable to talk -- ostensibly so that they don't give away the military secrets of their rapists (not that they ever use this term) -- but they use sign language among themselves and communicate often and in a very detailed way, so I don't feel super confident about those military secrets being kept.
So it's absolutely brutal, but it's all slightly softened because a woman wrote it. Men so often will write a rape scene A) for the male gaze, and/or B ) as an event that furthers the story of a man, so I generally try to avoid books by men that contain any rape scenes. I would hope that a woman's perspective on a rape that takes place as part of a story would help us to better understand things from her point of view, which is the more common experience I've had with reading non male authors. And yes, I suppose this did that. But to make this entire order of priestesses as sex slaves? And to make that fact so integral to the plot? I dunno. It's too much. And too terrifying. And too brutal. And too hugely necessary for the plot -- so... why write that plot?
Why?
Also, now that I think about it, this might be an entire whole full sized book about an order of priestesses that STILL didn't pass the bechdel test. I mean maybe it did, but the fact that I'm still trying to remember any conversation between two women that wasn't about either a specific man or about men in general... nope, I don't think it did. Huh.
Also, why?
This was set in a futuristic world with space travel and an interesting military structure. Women are in the military, with ranks high and low, without anyone treating them as weaker or incapable in any way. The military also is trained from childhood, and there's a kind of parallel there with the sisterhood. There's an element of colonialism, with an oppressed culture that doesn't have the same level of tech that the oppressors use. This could have been interesting to explore further. The novel examines the complicated nature of family power and dysfunction and defining oneself in adulthood as separate from your origins, and could've done more with that. Seems like the author was able to envision a world where women were not objects. But then, there's the sisterhood of sex slave priestesses as the main plot.
Why.
Anyway, some of the world building is super interesting and I would love to read a different book with some of the same elements, but I won't be reading the rest of this series and I wish I could get my time back.
(Also I've noticed that I tend to spend more time on reviews of books I disliked than books I loved, and I don't know how to feel about that.)
In a sense this review *might* be spoilers, but I'm not giving away major plot points. I will merely reveal some details that I believe the author means for the reader to discover gradually. But you, Dear Reader, deserve a Strong Content Warning!
In some ways this was inventive and an interesting world, but I couldn't at all say I enjoyed it. The first sister is part of an order of priestesses who are also sex slaves. While not uncommon historically, it's certainly not pleasant to imagine. Told by a female author, it feels less like the women are objectified for the sake of the male gaze. But still, I think I'd rather not read about such a brutal and terrifying situation. They're raised from children to become sex slaves, and fairly horrible abused while growing up. They have no choice in who they have sex with unless they get a powerful man to choose to "own" them. Unless or until they are owned by one man, their job is to hear the confessions of soldiers and then fuck them. The fucking is neither optional nor rare; it's an integral part of the confession/absolution. And they take confessions at apparently all hours of the day or night, often many times a day. They also are physically unable to talk -- ostensibly so that they don't give away the military secrets of their rapists (not that they ever use this term) -- but they use sign language among themselves and communicate often and in a very detailed way, so I don't feel super confident about those military secrets being kept.
So it's absolutely brutal, but it's all slightly softened because a woman wrote it. Men so often will write a rape scene A) for the male gaze, and/or B ) as an event that furthers the story of a man, so I generally try to avoid books by men that contain any rape scenes. I would hope that a woman's perspective on a rape that takes place as part of a story would help us to better understand things from her point of view, which is the more common experience I've had with reading non male authors. And yes, I suppose this did that. But to make this entire order of priestesses as sex slaves? And to make that fact so integral to the plot? I dunno. It's too much. And too terrifying. And too brutal. And too hugely necessary for the plot -- so... why write that plot?
Why?
Also, now that I think about it, this might be an entire whole full sized book about an order of priestesses that STILL didn't pass the bechdel test. I mean maybe it did, but the fact that I'm still trying to remember any conversation between two women that wasn't about either a specific man or about men in general... nope, I don't think it did. Huh.
Also, why?
This was set in a futuristic world with space travel and an interesting military structure. Women are in the military, with ranks high and low, without anyone treating them as weaker or incapable in any way. The military also is trained from childhood, and there's a kind of parallel there with the sisterhood. There's an element of colonialism, with an oppressed culture that doesn't have the same level of tech that the oppressors use. This could have been interesting to explore further. The novel examines the complicated nature of family power and dysfunction and defining oneself in adulthood as separate from your origins, and could've done more with that. Seems like the author was able to envision a world where women were not objects. But then, there's the sisterhood of sex slave priestesses as the main plot.
Why.
Anyway, some of the world building is super interesting and I would love to read a different book with some of the same elements, but I won't be reading the rest of this series and I wish I could get my time back.
(Also I've noticed that I tend to spend more time on reviews of books I disliked than books I loved, and I don't know how to feel about that.)
Content Warnings
Graphic: Child abuse, Colonisation, Slavery, Emotional abuse, Sexual violence, Sexual content, Rape, and Physical abuse
peachani's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Content Warnings
Graphic: Death, Murder, Torture, Violence, and Xenophobia
Moderate: Body horror, Child abuse, Confinement, Gun violence, Physical abuse, Sexual harassment, and Toxic relationship
Minor: Abandonment, Ableism, Bullying, Grief, Infidelity, Misogyny, Sexual content, and Transphobia
mweis's review against another edition
3.5
I received an eARC via Netgalley in exchange for an honest review.
This book is intense.
I found it incredibly fast-paced and the way each chapter alternated POVs and tended to end with some kind of revelation made it compulsively readable. I loved that each POV was on a different side of an interplanetary war and the way each of their stories intertwined. I also loved how unapologetically queer and diverse this book is and I was really intrigued by how the Geans and Icarii evolved into these warring empires.
There are a some reveals in the last 25% or so of the book that could be pretty divisive and I'm still not sure how I personally feel about some of them despite having read this book twice. I think it will depend on how the fallout is handled going forward.
Overall, I really enjoyed this debut and am really looking forward to the rest of the trilogy!
This book is intense.
I found it incredibly fast-paced and the way each chapter alternated POVs and tended to end with some kind of revelation made it compulsively readable. I loved that each POV was on a different side of an interplanetary war and the way each of their stories intertwined. I also loved how unapologetically queer and diverse this book is and I was really intrigued by how the Geans and Icarii evolved into these warring empires.
There are a some reveals in the last 25% or so of the book that could be pretty divisive and I'm still not sure how I personally feel about some of them despite having read this book twice. I think it will depend on how the fallout is handled going forward.
Overall, I really enjoyed this debut and am really looking forward to the rest of the trilogy!
Content Warnings
Graphic: Torture, Physical abuse, Medical trauma, and Mental illness
Moderate: Sexual content and Sexual violence
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