Take a photo of a barcode or cover
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Here’s a book that couldn’t decide what it wanted to be. A unique narrative of the female body and the glory and horror of living in one? Or a simpler character arc of a woman deciding if being a mother was right for her or not. Either one of those books would have been quite good on its own. Combined together, it’s a bit of a mess. Read Diary of a Void instead.
Graphic: Body horror
Moderate: Abandonment
Minor: Child abuse, Rape
emotional
reflective
sad
slow-paced
The breadth of issues covered in this is significant, especially the connections between class and motherhood. The Breasts section was definitely the standout for me, but Eggs left a lot of room to explore complicated issues.
challenging
informative
reflective
relaxing
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
emotional
hopeful
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Impressive! Kawakami is a philosopher in the suit of a novelist.
حلقة عن الرواية الفلسفية وروايات كواكامي الثلاثة
https://youtu.be/PXZEbmcdlxE
حلقة عن الرواية الفلسفية وروايات كواكامي الثلاثة
https://youtu.be/PXZEbmcdlxE
emotional
reflective
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
There are always growing pains in the transition from short story or novella to a full novel. Transitions are difficult at the best of times, and I often find myself spotting the seams where additions have been welded onto a complete work. Mieko Kawakami’s approach is to not even make an attempt at concealment: the original novella surges to a climax, reaches its resolution, and then there’s an abrupt jump to a different scenario at a different time. It’s a hard shift in no small part because the novella is a gem, a perfectly-paced examination of three women at different stages of life, grappling with family, femininity, and poverty… while the remainder centers on the favorite topic of middle-aged authors: middle-aged authors. The first part prefers to show, the second part loves to slowly talk through its central issue from every angle. The first part uses its family dynamic to full effect, the second deliberately isolates the narrator. It started to become a book I had to force myself through. Then the book comes alive again in its final act, finally revealing the rhymes that make the stories a couplet and managing a moving ending - if only it had managed that a little sooner, I would have been blown away.
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
dark
emotional
sad
slow-paced
challenging
emotional
informative
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
The first part of the book really hooked me, but I kind of lost interest in the middle. Still, it's a great book, and the ending shook me