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gwenswoons's review against another edition
dark
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
This was good — it came to me as part of a monthly book subscription I have with a literary fiction-ish bent, and it definitely fit that bill. The prologue immediately captured me; I love a complicated-family saga (or a complicated family saga, true either way), and I loved the immediate characterizations of the different sisters.
I struggled at points to stay really engaged with the book. I actually love that it basically does nothing but watch our main characters reckon with grief, but to my reading there were so many moments that I felt could have been crafted ever so slightly more specifically: specific repetition done either less often or more intentionally; inconsistencies of voice that felt again less intentional than they might be (particularly in the back and forth American/British-ness of certain characters and relationships); a good number of typos, oddly. I don’t often think about this stuff but I guess I felt that as good as this is, there was an even more special book within reach and it felt a little disappointing even as I thought it was good in many ways. The choice to write in multiple POVs — one I often do love — felt like it caused the sisters to be deliberately kept separate for so much of the book; perhaps why I felt the prologue and epilogue were some of the most effective moments in the novel.
Anyway — it’s good, not (for me) great, and I’m not sure I would read more by CM. It’s sad but without big lingering impact, I think, which breaks my heart a little bit since there’s potentially so much intense and powerful stuff in here about family, addiction, grief.
I struggled at points to stay really engaged with the book. I actually love that it basically does nothing but watch our main characters reckon with grief, but to my reading there were so many moments that I felt could have been crafted ever so slightly more specifically: specific repetition done either less often or more intentionally; inconsistencies of voice that felt again less intentional than they might be (particularly in the back and forth American/British-ness of certain characters and relationships); a good number of typos, oddly. I don’t often think about this stuff but I guess I felt that as good as this is, there was an even more special book within reach and it felt a little disappointing even as I thought it was good in many ways. The choice to write in multiple POVs — one I often do love — felt like it caused the sisters to be deliberately kept separate for so much of the book; perhaps why I felt the prologue and epilogue were some of the most effective moments in the novel.
Anyway — it’s good, not (for me) great, and I’m not sure I would read more by CM. It’s sad but without big lingering impact, I think, which breaks my heart a little bit since there’s potentially so much intense and powerful stuff in here about family, addiction, grief.
Content Warnings
Graphic: Addiction, Alcoholism, Body horror, Bullying, Child abuse, Chronic illness, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Terminal illness, Toxic relationship, Violence, Forced institutionalization, Blood, Vomit, Medical content, Grief, Religious bigotry, Medical trauma, Suicide attempt, Death of parent, Pregnancy, Gaslighting, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Dysphoria, Injury/Injury detail, and Classism