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Graphic: Murder, War
Moderate: Ableism, Racism, Suicide, Schizophrenia/Psychosis
Moderate: Ableism, Animal death, Mental illness, Panic attacks/disorders, Schizophrenia/Psychosis , Injury/Injury detail
Minor: Ableism, Body horror, Body shaming, Bullying, Death, Mental illness, Panic attacks/disorders, Toxic relationship, Violence, Death of parent, Schizophrenia/Psychosis
Some of the short stories are excellent in terms of plot and characters; others are flatter than cardboard; the prose is uniformly eh and the author’s punctuation is pretty bad in the editions from before he had an editor. I technically DNFed this three times.
Nevertheless, when it is good it is really good. “The Repairer of Reputations” is perhaps my favorite short story for the delightful scheming politician-assassin of a narrator, though obligatory disclaimer that Chambers emphatically did not understand whatever mental illness he’s trying to portray. “The Mask” is painfully accurate in its depiction of Alec’s suppression of his love in favor of self-abnegating loyalty, with my source being that, aside from the love triangle, I have been there. “The Street of the Four Winds “ is short but haunting, and stayed with me long after I read it.
The romances in the weird stories of this book also don’t fall into the wooden-lovers business Chambers is so used to, with the partial exception of “The Demoiselle d’Ys,” which is nevertheless enjoyable for the information on medieval falconry.
I also have an intense and long-running special interest in The King in Yellow, so derive from that what opinions you will.
Graphic: Ableism, Mental illness, Schizophrenia/Psychosis
Moderate: Murder, War
Minor: Animal death, Gore, Grief, Cultural appropriation
Graphic: Ableism, Body horror, Blood
Moderate: Animal cruelty, Animal death, Body shaming, Death, Mental illness, Violence, Forced institutionalization, Grief, Murder, Schizophrenia/Psychosis , Injury/Injury detail
Minor: Fatphobia, Suicide, Alcohol
Graphic: Death, Schizophrenia/Psychosis , War
Moderate: Animal cruelty, Animal death, Body horror, Racism, Sexism, Suicide, Violence, Blood, Medical content, Murder
Graphic: Animal cruelty, Animal death
Moderate: Death, Mental illness, Schizophrenia/Psychosis
Minor: Forced institutionalization
Repairer of Reputations was probably the strongest story and likely my favorite. The ending is haunting as you slowly put the pieces together about our "mad" (but don't call him that, he doesn't like it) narrator Hildred Castaigne and his strange relationship with his cousin Louis and the odd Mr. Wilde. The setting becomes eerie as well with the titular reputation repairing and the suicide chambers as Chambers masterfully writes of a trembling man going inside one.
The Mask is also a spooky tale of Boris, Alec, and Genevieve with a
And now I heard his voice, rising, swelling, thundering through the flaring light, and as I fell, the radiance increasing, increasing, poured over me in waves of flame. Then I sank into the depths, and I heard the King in Yellow whispering to my soul: "It is a fearful thing to fall into the hands of the living God!" (66).
The Demoiselle d'Ys is a time travel love story that is honestly quite tragic. It technically ends well for our narrator is he is not lost forever in the moors or trapped in the past, but his love is forever gone from him and him from her. The entire story grows more tense as we realize Jeanne and the others are all from the past and we begin to wonder if the protagonist Philip will be trapped at her home forever. Even as he escapes, it remains tragic as Jeanne is now deceased having "died in her youth for love of Philip, a stranger" (106).
The Prophets' Paradise is the last spooky/eerie type story that is less connected that the others. It functions as a series of prose poems that evoke unease as well as the madness of The King in Yellow with its repetition. It isn't as intriguing as the earlier tales and this was the last one that truly interested me deeply.
Perhaps I would have appreciated the last four tales if I wasn't searching for and expecting a horror tale with eerie elements. They're more bohemian and romantic. The Street of the Four Winds has a bit of a horror-ish vibe with Severn and his conversation with the cat. Rue Barrée has the more sardonic tone that is reminiscent of the first tale, but it was a bit of a chore to get through the various artists and romantic plots. The last few tales blurred together (probably not helped by similar plots, tones, settings, and even the same recurring characters).
Graphic: Ableism, Death, Mental illness, Schizophrenia/Psychosis
Moderate: Animal cruelty, Racial slurs, Suicide, War
Minor: Racism, Antisemitism, Grief