Scan barcode
sunbreak's review against another edition
3.0
The characters in this book had very distinct voices, at least in my head. Fun and easy read. Things were wrapped up a little too nicely for my taste, and the Afterward took the shine off her nice ending.
courtney_g1's review against another edition
adventurous
funny
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
goodem9199's review against another edition
1.0
I only gave it one star for the references to Children's Librarianship that I live every day. This book went NOWHERE...which is funny because the entire story is made up of the characters going everywhere (geographically speaking)
I will say that I liked the author's point of view on the religious right who cherry pick the Bible to suit their own ignorance and prejudices. My favorite line was about those who ignore the parts that say “you can’t ever eat pork or shellfish, and women should cover their heads, and you can’t plant two crops in the same field," yet will live and die by the next line that says two men can't love each other.
I had high hopes for this, but I hated the main character, the young boy who was supposedly homosexual and running from a wacko religious cult bent on making him straight, was just annoying. The Russian mobster family was shallow and boring. The more I write this review, the more I realize how much I seriously disliked this book. So there.
I will say that I liked the author's point of view on the religious right who cherry pick the Bible to suit their own ignorance and prejudices. My favorite line was about those who ignore the parts that say “you can’t ever eat pork or shellfish, and women should cover their heads, and you can’t plant two crops in the same field," yet will live and die by the next line that says two men can't love each other.
I had high hopes for this, but I hated the main character, the young boy who was supposedly homosexual and running from a wacko religious cult bent on making him straight, was just annoying. The Russian mobster family was shallow and boring. The more I write this review, the more I realize how much I seriously disliked this book. So there.
book_concierge's review against another edition
1.0
Audiobook performed by Emily Bauer
I remember seeing the author when she was on the book tour for this debut novel. I was intrigued by the premise: a young librarian working in the children’s section befriends a 10-year-old boy who seems to have some family issues, and then finds him “sleeping” in the library when he’s run away from home. I knew that the two of them take a bit of a road trip, so I wasn’t surprised by that.
However, I WAS surprised by all the other stuff Makkai threw in here: conspiracy theories, Russian mafia (?), a theatre troupe as roommates, and a possible love interest (?). I never anticipated that the librarian would be such a complete ditz. Lucy Hull doesn’t have the common sense God gave a goose.
I also never got much of a sense of the boy’s parents. Yes, I realize that what little we know is from Ian’s perspective and the little that Lucy has observed in her work as the children’s librarian, but it seemed that they completely dropped out of the story line as soon as the road trip began. Ian, precocious though he may be, was frequently a typical ten-year-old bratty kid, given to whining if things didn’t go his way. I hated the interludes where Makkai would give lists such as “How a ten-year-old boy brushes his teeth.”
I also had problems with the logistics of what Makkai reported. Lucy leaves town with $200 and she stubbornly tries to refuse any money from her parents. If the exact date is mentioned, I missed it, but they have cell phones and computers, although she’s still checking books out using printed cards and date stamps. In any case, $200 won’t go far, even staying at Motel 8, with two rooms each night, and fast food, and gasoline. And then, at the end,
I’m going to stop writing because if I continue, I’ll probably drop the rating down to zero.
Emily Bauer is the narrator of the audiobook. She isn’t credited on the jacket cover, nor on any on-line record I could find, but her name is given at the outset. She does a great job of voicing Ian, making him a believable 10-year-old. But the voice she uses for Lucy? Well, she makes HER sound like she’s younger than Ian!
I remember seeing the author when she was on the book tour for this debut novel. I was intrigued by the premise: a young librarian working in the children’s section befriends a 10-year-old boy who seems to have some family issues, and then finds him “sleeping” in the library when he’s run away from home. I knew that the two of them take a bit of a road trip, so I wasn’t surprised by that.
However, I WAS surprised by all the other stuff Makkai threw in here: conspiracy theories, Russian mafia (?), a theatre troupe as roommates, and a possible love interest (?). I never anticipated that the librarian would be such a complete ditz. Lucy Hull doesn’t have the common sense God gave a goose.
I also never got much of a sense of the boy’s parents. Yes, I realize that what little we know is from Ian’s perspective and the little that Lucy has observed in her work as the children’s librarian, but it seemed that they completely dropped out of the story line as soon as the road trip began. Ian, precocious though he may be, was frequently a typical ten-year-old bratty kid, given to whining if things didn’t go his way. I hated the interludes where Makkai would give lists such as “How a ten-year-old boy brushes his teeth.”
I also had problems with the logistics of what Makkai reported. Lucy leaves town with $200 and she stubbornly tries to refuse any money from her parents. If the exact date is mentioned, I missed it, but they have cell phones and computers, although she’s still checking books out using printed cards and date stamps. In any case, $200 won’t go far, even staying at Motel 8, with two rooms each night, and fast food, and gasoline. And then, at the end,
Spoiler
she’s gotten some money from her dad, but says she down to “just enough to get us home” and she gives it all to Ian to take the bus (alone … oh, wait, with a stranger who will take care of him), while she drives from Vermont back to Illinois. With what gas money? Is she finally going to use her credit cards? So suddenly she’s no longer afraid they’ll be able to track her this way?I’m going to stop writing because if I continue, I’ll probably drop the rating down to zero.
Emily Bauer is the narrator of the audiobook. She isn’t credited on the jacket cover, nor on any on-line record I could find, but her name is given at the outset. She does a great job of voicing Ian, making him a believable 10-year-old. But the voice she uses for Lucy? Well, she makes HER sound like she’s younger than Ian!
abaugher's review against another edition
5.0
great, especially for anyone in children's library services!
sophienall18's review against another edition
adventurous
emotional
funny
inspiring
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I felt that as a Children's Librarian myself, I had to read this one. I really enjoyed it, it was fast paced, and kept me turning pages the whole way through. I was somewhat unfulfilled by the end of the book on a few really key questions, but I'm choosing to ssee this as artistic choice-- she's not a hero, so why would we as readers get a savior arc or any justification of her decisions? Overall, though, a super smart little book that was a lot of fun to read.