Reviews with content warning for Injury/Injury detail - The Prophets

The audiobook narrator was incredible. It’s hard for me to judge how fast or slow this book was just because audiobooks go really fast for me. Strong strong content warnings on this one but it was so beautiful and important to me.

Content Warnings

kshertz's review against another edition

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challenging dark sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.5

This was a very hard read. I think a lot of it went over my head honestly. The time of enslaved people with absolutely no holding back and no filters. I was constantly in tears or sick to my stomach. Which is definitely the seeming point. Isaiah and Samuel find love only again to be ripped apart. There was never going to be a happy ending during this time. It’s just all pain. Which makes it a hard, but necessary read.

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amberinbookland's review against another edition

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challenging emotional reflective sad medium-paced

Plot- or character-driven? A mix
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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seawarrior's review against another edition

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challenging dark hopeful reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Brutally and beautifully told, The Prophets portrays how love and identity endure and transcend even the most desecrated of places. While Isaiah and Samuel are the worthy leading couple of The Prophets, the novel heavily focuses on the unwanted strength the Black women of the story have been shouldered with, and how they uplift themselves and their families for generations. Each of Jones' characters are fully realized, complex people. He does not shy away from exploring their deepest angers and darkest secrets, pushing us to understand their actions even if we do not, or should not, forgive them. He writes with a style is so lyrical it's almost poetic, and instills wisdom and truth on every page. Throughout the book, Jones unflinchingly depicts the horror of slavery without reveling in it. He tells traumatic scenarios from multiple perspectives and many understandings, shadowing survivors in hope and their perpetrators with terror. This book is sure to become a modern classic, and I'd highly recommend it to others. However, please note the content warnings below.

Content Warnings

criticalgayze's review against another edition

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challenging emotional reflective sad medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.0

This is a book that begins built on two ideas I thought were really gripping:
1) The polyphonic choral concept, which is overall the strongest thing about the book, and
2) The concept of the growth of an idea in a community, in this case homophobia among the enslaved.

The choral narration, as stated above, is the strongest thing about the novel as it runs throughout its entirety and often provided relief when I wanted to abandon the story. The chorus serves as a kind of chaotic good to our main focus, Samuel and Isaiah, and to tie in ancestral practices that remind us of that second concept the novel is ruminating on.

This second concept, the growth of homophobia in the enslaved community at the heart of the novel, is also incredibly interesting. Watching how and why a community might adopt an idea they heretofore had no concept of or interest in was an interesting piece of, likely historically accurate, social experimentation. And watching it played against the ideas on gender and sexuality brought over from tribal communities made it all the more impactful.

My biggest struggle in the book was when the story began to devolve from this second concept as we begin to have chapters from the perspective of the white characters in the story. The idea still lives in the novel as the driving force, but we are introduced to the narrative interests of the white enslavers, which becomes the central focus of most of the novel's back third. While I understand why the choice was made in the interest of servicing Jones's plot, it was far less interesting than the work he had been doing so far.

While significantly smaller, I also had a couple of other issues with my reading of the story. The first is that I wanted Isaiah and Samuel to be the focus of the novel, as I had been led to believe. Even though I knew going in that the vast majority of the story was not told from their point of view, I thought more of the story would be about them, yet the story was really more about the way they are used as pawns to play out the interests of other characters. I am also curious about the cultural conversations of the characters. I would have to read more firsthand writing from the period, but it sometimes seemed like the cultural ideas were more reflective of our modern revisiting of the period rather than period appropriate.

Despite my qualms, this book does have incredibly important things to say that I think make it a great pick for a book club discussion, which is the context for which I read it. There are lots of ideas and perspectives that feel new, either in their discussion or in their approach. Furthermore, until we begin to get some of those later white-perspective chapters, I think this is one of the gentler books on slavery as Jones seeks to both love his Black characters and show the love between them. Finally, the last three chapters go a long way toward making the ending of the novel a powerful piece that will stick with you.

Quotes:
"Our responsibility is to tell you the truth. But since you were never told the truth, you will believe it is a lie. Lies are more affectionate than truth and embrace you with both arms. Prying you loose is our punishment." (Page 2)
"That was good, though, because some things should never be mentioned, didn't have to be, not even among friends. There were many ways to hide and save one's self from doom, and keeping tender secrets was one of them." (Page 40)
"This wasn't a framework for liberty; this was the same tyranny of Europe, only naked and devoid of baubles." (Page 126)
"'Some people pain is eternal. Some people worship they pain. Don't know who they are without it. Hold on to it like they gon' die if they let it go.'" (Page 167)
"The North, meanwhile, still couldn't answer the questions of who would do the work freed slaves would necessarily leave behind and how those unfortunate souls would be paid once the position of slave was abolished. These men were bad at business, though there was every indication they were just as greed." (Page 202)

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