Reviews tagging 'Classism'

Deep as the Sky, Red as the Sea by Rita Chang-Eppig

5 reviews

szuum's review against another edition

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dark reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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ra22ouille's review

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adventurous challenging emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

As much as these characters weren't "likeable," I did love them—Shek Yeung particularly so. I was greatly moved by the depth and complexity of this book's emotional journey, and I was utterly absorbed and invested in Shek Yeung's trajectory. 

The story covers around 2 years in it's actual timeline, and it also recounts time from Shek Yeung's pre-pirating years. Rita-Chang Eppig does a great job with this narrative that jumps into Shek Yeung's past throughout the book, succeeding in weaving everything together into a compelling plot line. 

Shek Yeung and Chung Po's relationship had me feeling so many ways. I didn't know what I wanted for them and it seemed like Shek Yeung didn't totally know either. And who knows what Chung Po thought. They were both so smart and so opaque and closed off. Getting to know them both was like being shown a secret. I think their character development was suuuuper. And at times very surprising. I loved hearing Shek Yeung's internal voice that showed her own conflicting feelings about her development as a person. And even though I was inside her head she remained so hidden in lots of ways, which so reflected how she hid parts of herself even from her own eyes.

I listened to this as an audiobook, and I didn't love some of the character voices the reader did. But I did like Shek Yeung's voice and how the narration was read. I've also seen some reviews saying that the language was wordy, monologues overdone, etc., and I wonder if listening to it be read helped to immerse me in the writing style. I didn't anticipate that people would have those complaints so 🤷🏻‍♀️

Reas if you're interested in political adventures, explorations on the effects of power, gender politics, classism, and brutal stories of survival (especially survival as a woman).

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anniestar's review against another edition

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dark reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

Listen, I wanted to like this, but I found it incredibly boring. Shek Yeung feels reduce from her historical power, more of a victim than someone who rises above the circumstances she was forced into. The ending was also very abrupt and dissatisfying.

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vonya45's review against another edition

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adventurous dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

"Grief had the quality of a cast fishing line sometimes. In hand at the start, reaching the zenith only once it was in the distance and not subsiding until even farther out, until it had traversed so much space as to have lost its force. Sometimes it never truly subsided."
I'm glad I got this as an audiobook instead of reading it. I might have gotten bogged down in trying to keep track of the quick action scenes or understanding the military maneuvers and pirate politics. Instead I was able to catch glimpses of bloody battles and complicated strategems, and see past them into what the story was really about. 
The view into the mind of a pirate queen is a striking one. How does a intelligent but regular girl become a master tactician and a cold blooded killer? The author did a marvelous job at answering this question without making the main character into a caricature of a murderous pirate, or on the other end of the spectrum, a one-dimensional "strong female character" with no flaws who is somehow always morally upstanding despite being a dangerous warlord. Shek Yeung enjoys killing those she believes deserves it, in the midst of battle or otherwise. When she slits the throat of suspected spies, she never gets confirmation on those suspicions, and neither does the audience. She makes choices based on what is best for her and what keeps or gains her power. She even becomes a wife and mother in order to keep that power. Yet she still has relateable feelings about her motherhood, wanting what's best for her children and feeling inadequate to care for them. She shows tenderness and care towards her husband despite their marriage being a strategic decision. She is a strong and powerful figure, but still shows empathy and compassion toward strangers. She is looking out for her best interests but she cares about her friends. She uses the patriarchal system to her advantage but her reflections on womanhood are incredibly impactful feminist perspectives. 
The book does not give easy answers on any of its themes, but its deep dive into the main character's psyche is to be admired. I gave it a 3.5 because it is not really my kind of book, I am not a fan of having this much darkness or callousness in a story, and I don't like pregnancy/motherhood themes. Yet the book was well written and an enjoyable listen.

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spacerkip's review

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challenging reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

This was a very character-focused novel, with flashbacks and tales of Chinese mythology interspersed throughout the main plot. As a result, the story is slow-building, and it takes a while for the conflict with the emperor's pirate hunter, Pak Ling, to manifest. Even still, the bulk of the novel deals with the politics of commanding a fleet and navigating alliances with other pirate leaders, rather than daring adventures or fearless yarns.

The story's introspection serves well to explore the many themes it introduces. Ambition vs love (romantic, platonic, or maternal). Pragmatism vs cruelty. What it means to take power and control for yourself when the only way is to steal it from those around you.

I'm not entirely sure why it didn't click with me, but there were quite a few things I liked. The setting at sea, for one. My experience with age of sail novels lies almost exclusively with stories about the British navy, so this was a refreshing change of pace, and I eagerly took in all the details about sailing in this part of the world. The historical backdrop was very interesting to me as well. Not only in the events taking place, but in the descriptions of each port Shek Yeung and the other characters visited, from the construction of buildings to the clothing worn to the different religious practices. I also enjoyed the firmly grey morality of the main character, Shek Yeung. She was not shown to be right or wrong or always justified, simply a person who lived (and learned to thrive) in very difficult situations.

If you are interested at all in Chinese piracy, I encourage you to give this a try!

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