Reviews with content warning for Rape - Deep as the Sky, Red as the Sea

Reviews tagging 'Rape'

Deep as the Sky, Red as the Sea by Rita Chang-Eppig

45 reviews

lochnessvhs's review against another edition

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challenging emotional slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.0

If you want to read about the intracacies of Chinese pirate politics and war strategy, this is the novel for you!

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culpeppper's review against another edition

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adventurous dark emotional medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

3.0

The plot of this story is pretty straightforward and simple on the surface: a pirate captain dies, the world is changing due to aggressive colonial actions, and a tired woman is just trying to survive all the shit that happens between it all. There's a lot going on in the in between. Shek Yeung is a complex character, someone who spent most of her younger life isolated, brutalized, and/or controlled by abusers but soon has a chance at a kind of freedom when her first husband dies in the beginning of the book.

Her agency, or lack therof, sticks out to me amongst all the other topics Chang-Eppig covers in the story. Shek Yeung's whole life is controlled by others, their specters hanging over her and shadowing almost every choice she makes. Her husbands, living and dead, give reasoning for her choices she makes. Notably when she makes choices that harm others, she may recall with a pride and maybe a little guilt that she choices she made would have been the same choices her dead husband would have made. It cheapens her actions; just once, I wanted her to say she wasn't making a choice regarding the fleet without checking it against what He would have done.

Her relationship with Yan-Yan feels particularly imbalanced throughout the narrative in a way that isn't really explored.

This is solidified at the end when Shek Yeung leaves a now implied to be disabled Yan-Yan to live a life she has expressed she didn't want previous to her doing this. Though she maybe feels conflicted about it, there's no real interrogation of what Shek Yeung (and Dawa but she's hardly a character) is actually doing by choosing this life of motherhood over employment for Yan-Yan, who has little to say after getting injured for the sake of Shek Yeung's child until she is forced into her new life. Kinda weird.

There are a lot of things that I'm just taking as fictionalized elements of historical reality (as I have very little knowledge on this particular part of time and space) but the lack of meaningful interrogation on what it means for Shek Yeung to have this power, and the continued lack of agency, means a lot of the other elements fall a little short of what I think Chang-Eppig was going for.

On the surface, if you don't look too deep, it's a fine book. Pacing can be weird, there's time jumps back and forth, there's some interesting mythical interludes that add a little depth to the world, side characters are all kinda one dimensional, the lines of leading questions made me roll my eyes, and I don't think it dug as deep as it thought it did— but overall, I eventually got invested and liked the attempts at serious conversations, even if I would have liked it do have gone a little deeper.

Content Warnings

Graphic: Blood, Confinement, Toxic relationship, War, Kidnapping, Misogyny, Slavery, Violence, Trafficking, Colonisation, Injury/Injury detail, Pregnancy, Terminal illness, Torture, Grief, Death, and Death of parent

Moderate: Drug abuse, Racism, Sexual assault, Suicide, Emotional abuse, Physical abuse, Rape, Sexual violence, and Gaslighting

Minor: Islamophobia, Abortion, Adult/minor relationship, and Cannibalism

Takes place just prior to the start of the Opium Wars, at the end of the height of piracy. All the topics are what are to be expected, more or less, from reading the inside flap and having a general understanding of how brutal we can be as a species. There are multiple battle scenes, which include blood, injuries, and death. Multiple accounts of sexual violence, including rape, not overly graphic but frequent. Colonization hangs heavy on the narrative. Sexual slavery:

The main character is captured by pirates as a teenager, raped, and eventually sold to a Madam who runs some "flower boats" (floating brothel.) During this time, the character is a teenager, aging to young adult. The physical, verbal, sexual, and emotional abuse is mostly alluded to rather than described explicitly, in most cases. She is eventually "freed" from this slavery by marrying her first husband, the older pirate captain, who is taken in by her brains and beauty. While consensual and happening when Shek Yeung is a young adult, there is still a sense of ownership and power imbalance. The main male lead was taken as an adolescent and implied to have had relationships with much older pirate captains.

Familial Death, and Illness:

Father and brother dead or presumed dead because pirates, mother died from some illness *I think* when main character was young. Main character's best friend is sick during the beginning of the story and dies from some illness off-page.

Imprisonment:

Captives are taken multiple times through the book. The main characters are all captives in one way or another, forced mostly by circumstance and hard choices, and there are multiple times where that slavery/imprisonment is described or recounted. There are multiple captives taken, and sometimes tortured, in the story with a main or side character's order or action. Torture not graphic but frequently mentioned, or used subtly.

Pregnacy warnings: Main character spends multiple scenes and a period of time pregnant in the story.

There are two different traumatic birth scenes. One is at the end of her high risk pregnancy.

jayisreading's review against another edition

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adventurous reflective medium-paced

3.25

I didn’t find this novel particularly memorable, but I didn’t think it was a mediocre read either. Looking into the life of one of the most well-known female pirates in history, Shek Yeung (which I discovered was a name variant of Ching Shih), Chang-Eppig delivers a somewhat tepid story that lacked a lot of excitement a reader might expect from a novel about pirates. It wasn’t to say that the novel was completely devoid of action, but I found that it didn’t meet my expectations for something especially adventurous, as the blurb led me on to believe. I did find it interesting that Chang-Eppig had Shek Yeung contend with the struggles and wonders of womanhood and femininity, especially how she gestured toward the heavy influences of Confucianism in shaping the pirate’s understanding of her unique position. However, I think Chang-Eppig’s desire to draw out these ideas in detail affected the overall plot and pacing.

I think there’s something in this novel that will appeal to some readers, but it didn’t quite do enough for me.

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lindsayreads21's review against another edition

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adventurous reflective slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

This book started out super strong. I was drawn into Shek Yeung’s story immediately. Unfortunately, the momentum dragged a bit after those first few chapters. This is a book about a “legendary Chinese pirate queen” so I expected it to be full of adventure and excitement. Instead, it was a lot of time in the head of an almost reluctant pirate queen. Stolen from her family and forced to sell her body only to be “chosen” by the leader of a pirate fleet - yeah, I’d be pretty reluctant too. This book was really interesting and often had me writing notes in the margin. Shek Yeung is not the kind of queen or mother that you might expect, but she is the kind of queen and mother that the world made her.

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mari_library's review against another edition

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adventurous informative reflective slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

This is was not what I was expecting. But it was still enjoyable and a great read. It had the perfect blend of information and intrigue. While I wasn't itching to pick the book back up every time I put it down, I still felt compelled to read it and never felt a dull moment. It takes a bit of time to get into it but it is worth it.

I don't think this book was trying to be revolutionary, it said what it was going to do and it did it flawlessly. I loved the conversations on womanhood, girlhood, and motherhood with the cultural implications. Coming from the west, the difference and similarities in the conversation was interesting to hear. I loved the commentary on the complex relationship women have with the culture of Imperial China at that time, and how a woman who breaks away from it also has a complex relationship with themselves regarding the way they grew up. I do wish some more aspects were delve in deeper, but since this was not a plot-focused book and instead character-focused, everything that happened felt organic to the character we were following. To be frank, I could probably have read 100 more pages of it and not have gotten tired. Shek Yeung is such an interesting characters and up there as one of my favorites.

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mylittlefootnotes's review against another edition

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slow, not what I was in the mood for, didn’t connect with the characters

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cheynov's review

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adventurous dark sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

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jinmichae's review against another edition

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adventurous dark emotional tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

It's really well written, and an interesting story of the main character warring with her identity and what she's become. But it just wasn't for me. I'm too much of a romantic who wants happy endings after succeeding against the odds, and this is a tale of how cruel reality can be. There isn't always a happy ending, and sometimes the sum of all your scheming is just emptiness and a polite defeat.

My main problem I should have seen coming: it's hard to feel sympathy for or connected with a main character who's a fairly ruthless pirate, even if she internally struggles with her actions, or isn't as terrible as others she nonetheless allies with. She wants to fight against the emperor's stranglehold on the country, but what does that mean to the individual peasants? They either die of the emperor's famine, or the ones caused by her raids.

I guess that's part of the book's message about the cruelty of society and fate, so go into the book expecting such. It was my own hope for something more like Robin Hood that disappointed me, not the actual story.

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szuum's review against another edition

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dark reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

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sweetsnmeats's review against another edition

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adventurous reflective fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

4.5

I longed for more fighting but was completely satisfied with what I took away from this book. I didn’t expect such a beautiful female perspective - which was refreshing and propelled me through this book alongside the surprises. I did love it though I wished it was longer

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