Reviews with content warning for Grief - Deep as the Sky, Red as the Sea

Reviews tagging 'Grief'

Deep as the Sky, Red as the Sea by Rita Chang-Eppig

9 reviews

culpeppper's review against another edition

adventurous dark emotional medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

3.0

The plot of this story is pretty straightforward and simple on the surface: a pirate captain dies, the world is changing due to aggressive colonial actions, and a tired woman is just trying to survive all the shit that happens between it all. There's a lot going on in the in between. Shek Yeung is a complex character, someone who spent most of her younger life isolated, brutalized, and/or controlled by abusers but soon has a chance at a kind of freedom when her first husband dies in the beginning of the book.

Her agency, or lack therof, sticks out to me amongst all the other topics Chang-Eppig covers in the story. Shek Yeung's whole life is controlled by others, their specters hanging over her and shadowing almost every choice she makes. Her husbands, living and dead, give reasoning for her choices she makes. Notably when she makes choices that harm others, she may recall with a pride and maybe a little guilt that she choices she made would have been the same choices her dead husband would have made. It cheapens her actions; just once, I wanted her to say she wasn't making a choice regarding the fleet without checking it against what He would have done.

Her relationship with Yan-Yan feels particularly imbalanced throughout the narrative in a way that isn't really explored.

This is solidified at the end when Shek Yeung leaves a now implied to be disabled Yan-Yan to live a life she has expressed she didn't want previous to her doing this. Though she maybe feels conflicted about it, there's no real interrogation of what Shek Yeung (and Dawa but she's hardly a character) is actually doing by choosing this life of motherhood over employment for Yan-Yan, who has little to say after getting injured for the sake of Shek Yeung's child until she is forced into her new life. Kinda weird.

There are a lot of things that I'm just taking as fictionalized elements of historical reality (as I have very little knowledge on this particular part of time and space) but the lack of meaningful interrogation on what it means for Shek Yeung to have this power, and the continued lack of agency, means a lot of the other elements fall a little short of what I think Chang-Eppig was going for.

On the surface, if you don't look too deep, it's a fine book. Pacing can be weird, there's time jumps back and forth, there's some interesting mythical interludes that add a little depth to the world, side characters are all kinda one dimensional, the lines of leading questions made me roll my eyes, and I don't think it dug as deep as it thought it did— but overall, I eventually got invested and liked the attempts at serious conversations, even if I would have liked it do have gone a little deeper.

Content Warnings

Graphic: Blood, Confinement, Toxic relationship, War, Kidnapping, Misogyny, Slavery, Violence, Trafficking, Colonisation, Injury/Injury detail, Pregnancy, Terminal illness, Torture, Grief, Death, and Death of parent

Moderate: Drug abuse, Racism, Sexual assault, Suicide, Emotional abuse, Physical abuse, Rape, Sexual violence, and Gaslighting

Minor: Islamophobia, Abortion, Adult/minor relationship, and Cannibalism

Takes place just prior to the start of the Opium Wars, at the end of the height of piracy. All the topics are what are to be expected, more or less, from reading the inside flap and having a general understanding of how brutal we can be as a species. There are multiple battle scenes, which include blood, injuries, and death. Multiple accounts of sexual violence, including rape, not overly graphic but frequent. Colonization hangs heavy on the narrative. Sexual slavery:

The main character is captured by pirates as a teenager, raped, and eventually sold to a Madam who runs some "flower boats" (floating brothel.) During this time, the character is a teenager, aging to young adult. The physical, verbal, sexual, and emotional abuse is mostly alluded to rather than described explicitly, in most cases. She is eventually "freed" from this slavery by marrying her first husband, the older pirate captain, who is taken in by her brains and beauty. While consensual and happening when Shek Yeung is a young adult, there is still a sense of ownership and power imbalance. The main male lead was taken as an adolescent and implied to have had relationships with much older pirate captains.

Familial Death, and Illness:

Father and brother dead or presumed dead because pirates, mother died from some illness *I think* when main character was young. Main character's best friend is sick during the beginning of the story and dies from some illness off-page.

Imprisonment:

Captives are taken multiple times through the book. The main characters are all captives in one way or another, forced mostly by circumstance and hard choices, and there are multiple times where that slavery/imprisonment is described or recounted. There are multiple captives taken, and sometimes tortured, in the story with a main or side character's order or action. Torture not graphic but frequently mentioned, or used subtly.

Pregnacy warnings: Main character spends multiple scenes and a period of time pregnant in the story.

There are two different traumatic birth scenes. One is at the end of her high risk pregnancy.

anniestar's review against another edition

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dark reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

Listen, I wanted to like this, but I found it incredibly boring. Shek Yeung feels reduce from her historical power, more of a victim than someone who rises above the circumstances she was forced into. The ending was also very abrupt and dissatisfying.

Content Warnings

vonya45's review against another edition

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adventurous dark emotional sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

"Grief had the quality of a cast fishing line sometimes. In hand at the start, reaching the zenith only once it was in the distance and not subsiding until even farther out, until it had traversed so much space as to have lost its force. Sometimes it never truly subsided."
I'm glad I got this as an audiobook instead of reading it. I might have gotten bogged down in trying to keep track of the quick action scenes or understanding the military maneuvers and pirate politics. Instead I was able to catch glimpses of bloody battles and complicated strategems, and see past them into what the story was really about.
The view into the mind of a pirate queen is a striking one. How does a intelligent but regular girl become a master tactician and a cold blooded killer? The author did a marvelous job at answering this question without making the main character into a caricature of a murderous pirate, or on the other end of the spectrum, a one-dimensional "strong female character" with no flaws who is somehow always morally upstanding despite being a dangerous warlord. Shek Yeung enjoys killing those she believes deserves it, in the midst of battle or otherwise. When she slits the throat of suspected spies, she never gets confirmation on those suspicions, and neither does the audience. She makes choices based on what is best for her and what keeps or gains her power. She even becomes a wife and mother in order to keep that power. Yet she still has relateable feelings about her motherhood, wanting what's best for her children and feeling inadequate to care for them. She shows tenderness and care towards her husband despite their marriage being a strategic decision. She is a strong and powerful figure, but still shows empathy and compassion toward strangers. She is looking out for her best interests but she cares about her friends. She uses the patriarchal system to her advantage but her reflections on womanhood are incredibly impactful feminist perspectives.
The book does not give easy answers on any of its themes, but its deep dive into the main character's psyche is to be admired. I gave it a 3.5 because it is not really my kind of book, I am not a fan of having this much darkness or callousness in a story, and I don't like pregnancy/motherhood themes. Yet the book was well written and an enjoyable listen.

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kindra_demi's review

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emotional tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

In the end, stories were not, could not be reality. The storyteller decided where to start the story and where to end it, which parts to sink into and which to skim over.

Rita Chang-Eppig truly takes this into her writing style. This is the story of Shek Yeung and her journey to getting and maintaining the status of a pirate queen. Many have said that they aren't as big of a fan of the story because they thought it would be a story of action and adventure, but this isn't one of those stories. Parts are dedicated to the politics of piracy in the Qing dynasty with the Pirate Confederation. You'll get an initial introduction to the Opium Wars as well. But the primary focus of this story is Shek Yeung and her experience rising to her power.

I usually do not gravitate towards historical fiction or stories involving pregnancy, but I'm genuinely in love with this story. The lyrical nature of Chang-Eppig's writing and Shek Yeung is so beyond relatable. There were so many moments where I would pause to soak in how Chang-Eppig wrote a portion of the story.

I started the book as an audiobook (ft. a pterodactyl screech when I saw it was Emily Woo Zeller who narrated it. She was the first narrator I started following their work. If you have yet to listen to an audiobook before but want to get into listening to more, check out Emily Woo Zeller's work). I barely got to ch 4 before I texted my friend who recommended the book, saying I would probably want this as a physical book. I went and got it. Then, I went back and forth between the physical book and the audiobook (I'm impatient, but so is life, so the audiobook came in handy there). Both the physical book and the audiobook are beyond worth it.

Content Warnings

cheye13's review against another edition

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tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

2.0

This is a wonderful historical fiction story. I'm unfortunately not the biggest fan of the genre.

I had two main problems with this book as a whole. First, I don't know how it's getting a fantasy billing. It grazes magical realism at best, but ultimately, it's a spiritualism apropo to the time/setting. Maybe I missed something huge, but this isn't a fantasy story. Second, I've found I do enjoy political historicals, but this only just scratched the surface. Limited to Shek Yeung's perspective, the reader has to guess along with her at enemies' motives. Either broadening to an ensemble cast to explore every political angle or diving deeper into the emotional character would've fit my personal historical tastes.

That being said, this is excellently written and researched. I would absolutely read more from this author, even about this same topic. The main character is complex, complete, and real. Following her life and thoughts is fascinating and compelling. I just personally wanted more from the narrative.

Content Warnings

emzhay's review

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challenging dark emotional sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

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laurareads87's review against another edition

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adventurous dark reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes

4.0

Deep as the Sky, Red as the Sea follows Shek Yeung, a pirate captain who, after her husband and co-captain dies, marries his second in command to maintain her position and goes on to lead the fleet through a series of clashes with both the Emperor's fleet and those of Europeans set on dominating trade in the South China Sea.

I will say, this book was not at all what I expected. I have no idea why this book is being shelved as fantasy - it is 100% historical fiction. While there are religious practices depicted (uttering prayers to deity, fortune telling, etc.) and brief chapters detailing stories of the ocean goddess Mazu (whom the main character petitions), this does not make the book fantasy. While the book is described as a "riveting, roaring adventure novel" and does certainly include some battle scenes and plenty of strategizing, I most appreciated the novel as a portrait of one individual woman: the protagonist's traumatic past, her relationships with other characters, and her strategizing and at times brutal actions undertaken to maintain her tenuous hold on the power she has while not sure what she ultimately wants.

Content warnings: violence, murder, blood, death, torture, sexual assault, rape, kidnapping, colonialism, sexism, homophobia, human trafficking, addiction, war, grief, slavery

Content Warnings

starrysteph's review against another edition

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adventurous dark informative reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

A slow-paced, thoughtful portrait that gives a legendary Chinese pirate real dimension & humanity.

After Shek Yeung witnesses the death of her ferocious pirate husband, she steps into his place and fights to maintain her power. But the seas are unforgiving, and the larger world is cracking down on piracy. She has to lead through shaky alliances, a clever nobleman purging pirates on behalf of the Chinese Emperor, and European enemies planning something terrible.

Shek Yeung is a real person, and in Deep as the Sky, Red as the Sea, Rita Chang-Eppig pulls apart legendary feats and hyperbolic statements to show a thoughtful portrait of a leader. She’s clever, and she makes mistakes. She uses her power to alter the world, and she abuses her power in times of fear. She’s intent on forging a different path than the ones before her, but their ghosts haunt her.

I’m bummed that this book has been mismarketed - for instance, “riveting, roaring adventure novel” from the blurb isn’t quite accurate. There’s some action, and definitely tension, but this is not a fast-paced swashbuckling adventure. It’s a slow and sometimes-dense portrait.

Shek Yeung’s story is quite captivating. She’s ripped from her family and powerless at the beginning, and absorbs different styles of leadership as she grows up and takes control over her life back bit by bit. And when she has opportunities for freedom - she can’t quite give up all the power she has fought so desperately to have.

Chang-Eppig explores suffocating gender roles & societal expectations, love & family, leadership, and so much more. And that underneath legends - there are simply humans.

CW: murder, death, blood, violence, pregnancy, rape, trafficking, sexism, colonization, slavery, addiction, torture, war, grief

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just_one_more_paige's review against another edition

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adventurous dark reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

I hadn’t heard of this until a few months ago when I randomly came across it on NetGalley. It was the title and cover combination that really caught my attention. Then I read it was about a pirate queen?! And there was no going back. (Also, note: Libro.fm offered it as an ALC a month or so ago and honestly, I loved having both the ebook and audiobook while reading.)

When Shek Yeung’s husband is killed in a battle, she takes immediate action, marrying his second in command (with the promise of bearing him a child, a son, to be his heir, despite having thought herself past the time in her life), in order to maintain her power and position within the fleet. But even with that quick thinking, the fleet remains on the edge of disaster in the face of myriad outside threats. Shek Yeung must navigate through a Chinese Emperor who seeks to eradicate all piracy in the most brutal manner, European powers who are tired of losing resources to the pirates, and an inter-fleet alliance that is shaky at best. Plus, as she faces the vastly different challenges of new motherhood, she begins to question what price she is actually willing to pay to retain control and leadership.

I am not sure why, but I thought there was going to be magic in this story…and there is not. I want to set that out to start, as, since I didn’t know where that impression came form personally, maybe other people are thinking that too. That has no bearing on my enjoyment of the overall reading experience whatsoever, I just felt it necessary to clarify. I will say though, there is a definite vibe that supernatural forces *could* be in play, through fate and fortune-telling and the influence of gods (similar to books like The Fortunes of Jaded Women, The Last Tale of the Flower Bride, The Cloisters, Plain Bad Heroines, etc.). So, it kind of reads like a magical historical fiction in vibe, if not in actuality. And that’s a style I can get behind.

Plot-wise, this was spectacularly written and paced. There was, absolutely, all the ruthlessness and violence one would expect from a novel about pirates, but as it was sprinkled in with stories about Ma Zhou and mythology and beliefs around her godhood, that was balanced out in a way that made it feel less intense or overwhelming. This was aided by the background on Shek Yeung’s life that was developed as the story went, giving us context not only about her own journey to piracy, but for the greater world within which her story takes place. It was tragic, as I believe all “I didn’t set out to become a pirate, but ended up here anyways” tales must be, compounded by her role as a female during this historical time period in Chinese history (but also, as a female in any time period ever, if we’re being honest). Getting to experience the story from her perspective, her own decisions, and with insight into her own thought processes and feelings, was exactly what I wanted. Finally, in regards to the plot, I would be remiss if I didn’t’ acknowledge how wonderful the complexity of the political machinations and power maneuvering were. I always love when those aspects are done with the kind of deftness that Chang-Eppig had here.

A few final thoughts. First, I was thrilled to hear that Emily Woo Zeller was narrating – I enjoy her voice talents and this was no exception. I thought it was great, the way Chang-Eppig showed how mythology and folklore take on a life of their own depending on the teller, and how every story is just that because all tales grow and change in the telling. This was demonstrated both though the tales of Ma Zhou and in the ways Shek Yeung chose portray herself and her life.

Overall, what atmospheric and original historical fiction. It was swashbuckling and violent, but also culturally and politically nuanced. Perhaps a slightly slower read than the blurb might suggest, but once I adjusted, it was such a good reading/listening experience.

"Piracy was, more often than not, a matter of convincing the target of the futility of fighting back."

"Women's life stories were written by their men, messily, elegantly, or in the case of violent men, tersely. Now that Cheng Yat was dead, Shek Yeung finally had a turn at dictating the course of things. She might have been born thirty-one years ago, but her story was only now hers."

"But villains waited for no god..."

"There were many gods in Heaven, one for whatever a person lacked (after all, wasn't lack the foundation of being human?)..."

"'Why do you need all this power?' Wo-Yuet had asked her. So that I can have complete control, she should have answered. Because the moment a powerful woman loosened her grip on the reins, even a little, someone immediately tried to wrest those reins from her. This "someone" was usually a man who believed she should never have had them in the first place."

"...acts of disobedience quickly led to unrest, which led to violence, which had to be met in kind. There was no stability without violence, nor was there peace in instability. Where was the line between stability and tyranny?"

"They'd come together to stay alive, which was different from staying together to live."

"In the end, stories were not reality, could not be reality. The storyteller decided where to start the story and where to end it, which parts to sink into and which to skin over."

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