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3.76 AVERAGE
3.76 AVERAGE
I finally started caring about the plot at 76%, but I still didn’t care about Martise or anything that happened to her. Dunno if this is actually true or if it’s just how I perceive characters like her, but in my mind Martise is basically a Mary Sue. Like she kiiiiind of has a personality, but her personality is generic and boring.
I felt this way about the female protagonist in the other Grace Draven book I read (Idilko? Ildiko? Ilkido?), so I think it might just be the way she writes characters. They’re technically well-rounded characters, but they just fall flat. Like they have their flaws, but the flaws don’t have any bearing on anything that happens in the story. Or like they’ll demonstrate a sense of humor, but when you read the jokes they make, they’re not actually that funny.
Also thinking that maybe I just don’t jive with the way the author writes, in general. The prose is pretty, but the flowery language means I have to spend a lot of time intellectualizing the story, and imo it gets in the way of emotional connection. At times I felt like I was reading a nonfiction book - my attention would wander and I’d have to bring it back and focus on reading comprehension instead of just experiencing what was happening. I love a beautiful sentence here and there, but I feel like the balance is off in the Grace Draven books I’ve read thus far.
Tis a shame because I found the plot compelling once I hit that three quarter mark, but by then I was neither invested nor immersed - simply reading to check off the boxes and confirm what happens at the end. OH WELL. Her books are just not for me!
I felt this way about the female protagonist in the other Grace Draven book I read (Idilko? Ildiko? Ilkido?), so I think it might just be the way she writes characters. They’re technically well-rounded characters, but they just fall flat. Like they have their flaws, but the flaws don’t have any bearing on anything that happens in the story. Or like they’ll demonstrate a sense of humor, but when you read the jokes they make, they’re not actually that funny.
Also thinking that maybe I just don’t jive with the way the author writes, in general. The prose is pretty, but the flowery language means I have to spend a lot of time intellectualizing the story, and imo it gets in the way of emotional connection. At times I felt like I was reading a nonfiction book - my attention would wander and I’d have to bring it back and focus on reading comprehension instead of just experiencing what was happening. I love a beautiful sentence here and there, but I feel like the balance is off in the Grace Draven books I’ve read thus far.
Tis a shame because I found the plot compelling once I hit that three quarter mark, but by then I was neither invested nor immersed - simply reading to check off the boxes and confirm what happens at the end. OH WELL. Her books are just not for me!
adventurous
emotional
funny
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Flaws of characters a main focus:
Yes
emotional
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
After being a little lukewarm on Radiance, I decided to give Grace Draven one more try, mostly because her books seem to be popular on tumblr. I picked up Master of Crows on a whim, and though I think it has more plot than Radiance, the main characters were really not to my taste. For me, Martise was too passive and Silhara was too much of a jerk to be likeable, and the massive power imbalance between the two meant that I didn’t really root for their relationship to succeed. Thus, this book only gets 2 stars from me.
Writing: Draven’s prose is fairly straight-forward. It’s easy to get through and it flows well, giving the reader just enough to know what’s going on. I don’t really have any criticisms for its simplicity because Draven is writing within romance, and the point isn’t to be poetic. Rather, it gets the job done, and I think most readers will appreciate that.
Where I do think I can criticize this book is in the repetition of phrases. More than twice, I saw the term “half mast” used to convey when a character’s eyes were half open, and I think I saw “tattoo” used multiple times to describe a rapid rhythm or tapping. It’s not the biggest deal, but I was definitely pulled out of the story when I noticed these things.
I also think I can criticize Draven for telling us some things that should have been shown. We’re told, for instance, that Silhara isn’t a noble man, that he’s selfish and ambitious, etc. but we’re never really shown scenes of him acting out of ambition or being actually tempted to give in to Corruption’s influence. I would have liked to see Silhara be put in positions where he is making choices or doing things that make the reader think he was susceptible to Corruptions influence. Maybe we see him researching spells for making himself more powerful. Maybe something happens on page with Conclave that is so bad, he starts seriously considering Corruption’s offer to give him revenge. It could be argued that we do get some of that, but it felt like everything was told to us, or happened in the past, and we were expected to absorb it.
Plot: Most of the non-romance plot of this book revolves around Silhara trying to figure out how to destroy the god Corruption while Martise acts as a spy, trying to get some dirt on him so the Conclave (a collection of priests/mages) will have an excuse to kill him. To be honest, I thought the initial premise was a good one; I liked the idea of conflicting loyalties and the eventual shift from enemies (of a sort) to lovers.
However, I do not think this plot was handled well, mainly because Corruption seemed to be a background threat. Multiple times throughout the book, we see Silhara be more or less tormented by the god, whether through dreams that keep him up at night, through disrupting Silhara’s magic abilities, through manifestations, and through temporary possession. While scary, I don’t think these scenes had much lasting impact, which didn’t make Corruption feel like a real threat. If Silhara is being kept awake at night, for example, I want to see scenes where his sleep deprivation gets him in trouble. If his magic is out of control, I want to see scenes where he has to decide whether he wants to risk using it or if he should go through his life without his powers. Something other than Corruption just being a lurking boogeyman that occasionally pops up and becomes a nuisance rather than a real, omnipresent force.
I also think Martise’s plot was a bit weak, mainly because we’re never really shown her having conflicting feelings or arguing with herself about whether or not to give Silhara to the Conclave. Martise is a slave, and her master promises to free her if she can get dirt on Silhara. While fine, the desire for freedom never seemed like a driving force for Martise; we never see her digging through Silhara’s study for potential dirt, of trying to eavesdrop or do other things that would show her actively trying to achieve her goal. Instead, Martise is rather passive, waiting for information to come to her, and she never really wrestles with her life as a slave, not the decision of whether or not to report Silhara once she falls in love with him. I would have liked to see more angst or at least more of an evolution where it felt like Martise had an arc independent of her service or usefulness to Silhara.
Characters: Martise, our heroine, is rather passive and seems to exist mainly to be used. I really didn’t like that she seemed to have no ambition or agency; she mostly waited for things to happen to her, and only shows agency towards the end, when the big showdown happens. Even her “gift” - the magic ability which lays dormant in her until Silhara awakens it - seems to be built around her being a tool to be used, and I was extremely disappointed that her arc didn’t seem to be about empowering her as a woman or as an ex-slave.
Silhara, our hero, is the type of love interest I absolutely hate. He’s extremely powerful, but is a complete jerk to the heroine and commits random violence towards other people out of jealousy. While we’re told over and over again that Martise loves him because he’s a good person at heart, I really didn’t see it. He not only beats up someone who speaks poorly of Martise, but he also seems comfortable ordering her around and treating her as a servant until the very end. The only redeeming qualities he had seemed to be that he doesn’t like people treating women poorly (which, ok, I guess) and he’s kind to his servant, Gurn. Other than that, he’s not an alluring figure.
Side characters were fun, if under utilized. Gurn is Silhara’s mute servant who uses a kind of sign language to communicate. I really liked this character because it inserts some disability representation, and I liked his relationship with Martise. The two seemed to bond over their shared status as servants, and I honestly wish there had been more of an arc or exploration about class with these two. Other characters served their purposes. Cumbria, Martise’s owner, is largely absent, but manages to look bad in every way. He’s not a super compelling antagonist just because he’s not on the page too often, but when he is, I think Draven did a good job not making him over-the-top evil. He’s mostly just greedy and petty, and I wish he had been used more deliberately in conjunction with Silhara’s exile as a commentary on corruption within religious orders. Corruption, the god, is a different story. As I explained in the plot section above, Corruption isn’t much more than a boogeyman, and I got really tired of him really fast.
I’m not sure how to feel, however, about the Kurman people in this book. The Kurmans are a nation/ethnic group/tribe/society with some rather odd gender dynamics. Women can apparently own property and vote, and they are supposedly respected, but they are kept separate from men much of the time, wait on men at feasts, can’t meet men’s eyes unless they want to communicate sexual availability, and so on. It was rather bizarre to me, and I seemed to be getting conflicting ideas about whether or not this society was feminist or not. I also wasn’t sure if they were supposed to be modeled on any real-life ethnic groups or societies; they are described as wearing pointy shoes, having swarthy/dark skin, having multiple wives, etc. so I got the impression that they might have been like Arabs, Mongols, or Ethiopians (due to the food they eat, etc), but if so, I didn’t quite like how Silhara refers to them as “barbarian,” even if it was in jest.
Romance: I couldn’t get on board with this romance. At all. Martise was already too subservient as a character, and while I get that some of this could be a survival technique, it didn’t make sense that Silhara would fall for her based on the ways in which she surprised or challenged him. Because she barely did. She never called Silhara out in any meaningful way and seemed to go along with whatever he wanted until the end.
Most of my discomfort, however, comes from two main issues: 1.) Silhara never seems to put Martise’s well-being first, and 2.) there is a huge power imbalance between the two that isn’t corrected until the very end, and Silhara never seems to be interested in leveling the playing field. First, Martise’s well-being: Silhara constantly offered comments that seemed to tear Martise down or, at the very least, be a back-handed compliment. He never seems to want to find ways of making her happy, and he centers his own desire and well-being even after big things happen. For instance, in a scene where Silhara is temporarily possessed by Corruption, he hurts Martise so badly that she cannot speak (as in, he chokes her almost to blackout). When he is freed from possession, he never seems to care about what he did to Martise or how she might be in pain. Instead, the first thing he does is order Martise to get away from him, then he orders Gurn to look after Martise to make sure she’s ok. All the while, he focuses on his own pain and jokes about his balls (which Martise kicked in order to free herself from his grasp). I was flabbergasted - why wouldn’t you want to make sure for yourself your lover is ok after something like that?
Second, the power imbalance. Even though Silhara doesn’t know Martise is a slave for the majority of the book, he does take her into his household as a servant, and has no qualms about ordering her about or taking advantage of her gentle nature. You’d think that if someone fell in love with a servant, much of the romance would be about overcoming class barriers or finding some way to put the two characters on equal footing. Sometimes, this is done by the lower class person having a sharper wit or calling out the upper class person on things that make them change for the better. Martise and Silhara never seem to have that arc. Martise calls Silhara “Master” throughout the whole book, and Silhara didn’t seem uncomfortable with it except when they were having sex. He never stops presuming to give Martise orders and expecting she obey them, not even at the very end when the question of her freedom gets resolved. And there are books out there where this class barrier is done well (Jane Eyre comes to mind), so I think Draven could have put more work into exploring the dynamics and how Martise is a match for Silhara, even given her status and lack of magic (at least, for a while).
TL;DR: Master of Crows has a good premise, but ultimately suffers from unlikeable or passive protagonists, a weak plot, and a romance with uneven power dynamics.
Writing: Draven’s prose is fairly straight-forward. It’s easy to get through and it flows well, giving the reader just enough to know what’s going on. I don’t really have any criticisms for its simplicity because Draven is writing within romance, and the point isn’t to be poetic. Rather, it gets the job done, and I think most readers will appreciate that.
Where I do think I can criticize this book is in the repetition of phrases. More than twice, I saw the term “half mast” used to convey when a character’s eyes were half open, and I think I saw “tattoo” used multiple times to describe a rapid rhythm or tapping. It’s not the biggest deal, but I was definitely pulled out of the story when I noticed these things.
I also think I can criticize Draven for telling us some things that should have been shown. We’re told, for instance, that Silhara isn’t a noble man, that he’s selfish and ambitious, etc. but we’re never really shown scenes of him acting out of ambition or being actually tempted to give in to Corruption’s influence. I would have liked to see Silhara be put in positions where he is making choices or doing things that make the reader think he was susceptible to Corruptions influence. Maybe we see him researching spells for making himself more powerful. Maybe something happens on page with Conclave that is so bad, he starts seriously considering Corruption’s offer to give him revenge. It could be argued that we do get some of that, but it felt like everything was told to us, or happened in the past, and we were expected to absorb it.
Plot: Most of the non-romance plot of this book revolves around Silhara trying to figure out how to destroy the god Corruption while Martise acts as a spy, trying to get some dirt on him so the Conclave (a collection of priests/mages) will have an excuse to kill him. To be honest, I thought the initial premise was a good one; I liked the idea of conflicting loyalties and the eventual shift from enemies (of a sort) to lovers.
However, I do not think this plot was handled well, mainly because Corruption seemed to be a background threat. Multiple times throughout the book, we see Silhara be more or less tormented by the god, whether through dreams that keep him up at night, through disrupting Silhara’s magic abilities, through manifestations, and through temporary possession. While scary, I don’t think these scenes had much lasting impact, which didn’t make Corruption feel like a real threat. If Silhara is being kept awake at night, for example, I want to see scenes where his sleep deprivation gets him in trouble. If his magic is out of control, I want to see scenes where he has to decide whether he wants to risk using it or if he should go through his life without his powers. Something other than Corruption just being a lurking boogeyman that occasionally pops up and becomes a nuisance rather than a real, omnipresent force.
I also think Martise’s plot was a bit weak, mainly because we’re never really shown her having conflicting feelings or arguing with herself about whether or not to give Silhara to the Conclave. Martise is a slave, and her master promises to free her if she can get dirt on Silhara. While fine, the desire for freedom never seemed like a driving force for Martise; we never see her digging through Silhara’s study for potential dirt, of trying to eavesdrop or do other things that would show her actively trying to achieve her goal. Instead, Martise is rather passive, waiting for information to come to her, and she never really wrestles with her life as a slave, not the decision of whether or not to report Silhara once she falls in love with him. I would have liked to see more angst or at least more of an evolution where it felt like Martise had an arc independent of her service or usefulness to Silhara.
Characters: Martise, our heroine, is rather passive and seems to exist mainly to be used. I really didn’t like that she seemed to have no ambition or agency; she mostly waited for things to happen to her, and only shows agency towards the end, when the big showdown happens. Even her “gift” - the magic ability which lays dormant in her until Silhara awakens it - seems to be built around her being a tool to be used, and I was extremely disappointed that her arc didn’t seem to be about empowering her as a woman or as an ex-slave.
Silhara, our hero, is the type of love interest I absolutely hate. He’s extremely powerful, but is a complete jerk to the heroine and commits random violence towards other people out of jealousy. While we’re told over and over again that Martise loves him because he’s a good person at heart, I really didn’t see it. He not only beats up someone who speaks poorly of Martise, but he also seems comfortable ordering her around and treating her as a servant until the very end. The only redeeming qualities he had seemed to be that he doesn’t like people treating women poorly (which, ok, I guess) and he’s kind to his servant, Gurn. Other than that, he’s not an alluring figure.
Side characters were fun, if under utilized. Gurn is Silhara’s mute servant who uses a kind of sign language to communicate. I really liked this character because it inserts some disability representation, and I liked his relationship with Martise. The two seemed to bond over their shared status as servants, and I honestly wish there had been more of an arc or exploration about class with these two. Other characters served their purposes. Cumbria, Martise’s owner, is largely absent, but manages to look bad in every way. He’s not a super compelling antagonist just because he’s not on the page too often, but when he is, I think Draven did a good job not making him over-the-top evil. He’s mostly just greedy and petty, and I wish he had been used more deliberately in conjunction with Silhara’s exile as a commentary on corruption within religious orders. Corruption, the god, is a different story. As I explained in the plot section above, Corruption isn’t much more than a boogeyman, and I got really tired of him really fast.
I’m not sure how to feel, however, about the Kurman people in this book. The Kurmans are a nation/ethnic group/tribe/society with some rather odd gender dynamics. Women can apparently own property and vote, and they are supposedly respected, but they are kept separate from men much of the time, wait on men at feasts, can’t meet men’s eyes unless they want to communicate sexual availability, and so on. It was rather bizarre to me, and I seemed to be getting conflicting ideas about whether or not this society was feminist or not. I also wasn’t sure if they were supposed to be modeled on any real-life ethnic groups or societies; they are described as wearing pointy shoes, having swarthy/dark skin, having multiple wives, etc. so I got the impression that they might have been like Arabs, Mongols, or Ethiopians (due to the food they eat, etc), but if so, I didn’t quite like how Silhara refers to them as “barbarian,” even if it was in jest.
Romance: I couldn’t get on board with this romance. At all. Martise was already too subservient as a character, and while I get that some of this could be a survival technique, it didn’t make sense that Silhara would fall for her based on the ways in which she surprised or challenged him. Because she barely did. She never called Silhara out in any meaningful way and seemed to go along with whatever he wanted until the end.
Most of my discomfort, however, comes from two main issues: 1.) Silhara never seems to put Martise’s well-being first, and 2.) there is a huge power imbalance between the two that isn’t corrected until the very end, and Silhara never seems to be interested in leveling the playing field. First, Martise’s well-being: Silhara constantly offered comments that seemed to tear Martise down or, at the very least, be a back-handed compliment. He never seems to want to find ways of making her happy, and he centers his own desire and well-being even after big things happen. For instance, in a scene where Silhara is temporarily possessed by Corruption, he hurts Martise so badly that she cannot speak (as in, he chokes her almost to blackout). When he is freed from possession, he never seems to care about what he did to Martise or how she might be in pain. Instead, the first thing he does is order Martise to get away from him, then he orders Gurn to look after Martise to make sure she’s ok. All the while, he focuses on his own pain and jokes about his balls (which Martise kicked in order to free herself from his grasp). I was flabbergasted - why wouldn’t you want to make sure for yourself your lover is ok after something like that?
Second, the power imbalance. Even though Silhara doesn’t know Martise is a slave for the majority of the book, he does take her into his household as a servant, and has no qualms about ordering her about or taking advantage of her gentle nature. You’d think that if someone fell in love with a servant, much of the romance would be about overcoming class barriers or finding some way to put the two characters on equal footing. Sometimes, this is done by the lower class person having a sharper wit or calling out the upper class person on things that make them change for the better. Martise and Silhara never seem to have that arc. Martise calls Silhara “Master” throughout the whole book, and Silhara didn’t seem uncomfortable with it except when they were having sex. He never stops presuming to give Martise orders and expecting she obey them, not even at the very end when the question of her freedom gets resolved. And there are books out there where this class barrier is done well (Jane Eyre comes to mind), so I think Draven could have put more work into exploring the dynamics and how Martise is a match for Silhara, even given her status and lack of magic (at least, for a while).
TL;DR: Master of Crows has a good premise, but ultimately suffers from unlikeable or passive protagonists, a weak plot, and a romance with uneven power dynamics.
I usually find that romance is an unwelcome inclusion in the books I read because it tends to overshadow the actual plot. That is definitely not an issue in Master Of Crows I was pleased to discover. I haven’t read another fantasy romance that gets the balance right like Grace Draven has. This is a fantasy tale with a romance in it, rather than a romance book with fantasy window dressing over it.
I'm giving this a meh rating. Its okay and I did read the entire story, but I skimmed most of it.
There was a serious lack of world building. I really would have liked to know more about what was going on outside the main couple as it sounded interesting.
I really didn't like the characters either. He was too much of an ass and she was much to servile. Ick.
But the thing that probably bugged me the most was that so many scenes were first witnessed by one character and then immediately after the other character would rehash their feelings about that scene almost line for line. ARG, it drove me absolutely crazy. I feel like I read the story twice.
I guess in the end I wanted more story and less feels.
There was a serious lack of world building. I really would have liked to know more about what was going on outside the main couple as it sounded interesting.
I really didn't like the characters either. He was too much of an ass and she was much to servile. Ick.
But the thing that probably bugged me the most was that so many scenes were first witnessed by one character and then immediately after the other character would rehash their feelings about that scene almost line for line. ARG, it drove me absolutely crazy. I feel like I read the story twice.
I guess in the end I wanted more story and less feels.
dark
emotional
hopeful
sad
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
challenging
dark
emotional
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Yes
Old school writing and at some points rather infuriating plot. If only the main characters talked to each other
Words escape me. This book perfectly balances fantasy and romance, without either overshadowing the other.
dark
emotional
mysterious
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated