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isakr's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Kidnapping, Confinement, Domestic abuse, War, Murder, Rape, Child death, Grief, Slavery, Suicidal thoughts, Violence, Death, Death of parent, Misogyny, Pregnancy, Sexual assault, Sexual harassment, and Trafficking
eni_iilorak's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
5.0
Graphic: Blood, Fire/Fire injury, Death of parent, Child death, Violence, Confinement, War, Sexual violence, Kidnapping, Injury/Injury detail, Grief, Trafficking, Slavery, Rape, Murder, and Death
Moderate: Suicidal thoughts, Infidelity, Animal death, Pregnancy, Incest, and Torture
Minor: Ableism, Alcohol, and Torture
rebeccajost's review against another edition
5.0
Graphic: Murder, Infidelity, Grief, Genocide, Death of parent, Colonisation, Xenophobia, Trafficking, Kidnapping, Death, Violence, War, Sexism, Slavery, Physical abuse, Child death, and Suicidal thoughts
Moderate: Pregnancy, Rape, Blood, Colonisation, Confinement, and Sexual assault
jeannekmele's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
An exceptional collection of nearly universal tragedy across its heroines, pyrrhic victories are the norm for women whose darkest moments shine with vibrant human spirit on the pages of A THOUSAND SHIPS.
So often left footnotes--wives, mothers, sisters, sluts and daughters written to live, die, and love for the storied men of old--any background knowledge of the classical canon will lend an unerring hand to the conclusions we know these women will come to. Yet you cannot help but root for their success, or their peace if no such thing exist; despite the ends long since written for them, their human resilience and fragility and the womanly grit behind it all almost feels as if history could rewrite itself this time.
It doesn't, of course, but this in of itself is the devoted intersection of care and craft.
Though ATS is tragedy from the first page to last, the deluge of misery and loss roils and settles with the comfortable shape of a story until you're left with a sense of resolution that is not gratifying, but it is real. And that is the way of tragedy, trauma, and war: these things cannot be reversed, nor smoothed over, nor sated.
What of Eris, the instigator? What of Helen, the adulteress, the end of a kingdom? It is very easy, in a song about war, to glorify and vilify to the whims of one's own biases, or heroes, or chosen themes. I don't believe you will find such binary in this book.
I will quote Natalie Haynes' afterword: 'Survivors, victims, perpetrators: these roles are not always separate. People can be wounded and wounding at the same time, or at different times in the same life.'
It would be erroneous to go into A THOUSAND SHIPS expecting anything less than complex women with rich inner lives under extraneous circumstances. In the man-made disaster that is war, it becomes impractical and impossible to keep an orderly measure of right and wrong. The human condition warps into something immeasurable under such extreme duress. Though by no means a soothing read, I nonetheless devoured ATS as I haven't done with a book in a long time.
I will close with this: Grief is a long-lived creature with many faces that may come in any amount or combination at any time, in three days or five years, or decades hence. Grief is angry, and loud, and dead-eyed; it is wasting away and endless tears and twists in our chests that by right of anatomy shouldn't twist there; it is jealousy and accusation and cruelty and violence and submission and insanity.
Grief is ugly, and so often in contemporary western culture it is unsightly and to be repressed. In women, grief is mockingly anticipated, oppressively levied, and mercilessly culled. A THOUSAND SHIPS is an excellent read across the board, but for those who are processing grief and trauma, who may be unsure how to (especially women), it is a cathartic and humanizing portrait of the externally-inflicted and yet worst, most unacceptable parts of ourselves that are too big for our bodies, and too loud for the world.
Graphic: Grief, Gore, Slavery, Violence, Murder, War, Schizophrenia/Psychosis , Misogyny, and Suicide
Moderate: Child death, Infidelity, Emotional abuse, Incest, Self harm, Suicide attempt, Trafficking, Rape, Fire/Fire injury, Adult/minor relationship, Blood, Body horror, Suicidal thoughts, Torture, Classism, Death of parent, and Domestic abuse
Minor: Ableism, Death, Fatphobia, Eating disorder, Pregnancy, Vomit, Alcohol, and Confinement
hmatt's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.75
I think you probably need about as much knowledge of the Iliad as I have to appreciate these stories, though. There is some internal explaining, but most are told in a way that inserts the reader right into the scenes without a lot of context. I think this adds to the telling, overall, but I can see how it might discourage readers who don't have the Greek myth 101 primer handy.
I'm a little wishy-washy on whether I enjoyed some of the more self-indulgent stories in the collection. I do think it was a smart choice to keep Calliope's and the Goddesses' chapters brief, though. They felt more shallow than the stories from the "actual" women, and Calliope's kind of just seemed too on-the-nose. But I'm not familiar enough with the customs of Greek literature to know if these sections were meant to echo existing conventions, so.
A note on the audiobook: it was certainly a choice for the author to also narrate. I actually think they did a great job, though a few times here and there I felt they were too emphatic. Mostly I took issue with some strange pronunciations of Greek names... and, again, I don't actually know enough about the topic to know if there is debate over these pronunciations. They were just different than what I have heard before. Also, in the Afterword, the author pronounces "quasi" really strangely...
Graphic: Blood, War, Violence, Trafficking, Slavery, Sexual assault, Sexism, Rape, Physical abuse, Murder, Misogyny, Kidnapping, Injury/Injury detail, Infidelity, Grief, Genocide, Fire/Fire injury, Death, Death of parent, Child death, and Animal death
CWs not exhaustivegertrudethemoonstone's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: War, Violence, Trafficking, Slavery, Sexual violence, Sexism, Murder, Grief, Child death, and Death
Moderate: Adult/minor relationship, Self harm, Pregnancy, Physical abuse, Misogyny, Injury/Injury detail, and Gore
Minor: Blood, Child abuse, Death of parent, Incest, Kidnapping, Pedophilia, and Suicidal thoughts
abeeeeee's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
4.0
Graphic: Animal death, Blood, Child death, Child abuse, Death, Injury/Injury detail, Murder, Pregnancy, Sexual assault, Slavery, Trafficking, and War
graybat's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Graphic: Child death, Murder, Slavery, and Trafficking
Moderate: Misogyny, Pregnancy, Rape, Sexism, Sexual assault, Sexual content, Sexual harassment, and Sexual violence
Minor: Adult/minor relationship
ska1224's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Child death, Confinement, Death, Death of parent, Fire/Fire injury, Grief, Gore, Kidnapping, Misogyny, Murder, Rape, Sexual harassment, Slavery, and Trafficking