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solaris_zip's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Fire/Fire injury, Grief, Trafficking, Toxic relationship, Sexual assault, Rape, Abandonment, Slavery, Sexism, Emotional abuse, Misogyny, Adult/minor relationship, Blood, Violence, and Murder
reggiethebird's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Kidnapping, War, Slavery, Fire/Fire injury, Rape, Murder, and Sexism
Moderate: Blood, Domestic abuse, Physical abuse, Panic attacks/disorders, Child death, Death of parent, Mental illness, Infidelity, Death, and Pregnancy
Minor: Animal death, Racism, Body shaming, and Alcohol
withlivjones's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
THIS is how you do a retelling. Natalie Haynes expertly weaves together a tapestry of narratives to provide us with a detailed picture of the Trojan War from the perspective of the women who were affected by it. And it is commendable how many women she includes, from the well-known Cassandra to the more obscure Laodamia and Oenone. I would recommend prior knowledge of the Trojan Cycle in order to get the most out of this book, just because of the amount of detail Haynes has managed to pack in, but the novel still feels accessible enough that one would probably still understand it with minimal knowledge.
There are so many fantastic lines throughout that really pack a punch, and the novel discusses the different things that can define womanhood, what it means to be a hero (because the heroes of the Trojan War weren’t just the ones fighting), and the lasting effects of war. Haynes draws from a wide range of ancient sources, and I particularly enjoy the inspiration from Ovid’s Heroides in Penelope’s letters to Odysseus that gradually get more and more impatient and sarcastic. My favourite parts by far, though, are Calliope’s chapters that suddenly become rather meta, as if she is wrenching control of the story from the male poet who is entreating her in a display of feminine solidarity - in order to give her fellow women the spotlight. I sometimes feel like Haynes is speaking directly to female readers through these characters who are suffering at the hands of the patriarchy and saying ‘I see you, and you are not alone’. It’s enough to inspire a bit of female rage in all of us.
There are a few other perspectives I would have loved to see: Helen’s, for example, since I still believe she is grossly misrepresented in many interpretations of the Trojan Cycle. Haynes also expresses a wish that she could have included a chapter on Dido, which I also would have thoroughly enjoyed. But if anything, this is just a sign that I wish the book were longer!
Overall, this is definitely going to the top of my list of favourite Greek mythology retellings, and in the future I will be recommending it to anyone who expresses an interest in the Iliad. Why read the Catalogue of Ships when you can read a catalogue of reasons why men suck? (jk jk…)
Graphic: Genocide, Grief, Violence, Death, Child death, Rape, Slavery, War, Blood, Death of parent, Fire/Fire injury, Infidelity, Sexual assault, Abandonment, Alcohol, Animal death, Misogyny, Murder, Sexism, Suicide, and Injury/Injury detail
lilifane's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
I liked the framing device of Calliope having enough of inspiring heroic war stories. And it was nice to have all the different female perspectives in one book, the women of Troy as well as Greek women and all the goddesses and immortals involved. But if I hadn't known these characters and their stories as well as I did before, I would have been very confused. The story is not told in chronological order, you rather get glimpses of the different women's parts at random points in time. Some from before the war, some during the war, some at the end. Several times I didn't even know at which point of the plot we were. Plus, the characters are never really introduced. It's expected that you know who is who already. Which is a weird take for a book about the hidden women in the epic tale. I had an emotional connection to them because I already knew them, not because of how they were portrayed in this book.
However, I enjoyed the book, it was a quick read. And I LOVED Penelope's part. Her letters to Odysseus got hilarious the longer she had to wait for him. I literally couldn't stop laughing at one point. A much-needed break from all the sad tragedies in the book. I also appreciate that Haynes went all the way back to the very beginning to find out what exactly started the conflict. I liked that a lot. And the writing is stunning!
Graphic: Slavery, Suicide, Fire/Fire injury, Grief, War, Suicide attempt, Child death, Death, Death of parent, and Genocide
noroomforghosts's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Grief, Misogyny, Sexual assault, Death, Violence, Blood, Child death, War, and Slavery
Moderate: Domestic abuse, Classism, and Fire/Fire injury
Minor: Ableism
karissabubble's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Death of parent, Grief, Sexual violence, Sexism, Suicide, Child death, Death, Fire/Fire injury, Genocide, Gore, Sexual assault, Misogyny, Murder, Rape, and Violence
saskia_ej's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Death, War, Adult/minor relationship, Violence, Slavery, Sexual content, Sexual assault, Child death, Fire/Fire injury, and Grief
careinthelibrary's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
3.5
My favourites would be Penthesilia, Cassandra, and Penelope (oh my God, I never thought of so much of The Odyssey from her perspective and I'm hooked!). I wish we'd had a chapter from Helen's perspective, it's conspicuous that we don't.
I think having so many perspectives did stretch the narrative a bit too thin. I would have loved a few of these culled to give more space to the others to be deepened and more explored at length. I'm looking forward to reading more from this author, perhaps with a focus on ones with fewer PoVs.
Graphic: Murder, Sexual violence, Kidnapping, Misogyny, Sexual assault, Slavery, Trafficking, Death, Violence, War, Child death, Infidelity, Physical abuse, Rape, Sexism, Classism, Grief, Adult/minor relationship, and Confinement
Moderate: Fire/Fire injury, Pregnancy, and Animal death
nagoatsis's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Child death, Murder, Sexism, Violence, War, Blood, Rape, Gore, Grief, Physical abuse, Slavery, Genocide, Sexual assault, Misogyny, Death, Domestic abuse, and Fire/Fire injury
Moderate: Infidelity and Suicidal thoughts
Minor: Cannibalism, Animal cruelty, Animal death, and Death of parent
eni_iilorak's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
5.0
Graphic: Blood, Fire/Fire injury, Death of parent, Child death, Violence, Confinement, War, Sexual violence, Kidnapping, Injury/Injury detail, Grief, Trafficking, Slavery, Rape, Murder, and Death
Moderate: Suicidal thoughts, Infidelity, Animal death, Pregnancy, Incest, and Torture
Minor: Ableism, Alcohol, and Torture