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abitbetterbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Sexism, War, Torture, Alcohol, Blood, Child death, Medical content, Misogyny, Vomit, Gore, Violence, Cursing, Death, Death of parent, Physical abuse, Sexual content, Animal death, Injury/Injury detail, Child abuse, and Murder
Minor: Slavery
jpremmel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
5.0
Graphic: War, Gore, Violence, Blood, Fire/Fire injury, Murder, and Sexual content
Moderate: Misogyny, Child death, and Ableism
Minor: Slavery and Animal death
btwnprintedpgs's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Injury/Injury detail, Animal death, Death, Sexism, War, and Murder
Moderate: Suicide, Bullying, Child death, Sexual content, and Alcohol
Minor: Vomit and Torture
bibliomania_express's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Murder, Toxic friendship, Grief, Genocide, Animal death, Emotional abuse, Violence, Torture, Racism, Gore, Xenophobia, War, Vomit, Toxic relationship, Slavery, Sexism, Physical abuse, Misogyny, Medical content, Injury/Injury detail, Fire/Fire injury, Dysphoria, Death, Child death, Body horror, Blood, and Ableism
verysillygoose's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death, Violence, and War
Moderate: Child death, Misogyny, Pandemic/Epidemic, Sexual content, and Vomit
Minor: Animal death
betweentheshelves's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
But, despite that, I was thoroughly engaged with this story, with the characters, and with the overall politics of the world. It is a richly built fantasy world, with well-rounded characters (even if they aren't always the most likeable). Definitely looking forward to reading the sequel.
Graphic: War, Death, and Violence
Moderate: Sexual content, Child death, and Misogyny
Minor: Animal death
melliedm's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
Zhu is a young girl living in poverty in Yuan dynasty China who has a fortune of nothingness. Her brother, Zhu Chongba, has a fortune of greatness. But when he and their father dies, Zhu decides to take his fortune for herself, and his identity. She joins a monastery which in short time is destroyed by the wronged Eunuch general of the Yuan army, Ouyang, which sets them both on the path to their fate.
For Zhu, that means going to Anfeng and working her way through the complexities and dangers of court politics in an attempt to rise through the ranks and achieve the greatness she has stolen for herself, and encountering surprising (sapphic) love along the way.
For Ouyang, it means accelerating his plans for vengeance against those who ruined him and slaughtered his family...all the while his complex feelings for his Prince, the son of the man he hates, attempt trouble him.
The pacing of She Who Became the Sun is incredible, delivering information, drama, and tense action in such a way that I kept finding it hard to put the book down for any length of time. The court drama was enthralling and frequently left me unsure of how things would end up—no plan could be certain when everyone has their own interests to serve, and they wait only for the perfect opportunity to take what they need.
Both of the main characters, Zhu and Ouyang, are incredibly characterized. Though one is protagonist (Zhu) and one is perhaps the antagonist (Ouyang), it is less that they oppose one another and more that they balance one another, something reinforced many times throughout the book. Even in their identities: Zhu with a female body, but living as a man, and feeling like she is neither; and Ouyang who wants to see himself as a man, but as a eunuch knows the world doesn't share that view, and who internalizes it to a painful level, existing somewhere in between. The story hinges on the push and pull of their sides (not just them individually), and they are incredible foils to one another. The chapters tend to alternate between the two, and I never felt disappointed when we switched, because they always felt like the perfect next step in the narrative.
Both Zhu and Ouyang are saddled with innumerable flaws and exacting ambitions, and their passion makes it easy to care about what they want even if you disagree with the route they choose to try and get it. Zhu may be the protagonist, and she may have many relatable qualities, but she is not a good person. For some, that may be a problem, but I love when female or genderqueer characters can be human--even if it means they do horrible things along the way. Ouyang, as the antagonist, gets more leeway from us with his actions because we accept his role in the story, but also commits truly terrible acts. Like I said: they exist in balance.
All in all, She Who Became the Sun is an incredible feat of storytelling. I devoured every word, and although the end was incredibly satisfying, I was also left wanting more of whatever Shelley Parker-Chan could deign to give me. I cannot wait for the sequel!
Graphic: Misogyny, Sexism, Sexual content, Violence, War, Xenophobia, Dysphoria, Body shaming, Death, Injury/Injury detail, Ableism, Fire/Fire injury, Blood, and Classism
Moderate: Animal death, Murder, Slavery, Infertility, Medical content, Child death, Grief, and Death of parent
jessiereads98's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
The most compelling part of this story was the character of Ouyang and his relationships. That being said, I would still cut Ouyang’s story from the book entirely. I see how he works as a mirror to Zhu’s character, but him and his story aren’t necessary. This book is too long with too many POVs that are wholly unnecessary and while technically they come into contact occasionally, they really aren’t that relevant to each other. No POV adds anything to the others. The jumps between POVs are also extremely jarring at times. Overall, I found it difficult to care about any character due to a lack of consistent characterization and constant jumps.
There’s no real payoff from the magic here. This is heavy on the military and light on the fantasy to the point where for me it drops to more magical realism than true fantasy. This was really disappointing since it had potential. However, almost every time
I can recognize the writing in this book on its own is objectively, technically very well done. However, it still reads very dry and drags for about 300-350 pages. The ending was good, but it wasn’t worth the rest of the book. This ended up feeling like an excessively elaborate and unnecessary set up for whatever is going to happen in the sequel.
Graphic: Violence, Homophobia, Misogyny, Ableism, War, and Transphobia
Moderate: Death, Death of parent, Blood, Child death, Fire/Fire injury, Grief, and Sexism
Minor: Excrement, Vomit, Animal death, Slavery, Racism, Sexual content, Alcohol, and Colonisation
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Fire/Fire injury, Misogyny, Death, Colonisation, Dysphoria, War, Violence, Injury/Injury detail, Blood, Sexism, Murder, Grief, Classism, and Gore
Moderate: Child abuse, Death of parent, Torture, Slavery, Sexual content, Child death, Ableism, Racism, and Xenophobia
Minor: Vomit, Alcohol, Excrement, Homophobia, Pregnancy, Infidelity, Animal death, Animal cruelty, and Cannibalism
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I read this book as part of a book club. It was one the club read before I joined but I am playing catch up.
Set in China in the 1300s this was a welcome departure from the Anglo-centric middle ages stories that I typically read based in that time period.
As a girl growing up in the middle of a famine, the main character learns that if you really have the want, you will survive at all costs. It's an exploration of the idea that desire is the root of suffering, and the main character is set up to be one who wants a lot and is thus likely to suffer a lot... there is a lot going on psychologically and philosophically, but I don't think the story gets bogged down by it.
I found myself really excited by some of the cinematic style happenings. An entire army taken out by cleverness and natural forces was a lot more exciting to me than blow by blow battles. I am constantly left under-enthused by battles in general, and this story doesn't make me wade through them unnecessarily. War is ugly.
The relationships in the tale are really nuanced and interesting. Best friends hide secrets from each other, or keep each other's secrets. Rivals respect each other, or feign being dignified. People feel attached to those who have hurt them. It's all a very human dysfunctional mess of trust, betrayal, love, romance, and misplaced presumptions. There's lesbian sex, and homoerotic sexual tension. Love without sex, sex without love. And there's dysphoria and mutilation...
There is a mystical element to the story. It leaves you to wonder about the Fates of the main characters and whose sides the gods are on. I really wanted to love this book more, but it's long and maybe I was just tired.. but I find it hard to root for a main character who is ambitious for its own sake. It's sort of good to have an unconventional main character who gets to be a Boss by sheer savvy and luck.. but I don't get a sense of rooting for an underdog so much as watching someone destroy a whole heap of things and climb a pile of bodies, like military might is the way to get a high score.
I'll be interested to read the second book when it comes out (later this year), and hopefully I might like it more if I take my time to invest in the characters.
Graphic: Blood, Body horror, Death, Child abuse, Ableism, Injury/Injury detail, Fire/Fire injury, Grief, Child death, Colonisation, Alcohol, Animal death, and War
Minor: Homophobia, Cannibalism, and Lesbophobia