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cherrycito's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
3.5
Graphic: Animal death, Sexism, Body shaming, Death of parent, Dysphoria, and Misogyny
meganparfitt's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Death of parent, War, Animal death, Blood, Child death, Death, Injury/Injury detail, and Gore
Minor: Fire/Fire injury, Misogyny, Emotional abuse, Cannibalism, Torture, Vomit, Excrement, Medical content, and Sexual content
jodean's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Classism, Body horror, Transphobia, Injury/Injury detail, Grief, Gore, Fire/Fire injury, Murder, Dysphoria, Death, Child death, War, Violence, Misogyny, Colonisation, Sexism, Body shaming, and Blood
Moderate: Infidelity, Toxic friendship, Ableism, Toxic relationship, Slavery, Racism, Homophobia, Animal death, Trafficking, and Outing
Minor: Vomit and Excrement
jae_bird's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: War, Child death, Death, Xenophobia, Violence, Animal death, Injury/Injury detail, Child abuse, Death of parent, Sexual content, Torture, Murder, Misogyny, and Fire/Fire injury
Moderate: Alcohol
ienbdri's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Child death, War, Death, Sexual content, and Violence
Moderate: Animal death, Death of parent, Grief, Misogyny, Blood, Murder, Sexism, and Vomit
Minor: Slavery
georgiaisreading's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Blood, Death, Injury/Injury detail, Murder, Sexual content, Violence, and Fire/Fire injury
Moderate: Animal death, Alcohol, Body shaming, Genocide, Misogyny, Violence, Suicide, and War
chrisljm's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
This is a story about fate and how the main character seeks greatness with hers. Although an interesting premise, I didn’t really enjoy how the story was told. It’s like the meme about Zuko’s honor except it’s a billion times worse because all the main character talks about is her fate/greatness, it was incredibly excessive (fate was mentioned 145 times, greatness 50 times). I think the main character started off interesting, but something about the way we see her through other POVs made me so unattached to her, and I really didn’t care if she succeeded or failed.
I think maybe a large part of why I didn’t enjoy the book that much is because my beliefs/the way I see the world is so vastly different from the main characters, and so my disappointment might just be a me problem.
But also, the story moves so slowly it’s kind of hard to read in large chunks. A lot happens but it doesn’t feel like it, and I don’t want to say it’s boring, but it was hard not to zone out. There are also times where parts of a scene happen off screen? I don’t know if this is just a writing style or what, but it was confusing because instead of reading what happens, I have to infer for myself because the author likes to describe emotions first and events second.
Graphic: Blood, Sexual content, Fire/Fire injury, Colonisation, Sexism, Toxic relationship, Murder, Child death, Dysphoria, Torture, Death, Body shaming, Violence, War, Death of parent, Grief, Xenophobia, Injury/Injury detail, and Misogyny
Moderate: Ableism, Animal death, Alcohol, Gore, Slavery, Child abuse, Homophobia, Body horror, and Chronic illness
Minor: Pregnancy
leonormsousa's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Moderate: Animal cruelty, Animal death, Body horror, Child death, Gore, Transphobia, Xenophobia, Infidelity, Infertility, Sexism, Ableism, Classism, Abandonment, Blood, Child abuse, Misogyny, Racism, Death, Death of parent, Murder, Slavery, Dysphoria, Grief, Injury/Injury detail, Violence, and War
chalkletters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Of the two, She Who Became the Sun engages with its themes in a much more rounded way. Zhu Chongba is self-aware enough to self-describe as unempathetic, something which doesn’t seem as though it would occur to any of K J Parker’s characters. She Who Became the Sun is at its most charming in the early chapters, when Zhu’s ambitions are primarily her own continued survival. Fans of fantasy con artists will especially enjoy Zhu’s problem-solving at the monastery. Shelley Parker-Chan balances Zhu’s ability to compartmentalise emotions with other characters: both Ma Yingzi and General Ouyang have more than their fair share of emotional turmoil.
Though Zhu continues to put her smarts to good use throughout, the middle of She Who Became the Sun is less engaging if you’re not a fan of military stories. Shelley Parker-Chan doesn’t go overboard with tactical battle details, but perhaps because of that the stakes don’t feel as immediate. The drama moves onto a much larger scale, and so loses some of the human interest. That said, the relationships on both sides play out in serpentine ways, elevating the subplots to the point where they are more rewarding than the plot is.
Towards the end, Shelley Parker-Chan weaves everything together into an ending that hits hard and really highlights Zhu’s journey, while still giving a sense of how far she has to go, and potentially, what depths she’ll have to reach to get there. Themes and characters coalesce, and its clear that the plot is well thought-through.
Moderate: Ableism, Injury/Injury detail, Child death, and Murder
Minor: Animal death, Death of parent, Blood, and War
alexisgarcia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death of parent, Murder, Rape, Violence, Animal cruelty, Animal death, Suicide, Grief, Sexual assault, War, Colonisation, Gore, Blood, Sexual content, Classism, Abandonment, Death, and Injury/Injury detail