Reviews with content warning for Medical content - American Gods

Back in 2006, American Gods was my first Neil Gaiman book. A friend at the time insisted it was the most incredible thing, so much so that she bought me a copy and I read it. When she asked what I thought, like any good friend, I lied and told her I loved it. I hadn’t read it since, until now.

I still don’t particularly enjoy American Gods. The book is far too long and meandering for my taste. A great deal of me appreciates the way Gaiman writes, because his language is something of poetry in itself, not too flowery but it nonetheless evokes powerful imagery. I do genuinely like that, and his writing style is probably the only thing that kept me reading this book.

Conceptually, American Gods should be particularly interesting. It’s the story of scattered gods from multiple worldwide pantheon that have been erected in the United States as people came to settle the country from all over the world. What vexes me about that aspect of the story is how very little time and love has been given to the various tribal gods and beliefs that were already established in the United States before it was the United States. For the most part, we focused on the Norse and Egyptian pantheons, with no reference to Roman or Greek gods, and a little of Eastern European. So well the book is interesting in that it resurrects a lot of world mythology, it still is very limited in what it shares. On top of that we have the development of modern American gods, which are physical manifestations of things like the Internet and media, which I feel is a bit less exciting than the other mythologies of the world. Rather than worshipping TV, I feel as though the seven deadly sins could’ve been personified into gods, sloth instead of TV, while greed is certainly an American God of its own in modernity. If you don’t think too much about it, it seems brilliant, but as soon as you start dissecting the story it’s far less impressive.

For a 600 page book, I would come to expect a decent plot. Unfortunately, American Gods has less of a plot and more of a journey. The chapters are extremely long, and they are broken up with asides about various gods and how they arrived in America, none of which actually pushes Shadow’s story forward. There is this big twist at the end which even though it is supposed to be twisty, just feels like a final nod to the fact like “oh look there is a plot, I was just kidding about the taking forever and going nowhere thing”. By the time I reach the last fifty pages in the whole situation was revealed, I had far past ceased to care.

Some of the characters are more interesting than others, but I feel like most of the gods got caricatured. In particular, almost all of the women were highly sexualised. The only exception to this rule is the story are the Zorya’s. The language in the book is also necessarily crude, again, particularly coming from the female characters. I’m not quite sure why Gaiman decided to portray them all in this way, but it was a bit unsettling for me. Not that I couldn’t handle it, more like I didn’t understand why it was deemed necessary to personify all of the women in such a way that they use the most foul language and care mostly about sex and feel the need to sexualise everything. I didn’t much love the characterisation of Whiskey Jack, the native American folk hero or so he calls himself who will give up everything in the world that man has made but please leave the Budweiser. Again, this plays on another caricature.

As I said, I do like the way Gaiman writes, and that’s one of the reasons I keep picking up his books. My track record with his novels has been very hit or miss, and if I’m being honest, it’s more miss than hit. His lyrical control of the English language is impressive and intriguing, but I don’t think it did enough to forgive the many flaws I felt in American Gods. I understand that this is a favourite of many of his fans, and that the Starz adaptation of the show has done extremely well. It’s just not for me.

I want you to know that for the right reader, American Gods is an easy recommendation. The characters are interesting as a whole, and it’s just gritty enough with such a small sprinkling of fantasy that it won’t turn off many readers who find things like science fiction and fantasy and relatable and uninteresting. I really wish that more attention had been paid to some of the stereotypes and portrayals of particular gods and their people, and I like to think that maybe today if this book had been published there would have been a sensitivity reader. I understand why a lot of people like this book and it’s entirely possible that you, dear reader, would enjoy it as well. American Gods is not my cup of tea, and that’s that.

Content Warnings

bluejayreads's review against another edition

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adventurous tense

Plot- or character-driven? Plot
Strong character development? It's complicated
Diverse cast of characters? Yes

5.0

The story is a solid adventure through magic and a bunch of different mythologies, with Shadow following Mr. Wednesday through a lot of crazy stuff and meeting a host of interesting people. Then at the end it hits you with a bunch of twists one after the other and bumps a very good book up to a fantastic one. I thoroughly enjoyed it.

Shadow is not, in a sense, a character. He's there, sure, and he says things and does things, but he doesn't feel like a fully realized person and I don't think he's supposed to. He has a lot going on all of the sudden that he doesn't really know how to deal with, and even another character points out that he doesn't seem very alive. That's a part of his character's journey, but he also functions as his namesake - a few stereotypes stacked together into the shape of a likeable but not remarkable shadow we the reader can follow to experience this world and these events.

And said world and events are worth experiencing. The gods came with immigrants from the Old World, but America has forgotten the old gods and worship the new ones of technology and innovation that they create. There is a storm coming. Gods live among humans and survive on the worship and sacrifice they are given, and as you might imagine, the "new gods" of TV and phones and the internet are getting a bit more worship from Americans than Odin and Anansi and Ishtar. Mr. Wednesday wants to do something about that.

His full plan isn't clear until the end of the book. But in the meantime, Mr. Wednesday takes Shadow all across America and to places beyond reality, meeting old gods and new ones and legends and monsters. Shadow rides a carousel into Odin's hall, plays checkers with the Slavic god of bad fortune in a dusty Chicago apartment, sporadically lives an ordinary life in a small town under an assumed name, and journeys to the halls of the dead. He meets a host of fascinating characters, some human but many not so much, and it's great to just follow him around and experience all the wonder and magic under the skin of the world we're familiar with.

And then the book comes up on the end and hits you with several twists, one after the other, but it doesn't feel startling as much as the puzzle pieces finally fall into place all at once and the picture revealed is shockingly different from what you thought it would be. (To be fair, I probably would have called one of the twists early on if I'd been reading it instead of listening to an audiobook, but the other ones I don't think I would have seen coming either way.) Up to this point the book was absolutely good, but those twists bumped the needle of my opinion from "solidly good, I recommend it" to "stunning and magnificient." Whatever your opinion of the idea or the storyline or the characters, this book is worth studying just for technique, because this is how you write a twist ending. The whole story is great, but with the ending, it's a masterpiece.

Content Warnings

birdnerd's review against another edition

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adventurous funny mysterious medium-paced

Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

Mythology, adult content,

minor character death, major character death

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