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beepbeep101's review against another edition
adventurous
lighthearted
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood, Sexual content, and Abandonment
Moderate: Classism, Confinement, Cursing, and Misogyny
Minor: Gun violence and Lesbophobia
becca303's review against another edition
adventurous
emotional
inspiring
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Cursing, Sexual content, and Classism
Moderate: Toxic friendship, Blood, Alcohol, Murder, Death of parent, Injury/Injury detail, and Violence
maryellen's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Sexism, Sexual content, Classism, Death, Blood, Murder, and Injury/Injury detail
Moderate: Cursing
discarded_dust_jacket's review against another edition
adventurous
emotional
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
I wanted to love this book so so much. I really tried to, but I just didn’t. I loved the first book with my whole heart, but something just felt missing with this one.
Maybe I just don’t do mysteries, because this story had a very who-done-it murder mystery vibe to it. I don’t know enough about that sort of genre fiction to know whether or not the sort-of claustrophobic setting is a staple of these types of stories, but the entire book taking place on the ship made it a bit boring to me.
I really really liked the romance. Violet and Maud’s relationship was one of the high points of this story for me, as well as the the reluctant alliance of Hawthorne and Ross.
It was just that overall, the plot progression felt like wading through molasses.
Maybe I just don’t do mysteries, because this story had a very who-done-it murder mystery vibe to it. I don’t know enough about that sort of genre fiction to know whether or not the sort-of claustrophobic setting is a staple of these types of stories, but the entire book taking place on the ship made it a bit boring to me.
I really really liked the romance. Violet and Maud’s relationship was one of the high points of this story for me, as well as the the reluctant alliance of Hawthorne and Ross.
It was just that overall, the plot progression felt like wading through molasses.
Content Warnings
Graphic: Death, Cursing, Murder, and Sexual content
Moderate: Blood, Police brutality, and Violence
Minor: Classism and Misogyny
heather_freshparchment's review against another edition
adventurous
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Sexual content
Moderate: Classism, Murder, Blood, Vomit, Violence, and Cursing
offbrandclubsoda's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Content Warnings
Graphic: Sexual content
Moderate: Death, Murder, and Violence
Minor: Confinement, Cursing, Alcohol, and Kidnapping
18soft_green's review against another edition
adventurous
funny
hopeful
lighthearted
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
4/5
I enjoyed this story though not as much as I enjoyed the first book. It was funny, the plot was entertaining enough, the characters were complex for the most part.
I like that the story centers the feminine characters without making it a girlboss situation and actually shows some of the toxicity with that mindset while still supporting women's agency. I also really loved how it showed that women are important and strong even though society doesn't give them the freedom to be independent. I didn't like how Maud and Violet's relationship starts but I think that's just a preference.
Violet is an interesting character but also one of my least favorite types of characters. Her independent woman with no deep feelings performance is exhausting but that's kind of the point. Maud is fun except her innocence felt kind of forced. But then again, this is the 19th century where women legit didn't get to learn about sex and stuff until after they were married. I love Hawthorn and am curious about Ross.
The sex scenes were awesome! I like how realistic they were about the mechanics of sex and dialogue, the jokes and awkwardness. I like how Maud was new to it but excited and interested so we got a whole scene in safety. I like how the scene was hot but not in a fantastical way and descriptive while also being practical. I love Marske's writing style so much! It's so difficult to find a sapphic story that's smutty but not written for men or perfect the act but is also intimate.
I didn't like how the story kind of particularizes Maud and Robin like their individuality and personness is something that runs in the family and they're just saints among humans but it doesn't go too over the top with it. Maybe that's just because that's how people treat my family so I want to smash it instead of observing that it's just art depicting life? Idk, it's weird.
4/5 Like this story, would recommend
I enjoyed this story though not as much as I enjoyed the first book. It was funny, the plot was entertaining enough, the characters were complex for the most part.
I like that the story centers the feminine characters without making it a girlboss situation and actually shows some of the toxicity with that mindset while still supporting women's agency. I also really loved how it showed that women are important and strong even though society doesn't give them the freedom to be independent. I didn't like how Maud and Violet's relationship starts but I think that's just a preference.
Violet is an interesting character but also one of my least favorite types of characters. Her independent woman with no deep feelings performance is exhausting but that's kind of the point. Maud is fun except her innocence felt kind of forced. But then again, this is the 19th century where women legit didn't get to learn about sex and stuff until after they were married. I love Hawthorn and am curious about Ross.
The sex scenes were awesome! I like how realistic they were about the mechanics of sex and dialogue, the jokes and awkwardness. I like how Maud was new to it but excited and interested so we got a whole scene in safety. I like how the scene was hot but not in a fantastical way and descriptive while also being practical. I love Marske's writing style so much! It's so difficult to find a sapphic story that's smutty but not written for men or perfect the act but is also intimate.
I didn't like how the story kind of particularizes Maud and Robin like their individuality and personness is something that runs in the family and they're just saints among humans but it doesn't go too over the top with it. Maybe that's just because that's how people treat my family so I want to smash it instead of observing that it's just art depicting life? Idk, it's weird.
4/5 Like this story, would recommend
Content Warnings
Graphic: Sexual content, Gaslighting, Death, and Classism
Moderate: Gun violence, Alcohol, Death of parent, Animal cruelty, Emotional abuse, Cursing, and Stalking
Minor: Body shaming, Grief, Blood, Emotional abuse, Homophobia, Police brutality, and Sexism
lgoconno's review against another edition
adventurous
emotional
funny
hopeful
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Moderate: Cursing, Death, and Sexual content
Minor: Blood
booksthatburn's review against another edition
adventurous
emotional
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
A witty and enchanting follow-up, A RESTLESS TRUTH follows Maud Blyth as she tries to secure a piece of the Last Contract.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
Content Warnings
Graphic: Grief, Death, Sexual content, Blood, Violence, and Murder
Moderate: Classism, Cursing, and Injury/Injury detail
Minor: Pregnancy, Mental illness, Vomit, Car accident, Suicide, Slavery, and Death of parent
patchy_at_best's review
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Death, Kidnapping, Murder, Blood, and Cursing
Minor: Torture