Reviews with content warning for Colonisation - Our Hideous Progeny

When Mary discovers the notes of her great uncle Victor Frankenstein, she, with the help of her disgraced and childish husband, stitches together her own eldritch dinosaur-esque creature in a desperate plot to prove her worth as a scientist, all while trying to avoid her feelings for her husband’s sister.

The book had some pacing issues— it starts off slow and wraps up very quickly, but the story held my attention well enough that I found I did not mind.

This dark & whimsical novel investigates a unique allegory to grief, motherhood, and queerness.

rep: queer fmc, indian sc

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nefariousbee's review against another edition

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adventurous dark emotional inspiring slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.0

Underwhelming. I kept waiting for the main even to come, the monstrous, the hideous to begin, and it never did. The strangest thing is, if the writing allowed it, it would have? What I mean is in theory, what they sis was terrible and monstrous, only the way we are told the story doesn't really do it justice.
I am frankly disappointed. This could have been exciting, dark, passionate... but it fell flat. Somehow it was barely dark. In my opinion this could have been a great book, but it needed to lean into the horror, and do some serious editing. As it is, it's just. Fine.

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natashaleighton_'s review against another edition

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dark emotional mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

C.E. McGill’s richly detailed and utterly compelling debut was a deliciously gothic and feminist exploration of ambition, obsession, betrayal and love that I couldn’t get enough of!

It’s set in 1851, at the height of the Victorian era’s fascination with all things dinosaur and follows Elizabeth (the great-niece of Victor Frankenstein) who (having spent the better part of her life being looked down on for being a woman interested in science and palaeontology) yearns to find scientific acclaim beyond the footnotes of other people’s research. But without any powerful connections or wealth, neither Mary or her husband stand a chance of ever succeeding.

Armed only with letters containing snippets of her great uncles’ past —of creating life from death (which ultimately led to his own), Mary decides to use what little of his research remains to take the scientific community by storm. And, with her husband Henry, attempt to bring life to a creature never before seen by human eyes.

But on the precipice of success, Mary begins to question the ethics and morality surrounding their creation and the love that she has developed for the creature.

I loved every second of this! It’s such an electrifyingly creative and wholly original take on Mary Shelley’s Frankenstein and I genuinely couldn’t put it down.

The writing is lush and beautifully atmospheric, and as intricately woven as the stitches that adorn the eponymous ‘creature’ which definitely showcases the gothic/horror genre to perfection!

I was in absolute awe of just how immersive the descriptions were and loved that it really delves into the inequalities of the Victorian era and the classist, sexist and racist attitudes which were prevalent and still very much relevant today.

I adored Mary, who’s character takes inspiration from not one but three impressive women of the 19th C: Mary Shelley, Mary Anning (the self-taught palaeontologist who found the first Ichthyosaur fossil) and Mary Somerville (one of the first women admitted into the Royal Astronomical Society), and really enjoyed discovering just how much of their stories connected to our refreshingly bold and sharp-tongued protagonist—especially Mary Anning, who seemed to have to the most in common with our plesiosaur-obsessed MC.

With what we see of Mary’s childhood and isolated upbringing with her grandmother (a woman who seemed to despise Mary simply for existing) I couldn’t help but be endeared to her (and root for her to succeed.)

I was less enamoured of her husband (or any of the male characters aside from Mr. Jamsetjee who was such a sweetheart) though the realism and accuracy to the contemporary attitudes of the day were spot on and really highlighted how remarkably strong Mary (and others like her) had to be to persevere in such a harsh, discriminatory environments.

The pace was quite slow to begin however, I felt it definitely helped to build up that tense, anticipatory feeling that gothic fiction is known for—and by the half way point things really kicked into gear and ‘things’ got super interesting.

If you love dark, gothic-esque historical fiction, queer horror or Silvia Moreno-Garcia then you absolutely must check this out, it’s fantastic!

Also, a massive thank you to Izzie Ghaffari-Parker and Doubleday books for the wonderful proof.

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