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niakantorka's review against another edition
adventurous
challenging
dark
emotional
funny
inspiring
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Every other year there’s a book among the many books one reads that’s unlike anything else. It can be the way of storytelling like in The Time Traveler’s Wife (Audrey Niffenegger) or the play with composite and punctuation marks in The Stone Heart (Arno Schmidt) or the gargantuan idea in The Dark Forest (Liu Cixin). Amazingly, The Spear Cuts Through Water was also such a book for me.
Why did I think it is so special?
- There’s the way the story within the story which also contains countless other stories is told.
- Then there is a potpourri of povs and tenses and among it everyone’s (except mine’s) least favourite second person pov. The narrator changes between paragraphs or even between sentences. One has to get used to it in the beginning but this unique style adds so much to the magic of this book.
- There are different time lines, a more or less modern one where there are cars and telephones and a war, the one of The Old Country where gods and magic rule and where your life can be forfeit in the blink of an eye, and the dream sphere where both worlds meet in a play on the stage of The Inverted Theatre set between The Moon and The Water and conducted by their child.
- Our protagonists in The Old Country’s storyline are on a quest to help the escaped Moon goddess to change the ruling of the country which implies to kill off her children and grandchildren. Let’s just say with one and a half exceptions this family is a living nightmare and one can relate to her wishes pretty soon. Oh, the two guys, Keema and Jun, have got 5 days to get this accomplished. No pressure.
- Our protagonist in the modern time is more elusive and maybe one isn’t as engaged in her family tale as in the other thread running but both are and will be connected.
- Its language is vivid, its imagery vast, and it gave me the most superb fairytale vibes.
- It’s also a very gruesome and cruel book which contains descriptions of all sorts of mental and physical violence and abuse. I went in without knowing more than its summary but I’m not one to be disturbed by a fantasy setting.
That said, I can see how this is not a book for everyone. And yet I loved reading it so very much.
I can imagine that The Spear Cuts Through Water would be an amazing play or movie and - now that I know the story - is a worthwhile audiobook to listen to. Though I’m not sure it’s a good idea to try the latter from the beginning because it takes a while to get used to its style and to make the connections between its different parts.
This is a book for people who love to be surprised, who like a challenge, and who can be patient when it comes to gathering what it’s all about. You’ll be rewarded with a one-of-a-kind tale about life, love, and - yes - also about death.
Why did I think it is so special?
- There’s the way the story within the story which also contains countless other stories is told.
- Then there is a potpourri of povs and tenses and among it everyone’s (except mine’s) least favourite second person pov. The narrator changes between paragraphs or even between sentences. One has to get used to it in the beginning but this unique style adds so much to the magic of this book.
- There are different time lines, a more or less modern one where there are cars and telephones and a war, the one of The Old Country where gods and magic rule and where your life can be forfeit in the blink of an eye, and the dream sphere where both worlds meet in a play on the stage of The Inverted Theatre set between The Moon and The Water and conducted by their child.
- Our protagonists in The Old Country’s storyline are on a quest to help the escaped Moon goddess to change the ruling of the country which implies to kill off her children and grandchildren. Let’s just say with one and a half exceptions this family is a living nightmare and one can relate to her wishes pretty soon. Oh, the two guys, Keema and Jun, have got 5 days to get this accomplished. No pressure.
- Our protagonist in the modern time is more elusive and maybe one isn’t as engaged in her family tale as in the other thread running but both are and will be connected.
- Its language is vivid, its imagery vast, and it gave me the most superb fairytale vibes.
- It’s also a very gruesome and cruel book which contains descriptions of all sorts of mental and physical violence and abuse. I went in without knowing more than its summary but I’m not one to be disturbed by a fantasy setting.
That said, I can see how this is not a book for everyone. And yet I loved reading it so very much.
I can imagine that The Spear Cuts Through Water would be an amazing play or movie and - now that I know the story - is a worthwhile audiobook to listen to. Though I’m not sure it’s a good idea to try the latter from the beginning because it takes a while to get used to its style and to make the connections between its different parts.
This is a book for people who love to be surprised, who like a challenge, and who can be patient when it comes to gathering what it’s all about. You’ll be rewarded with a one-of-a-kind tale about life, love, and - yes - also about death.
Content Warnings
Graphic: Animal death, Emotional abuse, Excrement, Physical abuse, Blood, Mental illness, Death, Dysphoria, Body horror, Cannibalism, Animal cruelty, Torture, and Gore
rhi_'s review against another edition
adventurous
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Grief, Animal cruelty, Blood, Body horror, Death, Gore, Murder, Violence, War, Animal death, Cannibalism, and Injury/Injury detail
Moderate: Death of parent, Dysphoria, Child death, and Torture
Minor: Alcoholism, Classism, Alcohol, Colonisation, Homophobia, and Confinement
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