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oceanwriter's review against another edition
challenging
emotional
informative
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This book hadn’t been on my radar but I have seen it around over the past few years. I picked it up when it was selected as a group read. I’m glad I got to go into it with an open mind. I came away with mixed emotions.
Beginning in the early 1900s, we meet Sunja and her family living in Korea. She meets Hansu and envisions a future with him, especially once she discovers she’s pregnant. Unbeknownst to her, he has a wife and children in Japan. Refusing to see him again, she accepts the offer of marriage from Isak, an ailing minister. Together they set off for Japan to live with Isak’s brother and his wife with Isak adopting Noa and raising him as his own. Parts two and three follow the lineage of Sunja’s family through to the 1980s.
As I was reading the book’s first part, I anticipated this being a five-star read. I was completely absorbed in the plot, characters, setting, history, writing… all of it. Part two started to lose me a little bit, especially reaching the second half of it. Part three was an absolute headache. I no longer had a grasp on the characters or the many plot lines the story now involved.
So many of the monumental moments of the book, particularly in the second half, start, occur, and end in the span of one to three paragraphs — if that. Because of this, there’s no chance to build a bond with a number of the characters or their situations. After a slower build in the beginning, all of a sudden switching to fast pacing and sporadic time jumps was dizzying. I cannot recall most of this second of the book as my reading was interrupted to go back and see if I missed something, only to realize a major plot point was dropped in a singular sentence with little to no explanation around it.
I’m definitely walking away feeling disappointed after so much enjoyment in the beginning, but I’m glad I went along for the ride.
Content Warnings
Graphic: Racism, Suicide, Terminal illness, and Death
Moderate: Death of parent, War, and Sexual content
Minor: Abortion and Miscarriage
hankhank's review against another edition
emotional
hopeful
informative
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.5
I really enjoyed this book. The vividness of the story's world was built up from the tiniest personal details, into a whole society. The main cast of characters felt like real people to me, and I'll miss their company. It was especially impressive how the author moved through time so seamlessly, and how characters we met first as children aged so realistically. There are lots of terrible things that happened in the story, and many sad moments, but also many sweet, funny, beautiful things, too. I would recommend this to anyone who like stories about people.
Content Warnings
Graphic: Sexual content and Grief
Moderate: Xenophobia, Pregnancy, Miscarriage, Infertility, Death, Death of parent, Racism, Addiction, Abortion, and War
ssram28's review against another edition
emotional
reflective
sad
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Beautifully written, deep dive into a fictional family that deals with the social repercussions of WWII on Korean treatment in Japan. You get a feel for the setting while also experiencing through multiple perspectives of this generational family. I didn't know I could feel heartbreak this many times for this many people.
Content Warnings
Graphic: Suicide, Violence, and War
lilyeligator's review against another edition
challenging
dark
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Rape, Xenophobia, War, and Violence
moonmemoirs's review against another edition
emotional
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I have many many many thoughts about this book. There were parts of it I absolutely adored, and parts of it I found tedious.
I think the main objective of the book as a historical fiction novel gets across well - you learn deeply about the discrimination the Korean diaspora in Japan faces regardless of their choices, actions, faith, loyalties, and bloodline. It was introspective and informative in this sense, and I thoroughly enjoyed learning this. It was done with a level of skill as well that makes the reader sympathise out of incredulity at the treatment of Koreans in Japan, even five generations in, being treated as lesser just because of their bloodline. Even lesser than the lowest caste of Japan. It’s heartbreaking that whether you decide to pass as Korean or Japanese, you must suffer the consequences of betrayal and poverty and oppression in the aftermath of the occupation.
In terms of characters, the main characters of the earlier generations are really well developed, and I found myself really connected to those characters. I didn’t find that same connection with Solomon’s storyline, including his stepmother, Hana, Pheobe and Kazu. I also found some characters strange, such as Haruki’s wife’s narrative - it felt empty and unfinished. I felt some ennui because I think the characters in the new generations become less dimensional? Like you don’t empathise with them as much and the author is trying to force two dimensions on them like “oh a woman can only be a whore out of desperation but it’s justified because she has trauma from this superficial thing” and it’s a stark contrast from the earlier generations where they build that character development in many many many layers. One layer characters too were done better in the earlier chapters - I loved Isak deeply, and I found it interesting how a book that convinces you of perceptions around every character being troubled, desperate, war-torn, mistake-making, etc stood in stark contrast to this brief character who is perfect in every way, self sacrificing to a lengthy degree, morally benevolent and wise beyond his years.
Writing wise, I actually really enjoyed how the “Pachinko” element of the book which characterises the struggle of the Korean diaspora in Japan, in the third chapter really comes into focus. I enjoyed the storytelling of Yangjin and Sunja and Kyunghee better than Noa, Haruki, Solomon etc but I like how the objective of the book related to the title with the shadow of being in the Pachinko business looming over them. No matter how clean Mozasu’s money is, the Pachinko business, people are regarded as Yakuza and dirty anyways, adding another dimension to the discrimination the characters already face by being Korean.
I think the main objective of the book as a historical fiction novel gets across well - you learn deeply about the discrimination the Korean diaspora in Japan faces regardless of their choices, actions, faith, loyalties, and bloodline. It was introspective and informative in this sense, and I thoroughly enjoyed learning this. It was done with a level of skill as well that makes the reader sympathise out of incredulity at the treatment of Koreans in Japan, even five generations in, being treated as lesser just because of their bloodline. Even lesser than the lowest caste of Japan. It’s heartbreaking that whether you decide to pass as Korean or Japanese, you must suffer the consequences of betrayal and poverty and oppression in the aftermath of the occupation.
In terms of characters, the main characters of the earlier generations are really well developed, and I found myself really connected to those characters. I didn’t find that same connection with Solomon’s storyline, including his stepmother, Hana, Pheobe and Kazu. I also found some characters strange, such as Haruki’s wife’s narrative - it felt empty and unfinished. I felt some ennui because I think the characters in the new generations become less dimensional? Like you don’t empathise with them as much and the author is trying to force two dimensions on them like “oh a woman can only be a whore out of desperation but it’s justified because she has trauma from this superficial thing” and it’s a stark contrast from the earlier generations where they build that character development in many many many layers. One layer characters too were done better in the earlier chapters - I loved Isak deeply, and I found it interesting how a book that convinces you of perceptions around every character being troubled, desperate, war-torn, mistake-making, etc stood in stark contrast to this brief character who is perfect in every way, self sacrificing to a lengthy degree, morally benevolent and wise beyond his years.
Writing wise, I actually really enjoyed how the “Pachinko” element of the book which characterises the struggle of the Korean diaspora in Japan, in the third chapter really comes into focus. I enjoyed the storytelling of Yangjin and Sunja and Kyunghee better than Noa, Haruki, Solomon etc but I like how the objective of the book related to the title with the shadow of being in the Pachinko business looming over them. No matter how clean Mozasu’s money is, the Pachinko business, people are regarded as Yakuza and dirty anyways, adding another dimension to the discrimination the characters already face by being Korean.
Content Warnings
Graphic: War and Hate crime
Minor: Death, Lesbophobia, Sexism, Violence, Grief, Adult/minor relationship, Infertility, Suicide, Alcoholism, Colonisation, Genocide, and Racism
kyrajade's review against another edition
informative
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.25
I think this is an important story to tell, but I think that it wasn't written very well. The first 250 pages I was wedded to the original cast of characters, but then for the sake of making the narrative multi-generational, the author began introducing characters very shallowly who you were for some reason supposed to care about, and then the stories of these characters and the widening time skips between chapters meant that characters from the first half who you liked and felt an attachment too were picked off in the background. The author made horrible and traumatic things happen in this book and yet you didn't get to experience any of the grief of the characters because she skimmed over it with a time skip. The whole thing felt very emotionally unsastisfying, but the actual context and history of the story is an interesting read. For a character driven story, the characters introduced in the second half are flat and semi-transparent. I really enjoy multi-generational stories (100 Years of Solitude or Do Not Say We Have Nothing) and one thing the authors in both books do is carefully manage the number of characters in the book to give the reader the experience of spending time on the page with each one. This book just became too ambitious and lost so much in the process.
Content Warnings
Graphic: Misogyny, Xenophobia, War, Sexism, Racism, Adult/minor relationship, Police brutality, Death, and Colonisation
Moderate: Injury/Injury detail, Alcoholism, and Religious bigotry
Minor: Abortion, Suicide, and Trafficking
thenoboshow's review against another edition
challenging
emotional
hopeful
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Colonisation, Hate crime, Pregnancy, Death, Bullying, Drug abuse, Infidelity, Homophobia, Mental illness, Miscarriage, Misogyny, Racism, Rape, Abortion, Addiction, Adult/minor relationship, Alcoholism, Blood, Cancer, Car accident, Child death, Classism, Death of parent, Domestic abuse, Drug use, Genocide, Grief, Infertility, Racial slurs, Religious bigotry, Sexual assault, Sexual content, Suicidal thoughts, Suicide, Terminal illness, War, and Xenophobia
hannahyorkey's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Pachinko is beautiful tale that spans 4 generations of a Korean family facing the burdens of war, poverty and discrimination when they move to Japan and are unable to return home. The omniscient pov allows you to connect with all of the characters and unobjectively understand and view their individual plights. The story was compelling and realistic and the characters were lovable in their own ways.
Content Warnings
Graphic: Death, War, Colonisation, Xenophobia, and Racism
Moderate: Fire/Fire injury, Suicide, and Miscarriage
aidareads's review against another edition
challenging
dark
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: War, Death, Colonisation, Pedophilia, Suicide, and Adult/minor relationship
sha's review against another edition
adventurous
emotional
hopeful
sad
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
4.0
Content Warnings
Moderate: Sexual content, Sexual violence, Suicide, Racism, Terminal illness, Abandonment, Cancer, Car accident, Child death, Chronic illness, Classism, Infidelity, Miscarriage, Religious bigotry, Pedophilia, Toxic relationship, War, Grief, Infertility, and Pregnancy