Reviews with content warning for Vomit - Filthy Animals

Brandon Taylor continues to prove his immense skill with this collection of short stories unlike any other such collection I've read. With this collection Taylor proves his breadth as a story teller by branching into many different kinds of lives, whilst maintaining an atmosphere that keeps the collection coherent. The incorporation of an overarching or recurring story about Lionel, Charles and Sophie was cleverly done, and the story itself was wonderfully complex and compelling, reminiscent of Real Life in it's dealing with mental health and academia, something that I appreciated enormously in his debut. In addition I greatly enjoyed "as if that were love" and perhaps my favourite story, "anne of cleves". I only wish we would have gotten a story from Sophie's perspective as I found her to be a much more interesting character than Charles.

Content Warnings

writtenontheflyleaves's review against another edition

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challenging dark emotional reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Filthy Animals by Brandon Taylor ❄️
🌟🌟🌟🌟🌟

❄️ In this collection of short stories, Taylor explores the emotional charge that runs just under the surface of our encounters with other people. The linked short stories at the centre of the collection focus on three people: Lionel, a PhD student recently discharged from hospital after a suicide attempt; Charles, the injured dancer who becomes attracted to Lionel at a potluck, and Sophie, Charles's dancer girlfriend. As Lionel becomes drawn into the murky waters of Charles and Sophie's relationship, he must weigh his deep loneliness against his continued vulnerability.

There's really no excuse for me putting off reading this for so long, except that I loved Real Life so much that I was afraid of having such Big Feelings again. But you know what? I was right to be, because Brandon Taylor wields his pen like a scalpel.

Throughout this book, Taylor probes what it means to be vulnerable. He is a master of illustrating the artificiality of social settings: a dinner party, a first date, a university exam. All the opaque stuff we move through to try to reach each other - or rather, to mediate our interactions so that we don't have to reach each other, so we can broadcast ourselves from a safe distance. His stories illustrate the life and feeling seething beneath this calm surface, and the moments where characters unexpectedly connect feel raw and thrilling, charged with danger.

This sense of danger is present not just as an idea but an embodied thing. Food, sex, blood, all of these things are closely connected to the emotional heart of each story. The characters' emotional fragility (or seeming lack thereof) is always carefully pitched against their physical being, the tether they have to the world, lending real weight to acts of cruelty or tenderness. There's something raw and animal and real about these stories that I couldn't help but love.

❄️ Read it if you're in the market for a short story cycle, or a wintry book as this is all snowdrifts and low-hanging skies. And obv if you loved Real Life ❤️

🚫 Avoid if you're steering clear of narratives around suicide and physical or sexual violence.

Content Warnings