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yulande's review against another edition
Found my own Shakespeare in a box in the stable and will continue reading that one
franklyfrank's review against another edition
4.0
A Lover's Complaint: A Betrayed woman tells how her lover pursued, seduced, and then abandoned her, but admits that she would fall for the young man's false charms again. The OLDEST tale still around today. This 'complaint' is much longer than The Passionate Pilgrim, but after being dumped like that, she should be pretty angry and ranting longer than she is in the Passionate Pilgrim if she were the same person.
my rating, after several readings: http://shakespeare.mit.edu/Poetry/LoversComplaint.html
The Passionate Pilgrim: This Seems like the perfect coda to A lover's complaint or A Lover's complaint should be the Coda to this one; both together are the perfect ode to love.
Although not all are attributed to Shakespeare, I'm going to read as if they are.
I read my copy online at https://www.nosweatshakespeare.com/shakespeares-poems/the-passionate-pilgrim/
Several of the quotes, really jump out at me like in: from Sonnet XIII.
'Beauty is but a vain and doubtful good,
A shining gloss that fades suddenly,
A flower that dies when first it begins to bud,'..... or
when he describes his love as ' Fair is my love, but not so fair as fickle; Mild as a dove, but neither true nor trusty; Brighter than glass, and yet, as glass is brittle;
Softer than wax.'
You can see the love he has for her, especially when he tells her in sonnet XIX. ' Live with me and be my love' Telling her that they will watch the shepherd feed their flocks, and he will 'make thee a bed of roses, With a thousand fragrant posies, A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle.
A belt of straw and ivy buds, With coral clasps and amber studs;
And if these pleasures may thee move, Then live with me and be my love.
She answers him:
'If that the world and love were young, and truth in every shepherd’s tongue,
These pretty pleasures might me move To live with thee and be thy love.'
If all of these sonnets are not Shakespeare's, to the untrained eye and ear (mine) they both sound like him. It also reminds me of his Sonnet Venus and Adonis, when he speaks about
'Sweet Cytherea, sitting by a brook
With young Adonis, lovely, fresh and green,
my rating, after several readings: http://shakespeare.mit.edu/Poetry/LoversComplaint.html
The Passionate Pilgrim: This Seems like the perfect coda to A lover's complaint or A Lover's complaint should be the Coda to this one; both together are the perfect ode to love.
Although not all are attributed to Shakespeare, I'm going to read as if they are.
I read my copy online at https://www.nosweatshakespeare.com/shakespeares-poems/the-passionate-pilgrim/
Several of the quotes, really jump out at me like in: from Sonnet XIII.
'Beauty is but a vain and doubtful good,
A shining gloss that fades suddenly,
A flower that dies when first it begins to bud,'..... or
when he describes his love as ' Fair is my love, but not so fair as fickle; Mild as a dove, but neither true nor trusty; Brighter than glass, and yet, as glass is brittle;
Softer than wax.'
You can see the love he has for her, especially when he tells her in sonnet XIX. ' Live with me and be my love' Telling her that they will watch the shepherd feed their flocks, and he will 'make thee a bed of roses, With a thousand fragrant posies, A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle.
A belt of straw and ivy buds, With coral clasps and amber studs;
And if these pleasures may thee move, Then live with me and be my love.
She answers him:
'If that the world and love were young, and truth in every shepherd’s tongue,
These pretty pleasures might me move To live with thee and be thy love.'
If all of these sonnets are not Shakespeare's, to the untrained eye and ear (mine) they both sound like him. It also reminds me of his Sonnet Venus and Adonis, when he speaks about
'Sweet Cytherea, sitting by a brook
With young Adonis, lovely, fresh and green,
ginger_introvert's review against another edition
3.0
Ok, the cheapy edition from Barnes and Noble, got it when I was in fifth grade and first started to become obsessed with the bard.
steven_nobody's review against another edition
5.0
It took me three months to read all of Shakespeare's plays. When I say "read" I mean watch one or two or sometimes three productions of each play and using NOS as my guide. And what I mean by "all" is everything except Henry VIII and Two Noble Kinsmen. It was a lot time to invest but the best experience I've had in a long time. Yes, an experience of a lifetime.
Skipping Hamlet, here are my others favorites: Henry IV (both parts count as one), Merchant of Venice, As You Like It, Coriolanus, Othello, Measure for Measure, and Cymbeline.
Skipping Hamlet, here are my others favorites: Henry IV (both parts count as one), Merchant of Venice, As You Like It, Coriolanus, Othello, Measure for Measure, and Cymbeline.
rosekk's review against another edition
4.0
With the plays, I was continually conscious that I was reading something that was meant to be performed, which detracted from the experience a little bit. I still enjoyed a lot of them, though I have to confess the histories were not a very entertaining read for me. Pretty much any play where a Duke of Gloucester/Suffolk e.t.c. emerged I found required determination to read. I don't think that's Shakespeare's fault - it's almost certainly me. Other plays I took to well though, and have discovered a few favourites. Since I'm not a huge poetry lover (I really like some poems, but they're vastly outnumbered by the ones I don't care for), so I was pleasantly surprised to find myself enjoying the poems, especially the two longer ones.
zoes_human's review against another edition
I had this grand scheme where I was going to read and then watch all of Shakespeare's plays, but, as it turns out, I really couldn't give a fuck about the Bard.
nickjonesreadsbooks's review against another edition
4.0
There were a couple snatches of verse that sounded familiar. An interesting grouping of love poetry that was fun to read aloud.
sathyadgs95's review against another edition
5.0
Shakespeare requires no introduction -- he is "the Bard," the most imposing playwright and storyteller in the English language. And "The Complete Works of Shakespeare" brings together every one of his plays, ranging from harrowing tragedies to airy little puffs of comedy -- and even the lesser plays are still brilliant.
The plays basically are divided into comedies, histories and tragedies. The tragedies are pretty much... tragic, the comedies are not always funny but end semi-happily, and the histories... well, dramatizations of history, which usually make a great deal more sense after some historical research.
And everybody has heard of the greats here -- the Scottish lord who murders his way to kingship, young lovers divided by a feud, a Moorish general who is driven mad with jealousy, an elderly king whose arrogance rips his life apart, a very cleaned-up version of Henry VIII's split from his first wife, the goofy Prince Hal and his growth into a great king. There are feuding fairies, bickering lovers, romantic tangles, Julius Caesar's demise, gender-bending, an exiled duke/magician on his island, and the infamous "pound of flesh" bargain.
But Shakespeare also wrote a bunch of lesser-known plays that often can't be so neatly categorized -- a rotten love affair during the siege of Troy, a Roman general attacking his own city, an Athenian gentleman embittered by humanity, Richard III's Machiavellian plot to become king, two sets of twins separated at birth, a corrupt judge obsessed with a lovely nun, Falstaff's doomed efforts to make money, and so on. Some of these ("Troilus and Cressida") aren't nearly as good as his "main" body of work, but they're still excellent.
For all Shakespeare's plays, it's best to read them AFTER you've seen a good performance. Otherwise, it's like reading a movie script to a movie you haven't seen -- easy to get lost, and the dramatic effects aren't easy to connect to. But if you've seen performances of any/all of Shakespeare's plays, then his vibrant stories and poetry leap off the page.
There are long eloquent speeches, puns, clever linguistic twists, and evocative language that soaks the play in atmosphere ("With sweet musk-roses and with eglantine/There sleeps Titania sometime of the night/Lull'd in these flowers with dances and delight..."). In fact, his plays are diamond mines of quotations -- some are infamous ("To be or not to be") and some of which have floated into public knowledge without labels ("Cowards die many times before their deaths/The valiant never taste of death but once").
And while some of his plays are basically fluff, he manages to weave in moral questions, criticism and explorations of the human soul. And his characters range as far as his plots -- kings and princes, teenage lovers, proud but doomed warriors, clever young ladies in drag, bratty queens, the witty but combative Beatrice and Benedick, and even the puppet-master mage Prospero.
Shakespeare's "Complete Works" is a must-have for anyone who loves the English language -- his writing was unparalleled, and even his lesser plays are a cut above the rest.
The plays basically are divided into comedies, histories and tragedies. The tragedies are pretty much... tragic, the comedies are not always funny but end semi-happily, and the histories... well, dramatizations of history, which usually make a great deal more sense after some historical research.
And everybody has heard of the greats here -- the Scottish lord who murders his way to kingship, young lovers divided by a feud, a Moorish general who is driven mad with jealousy, an elderly king whose arrogance rips his life apart, a very cleaned-up version of Henry VIII's split from his first wife, the goofy Prince Hal and his growth into a great king. There are feuding fairies, bickering lovers, romantic tangles, Julius Caesar's demise, gender-bending, an exiled duke/magician on his island, and the infamous "pound of flesh" bargain.
But Shakespeare also wrote a bunch of lesser-known plays that often can't be so neatly categorized -- a rotten love affair during the siege of Troy, a Roman general attacking his own city, an Athenian gentleman embittered by humanity, Richard III's Machiavellian plot to become king, two sets of twins separated at birth, a corrupt judge obsessed with a lovely nun, Falstaff's doomed efforts to make money, and so on. Some of these ("Troilus and Cressida") aren't nearly as good as his "main" body of work, but they're still excellent.
For all Shakespeare's plays, it's best to read them AFTER you've seen a good performance. Otherwise, it's like reading a movie script to a movie you haven't seen -- easy to get lost, and the dramatic effects aren't easy to connect to. But if you've seen performances of any/all of Shakespeare's plays, then his vibrant stories and poetry leap off the page.
There are long eloquent speeches, puns, clever linguistic twists, and evocative language that soaks the play in atmosphere ("With sweet musk-roses and with eglantine/There sleeps Titania sometime of the night/Lull'd in these flowers with dances and delight..."). In fact, his plays are diamond mines of quotations -- some are infamous ("To be or not to be") and some of which have floated into public knowledge without labels ("Cowards die many times before their deaths/The valiant never taste of death but once").
And while some of his plays are basically fluff, he manages to weave in moral questions, criticism and explorations of the human soul. And his characters range as far as his plots -- kings and princes, teenage lovers, proud but doomed warriors, clever young ladies in drag, bratty queens, the witty but combative Beatrice and Benedick, and even the puppet-master mage Prospero.
Shakespeare's "Complete Works" is a must-have for anyone who loves the English language -- his writing was unparalleled, and even his lesser plays are a cut above the rest.