Reviews with content warning for Blood - Princess Floralinda and the Forty-Flight Tower

Reviews tagging 'Blood'

Princess Floralinda and the Forty-Flight Tower by Tamsyn Muir

19 reviews

pokecol's review

funny tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

3.0

Princess Floralinda and the Forty-Flight Tower is a fun romp. It feels markedly more competently written than a lot of stories I've read recently which is a nice change of pace.
The tone and direction well carried by a very strong narrator voice and direction that takes itself a mix of serious and not serious.

I enjoyed the book for the most part. But I have one really big problem with it.

To start, the tone is strange, I came in expecting it to be primarily light and comedy but there is a very drastic tone shift in severity when Floralinda starts to face the threats of the tower. The way they treat the progress as a kind of resource game using what was given was very interesting and enjoyable to read but it did not set-up quite right for the results. Following the encounter with the goblins then the direction swerves back into more light-hearted, not significantly, but enough that the dire nature of the first instance is lost. It might be that part of this is in illustrating the change of person in Floralinda from Princess to beast and how it has allow these situations to seem less impactful but I think it was a little indelicate in the execution.

Another problem is the world, which is very weird. I went into a good majority of Part 1 thinking this was some kind of new fantasy world, but we then get so many references to Earthern lore it has to be some European setting, but we cram all these fantasy ideas and directions that are so not Earth-like in anyway and it is very strange.
I kind of wish it weren't Earth, because reading things like 'Christmas' just feels so out of place in the framing as a fantasy story. And it reads almost Terry Pratchett-esque in the Witch's diatribe which would be better suited for a commentary world, but on an older Earth just feels weird.

Now the big one, I did not like characterisation for Floralinda and more importantly the ending. Cobweb is a great character, loved their time in the novel, I do think the gender expression proposal of designating being a girl was a little weird, it felt like a failed attempt at representation - but it did feel like an attempt at representation nonetheless. And I did enjoy Cobweb a lot.
Floralinda on the other hand I was very engaged with the story of, but hated her one worst decision - making Cobweb a captive. The book talks a lot about how she feels guilty but never does anything to fix it, and it just feels like I'm reading the perspective of an abuser its really disgusting.
The whole time it tries to have it both ways that; we need Cobweb in the book, but we must do it this way. So Floralinda both feels good and bad about it as if to justify the decision.
It is a truly disgusting thing to choose to be someone's captor and it is even more disgusting (not better) to feel remorse about it - ESPECIALLY if you will not actually do anything about it. Cobweb rightfully hates Floralinda. And as someone with more knowledge on this subject than I'd like, you don't ever forgive this kind of thing, because it is your life and time, your autonomy and self, lost, to the whim of someone more pathetic than you that doesn't care for your value but how they can hold it. You never forget that kind of hatred.
The whole part with the unicorn and Floralinda saying that there is no real difference to those that kill, and those that kill then regret it. And I thought there was good commentary in her own contradiction of self. When Cobweb finally escapes at the end and basically tells her to get stuffed, it made me very happy, because there was nothing else that they should have done - Floralinda was a revolting person.
But what makes this bad as far as the book actually goes, COBWEB COMES BACK????, then they make this whole B-grade childrens movie stink that 'there is no where better that she belongs' and its just so... what???
It feels horrible and disgusting and there is no way Cobweb's whole person is reduced to being the slave to Floralinda and she actually likes that - and then commodifying this experience as an allegory to her "love" for Floralinda is utterly repugnant. It feels like its trying to say you can force someone to love you, which is unbelievably gross.
The whole ending from there is terrible, Floralinda stays in the tower, basically consigning herself to the existence of it, eliminating her journey and making the meaning of her and all her being a subject of her isolation alone - which is a really gross message of never being able to leave your prisons.
And the whole making the new princess fight and become like her is horrid, and rings more of a 'I suffered, you shall too'.
Maybe the whole point is to be a negative look at this traits around captivity but it feels more like it was trying to find a positive swing and then performed all these bad things as good attributes and I lost a lot of good feeling for the story VERY fast.

The rest of the book is good. I enjoyed the learning and then the journey, the individual scenes were nice in that they balanced ingenuity and character progress, deciding which to focus on. Cobweb's dialogue was excellent, and the use of curse-words as a framing device of change was very funny and enjoyable to read (though the censorship of fuck to f--- was weird, why bother?, we know what word it is).
And I especially liked the part with the Strix, the shake-up in what was happening and allowing real consequences to feel tangible was nice, but this was the first time I've really enjoyed a scene of someone breaking into crazy, and the image of Floralinda sawing the things head off as blood sprayed everywhere was a wild image and a very good expression of change the book was trying to illustrate.

I do wish we had a little more description of the individual floors though and what the world looked like beyond certain windows, by the second half mental-images just laxed onto stone circular rooms, which was effort on the readers part to rectify.

I think overall, in just terms of expression of my enjoyment I'd put Floralinda up very high. It lacked a certain depth in character at parts, and making the 'murderers' madmen, and the siren non-diplomatic felt like lost opportunities to me.
I would like to rate the book fairly high, but the whole crux of the ending and Floralinda force Stockholm-syndroming the good character is basically unforgivable and knocks my faith in the storytelling more than I'd like.
It's not easy to say "just skip this part" on recommendation when that 'part' is the whole conclusion to the story, and therefore is too heavy an issue to ignore. So there is value in the fun, but any and all critical message is a full on negative by the conclusion.

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atrue's review

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adventurous dark funny medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

Delightful and messed up and I wish I’d read it with someone because it would be so fun to talk about. Peppered with sapphic delights as well. Bit gory! Changes pace radically halfway through. Would love to chat about the end so might try to make a friend read it.

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sonatica's review against another edition

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adventurous funny inspiring lighthearted relaxing fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

4.5

What a lovely, relatively short, audiobook an story overall!

The writing style and characters are fun and quirky and I think I smiled all the way through!

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rainbowshelves's review against another edition

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adventurous challenging dark funny lighthearted fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

I'm a big fan of twists on fairytales (twisted fairytales?😈) and this absolutely delivered, in Tamsyn Muir's signature style: hilarious, a bit gory, irreverent, morally dubious characters and a story that keeps getting flipped on its head.

I listened to the audiobook and I'd strongly recommend this option if you can, Moira Quirk's narration was a big part of the delivery of this story and had me laughing out loud many times. (It seems this had a limited print run and is now only available as an audiobook anyway, unless you can source secondhand).

This has definitely encouraged me to continue with my audio re-read of the Locked Tomb series as well!

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lovejasmine's review against another edition

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adventurous funny inspiring lighthearted fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Fucking incredible - and I highly recommend listening to the audiobook

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gondorgirl's review

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adventurous emotional hopeful lighthearted reflective fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Flaws of characters a main focus? Yes

5.0

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tostita's review against another edition

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adventurous dark funny fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

2.0

I loved the first half of this book, which made the ending all the more disappointing.

What’s good: the voice, the wit, the scenario, the narration

What’s bad: Floralinda does not become empowered to be her real self; rather, she is broken and hardened by events into someone who is no more, and perhaps far less, her “real” self than the spoiled princess she started as. In the end she has become someone who turns to violence first, regardless of need, who now willingly upholds the same violent institution that imprisoned her in the first place. I also am not at all comfortable with the implication that one cannot be a girl and also be strong, or damaged, or anything less than softly pretty and meek, and that being tough and deviating from mainstream beauty standards makes one a “monster.” And then there is the uncomfortable incident where Floralinda forces agender Cobweb to choose whether to be a boy or a girl. I assumed the book would circle back around to that by the end and correct things, but it never did.

This book started off so well. I wish it hadn’t let me down in the end.

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mimeflower's review

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adventurous dark emotional funny tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

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emmylux7's review against another edition

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adventurous dark funny lighthearted medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

the princess saves herself with a help of a fairy who likes science. what's not to like. this book was hysterical from beginning to end. I highly recommend the audiobook!!

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andloveistoolong's review against another edition

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adventurous funny fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

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