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hmatt's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
3.5
- I like the idea of a narrative created through short stories where some of the stories intersect, but this wasn't pulled off with 100% effectiveness. Maybe 60%. I was really invested in some stories and just not at all interested in others. I think fewer stories could have achieved the same effect, and I feel like the author could have done a bit more to interweave them. Also, I was a bit out on some of the stories that go off the deep end a bit, including the last one (I wanted to think it was cool, but it felt too convenient and also self-indulgent).
- I commend the choice to use an ensemble cast for the audiobook where the narrators were meant to sound like the (sometimes obviously racialized) POV characters, but some of the chosen narrators were, um, not very good at narrating.
- I remain solidly "pro" on pandemic fiction.
Graphic: Body horror, Child death, Death, Suicidal thoughts, Terminal illness, Medical content, Grief, Death of parent, and Injury/Injury detail
Moderate: Cancer, Chronic illness, and Suicide
mel_s_bookshelf's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
3.75
Graphic: Animal cruelty, Child death, Death, Suicidal thoughts, Suicide, Terminal illness, Medical content, and Medical trauma
Moderate: Animal death and Grief
yooniereads's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Nagamatsu’s anthology is so visceral and heartbreaking because of the expanse of stories you follow through. What I love about this is how he trusts his audience— he doesn’t spoon feed you the whole picture, because he trusts you to unravel it. That factor lends to how palpable and real these stories felt. His use of language is so intentional, and his writing draws you in so easily in the short handful of pages these characters exist in. You root for them, you cry for them, and you definitely feel for them. It’s simply so masterful at that!
And because of how it closes in on how the big, big chunks of history affects an individual, it’s a good thinking piece of how our social reality constructs so much of how we grieve, how we love, and how we feel. And since you’re following these stories through a span of so many years, you see how it affects people from different walks of life: those who lived before the plague, those born during, and even those born after.
This book is certainly existential, and I know I will spend days thinking of and crying over certain lines. That’s what I love about it. It holds up a mirror to our own current landscape and says, “This is what it means to be human.” I highly recommend, and I hope it brings you the same sense of solace it gave me. :)
Graphic: Child death, Suicidal thoughts, Suicide, Terminal illness, Medical content, Grief, and Suicide attempt
Moderate: Medical trauma and Pregnancy
mfallon3491's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Child death, Chronic illness, Death, Suicidal thoughts, Suicide, Terminal illness, Violence, Medical content, Grief, and Death of parent
bookbuzzard's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This book ended up being a lot more surreal than I had expected, though that was a bit of a relief as it kept me from reflecting too closely on the Earth's current predicaments...
Graphic: Child death, Death, Terminal illness, Medical content, Grief, Medical trauma, Death of parent, and Abandonment
Moderate: Chronic illness, Drug use, Infidelity, Sexual content, Suicidal thoughts, Suicide, Xenophobia, and Pregnancy
Minor: Physical abuse, Mass/school shootings, and Religious bigotry
tallangryplanet's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
How high we go in the dark follows a diverse cast of characters who are all trying to survive through a terrible pandemic and its aftermath, climate change destroying the world, and, most importantly, grief. Grief for the people they could've been, the lives they might have led, the better choices they should've made. All of the stories are connected, but they are unique enough that it truly feels like they represent the diversity of people when dealing with hard times. Even though none of the characters really get that much time, they all feel like real, three-dimensional humans, and it was impossible not to empathize with them.
The way Nagamatsu presents the grim future doesn't seem too unrealistic, especially now that we've seen how humanity really deals with a pandemic. The scenarios depicted really help understand the characters, and it feels as if there is an (excellent) study of grief being done all throughout the book, but not in a way that takes readers out of the story.
As for what I mean about the ending, it's a big spoiler, so feel free to skip this paragraph.
All in all, I loved this read. At some points it even reminded me of Record of a spaceborn few by Becky Chambers, which is one of my favorites. If you need something that will make you let out a good cry while picking up your spirits, this is definitely the perfect read.
Thank you to NetGalley and the publishers for the opportunity to read and review this book.
Minor: Death, Suicidal thoughts, and Suicide