Reviews tagging 'Classism'

A Study in Drowning by Ava Reid

47 reviews

emptzuu's review against another edition

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Nowadays, it seems that getting glowing Goodreads reviews only requires creating a "relatable" character and including a mediocre romance. Reviews often justify five stars with comments like "it was entertaining" or "the vibes were there." Seriously, people?

This book is not dark academia or gothic, despite having a library and a manor. The writing did not convey the atmosphere associated with these genres. The author's flowery and lyrical style clashes with the book's marketing as gothic and dark academia.

It falls in the same category as "Lessons In Chemistry" where the author creates an old-fashioned world just to make social issues seem more significant. This feels like a lazy plot device. The book oversimplifies everything, portraying all men as evil and all women as innocent. Moreover, the author seems to have done little research. The book features cars and passenger trains, land-line phones and coffee, but also typewriters and mimeographs, and women aren't allowed in university. The constant focus on misogyny and sexual assault in a fantasy book feels excessive and unnecessary. Elements like war and racism are there but have no impact on the plot.

Effy is a highly problematic character, displaying overt racism, misandry, and a severe lack of depth. She is depicted as a weak, whiny, and fearful woman who is perpetually passive, often getting dragged around by men. Her character feels reduced to being defined solely by her trauma, which is portrayed without any nuance or complexity. Trauma does not excuse her behavior.

She would say and think the most outrageous and insulting things about Preston's heritage without even knowing him. She was incredibly prejudiced and judgmental. Considering she herself had faced judgment and been called slurs, you'd think she would understand how wrong it is to act the way she did, but she didn't. She never faced any consequences for her behavior. Preston even coddled her. Why are they even together? Why does Preston forgive her for everything she said and did? It feels like a toxic romance to me. The author spends almost the entire book preaching about misogyny, yet the female main character is ultimately saved by the love interest. Sex solves everything.

She was so entitled that she thought she deserved to be in the literature department, despite being unable to provide a coherent, logical, or evidence-based analysis of the works of her favorite author. In fact, she admitted she had never written a formal paper, even though she was in college.

The only thing she could boast about was memorizing lines from her favorite author's works. She also couldn't accept any criticism, which would make her struggle in a literature class. She just wants to do literature because she is obsessed with Myrddin's work.

She is supposed to be more intelligent than most literature students, yet she is struggling academically in architecture. She is on the verge of flunking out but wins a prestigious opportunity to design for a famous author, beating many competitors.

She is the only girl in architecture, solely because she is not allowed in the literature school, which is illogical. Historically, women have studied literature and languages extensively; it is math and sciences that have had lower female participation.

Additionally, the portrayal of architecture as mere doodling is unrealistic.

It's baffling that some readers find this character relatable. I hesitate to imagine what kind of audience appreciates such a portrayal.

I could easily write three pages detailing how bad this book is, but instead, I'll summarize my thoughts. The book is riddled with plot holes, tackles topics poorly, and features one-dimensional characters along with underdeveloped world-building. Despite its gorgeous cover and beautiful title, the book fails to live up to its marketing promises.

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reddeddy's review against another edition

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challenging dark emotional hopeful inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75


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desiderium_incarnate's review against another edition

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adventurous dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5

I think this story will stay with me for a bit.

For most of the book I was unsure how reliable Effy was as a narrator but I think think that might reflect more on me than it does on the book. It really is beautifully written, I just have one issue: Everyone mentions how smart and brave Effy is and of course, yes, she is, but whyyyy did you not go talk to the secretive and reclusive widow of your favorite author when you had the chance? Like you literally did everything including destruction and theft of property and nearly dying in a drowned basement instead of trying to communicate with people that are there and have not explicitly told you to fuck off yet. I was just waiting for them to get to that for nearly half the book so that was incredibly frustrating. 

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chasinggrace's review against another edition

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adventurous challenging emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5

Upon reflection, this book lived up to its positive social media reputation. I was not expecting the darker themes that are woven throughout the story (abandonment, PTSD, sexual assault, adult/minor relationships) nor did I expect the consistent use of water and architecture analogies. While the FMC character arc was slightly predictable (
a damaged, meek woman finds her voice through further trauma 👍🏼
), I think it was done well, especially when compared to
Angharad’s story


I thought the setting was beautiful and the world building was not overwhelming at all. The themes of colonization, classism, & religious separations were touched on, but were not overbearing. The mystery & folklore kept me intrigued, and I thought the romance was sweet (even though Preston will not be a favorite book boyfriend of mine). 

Unfortunately, I needed to dock .5 stars for the writing, especially in the first 100 pages of the book. While I think similes are helpful literary tools and can be beautiful, they are completely overdone in this text. The author cannot write one singular page of this book without comparing two things and using the word “like.” Try it - flip to any page and you will find a sentence that uses this structure. While I’m not a style critic, I could not ignore it and it tainted the opening of the story. I also found Effy to be quite insufferable, before I understood her trauma. Finally, while I know Preston is self-described as unromantic,
I wish their physical intimacy could’ve been sweeter. This could have been a deliberate choice from the author to denounce the romanticizing of losing one’s virginity, or it could’ve reflected Preston’s stoic nature, but I still wanted a little more from that scene.


All together, I think this is a beautiful story that weaves dark themes with stunning comparisons to the relentlessness of water. It teaches you that you are the only one who constructs the house in which you live, if you can be strong enough to hammer the stakes yourself. 

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daydaybookbay's review against another edition

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dark emotional mysterious sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.75

I rated this book a 5.5 out of 10. There are many elements to this novel I enjoy, but I wish each had been explored more. By dropping the adolescent romance, more effort could be dedicated to expanding the settings and main plotlines.

Ava Reid writes beautiful phrases and sprinkles them throughout the chapters. Her artistic metaphors rest on the boundry of remaining applicable. The wording captures the reader, but any further, the intention would be lost. She uses imagery to convey emotion and the characters' mindsets.

The characters fell a bit flat for me. Each character was one dimensional and served only one purpose throughout the book. Preston exists to be an on-paper protective love interest. Effy is constantly reminding you how misogyny, sexism, and her beauty overshadow her genius. Every other character means nothing to me.

Effy's low-key racist. Her xenophobia is front and center, but we are
overlooking that? Why?! Time and time again, she shows her
academic rivalry" is really just her prejudice against Argantians.

I wanted more from the fairy-tale.
We are to believe the Fairy King is real, so why are there literally ZERO other elements involved? Everything points to Effy actually having mental health issues where she has "episodes." If Angharad was a ghost/spirit or if Effy would have seen an alternate reality through the hagstones, these would be easy places to incorporate fantasy aspects. 

Is Effy a reliable narrator? Honestly, I'm left thinking the fantasy aspect is really part of Effy's imagination. She experienced great trauma from her mother, and her obsession with Myrddin's novel plays a role in her coping. I'm left to feel she really has mental health issues, and maybe the pink pills are good for her.
  I know that's not the conclusion I'm "supposed" to reach, but...

I wish there had been more development in the setting and the characters. The countries, the North and South, the school, the house, the land... I could never picture them. The only thing I was able to imagine was the door to the basement. There is this whole world Reid introduced in this book, but we never get a clear picture of what it's like.

I really wanted to love this book. Part of me feels I would have enjoyed it more as a physical book because I would get bored listening to it. I never got the feeling of being immersed in the story. 

I love the moody vibes Reid is able to create. The feel and the way she conveys emotion is beautiful. I wish the attention to the setting had matched. I want to visualize where the characters are and how the North/South/Bottom Hundred look and compare to each other. I wanted to pull more from the text.

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anntharai's review against another edition

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dark emotional reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Jfc I went in with no expectations and only a vague idea of story as this was a reccomendation from a friend and they were right. I loved it and hated it and it made me super uncomfortable and angry as well as fired up and ready to go. I loved this reading experience. 

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justinekorson's review

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adventurous emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

I have mixed feelings about this story. On one hand I thought the world building was very interesting and I enjoyed the setting of this crumbling house by the ocean. On the other hand.... I could not stand Effie and all her contradictions. So let's get into a few of them. 

1. Racism??? Effie "othered" Preston SO HARD. (I was listening to the audio book so I'm unsure if the narrator was saying Preston was Argatian or Argentinean. The reason I'm unsure as well is because the language that Preston spoke did not sound like Spanish but I don't know all the dialects of it so I could be wrong.) Regardless, she talked about Preston and his ethnicity USING ALL OF HIS ETHNICITY'S STEREOTYPES against him. In fact, everyone in the novel did so and when other people spoke about Preston like that Effie would get offended AS IF SHE HADN'T ALSO THOUGHT THE SAME THINGS. Preston was the only decent character in this novel and I hated the way Effie talked about him and how she said that she "always wanted him". No you didn't girl. You romanticized him so hard you forgot that you were being unfairly judgmental of a boy you barely know. 

2. Effie is such a damsel in distress and is not, in her own words, a "survivor". She went through some truly awful things from men in power but in that final scene where she defeats the Fairy King and then when she attempts to save Preston from drowning... she's not doing any of the actual work. The mirror she holds up does all the work in my opinion and then when she's trying to save Preston it's not even HER that does it. She has help from (I don't know how to spell her name) the wife. She was going to GIVE UP! Tell me how that is survivalist behavior? She was going to let herself and Preston drown if the wife hadn't come along. Which is why I don't think she had much of a character ARC at all. Even at the end when she, with the help of Preston, confronts the Dean of the university, I don't believe her when she decides to argue with him. It all falls so flat for me. 

3.WHY WERE THERE NO TRIGGER WARNINGS IN THIS BOOK. It talks HEAVILY about the abuse women suffer at the hands of men AND YET THERE WAS NO TRIGGER WARNINGS PAGE AT THE BEGINNING?!?! Make it make sense. I had no idea the book would talk this much about SA and if I had I could've prepared myself for that kind of mindset. As it stands, I struggled to get into this story and at some points I stopped paying attention. 

I thought this book would be a five but unfortunately I was mistaken. I don't think I'm going to read anything else by this author if this story was such a disappointment. 

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dyanimae's review against another edition

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adventurous challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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darlingmoira's review against another edition

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adventurous mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

This is not the book for me. The writing style is good, it allowed me to finish the book despite really struggling with the story. 
This book is talked about as an enemies to lovers but once again hugely misses the mark! The “enemies” part relies on the main character being openly racist to her counterpart. For the majority of the book she talks and thinks about how her soon to be lover shouldn’t even be allowed to study at her school. 
The plot could have been really well done if it removed that aspect of the story completely.  
I have to acknowledge that the “feminist” aspects of this story are well done. How the main character handles a SA situation internally and then makes progress with dealing with it is portrayed very realistically. Everything about that part of the story is well done but otherwise book would have just been a 2 and nothing more. 

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hann_smc's review against another edition

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dark funny mysterious reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.25

I really wanted to love it, but some things fell a little flat for me.
To start, I really did love the prose and the vibes. It was beautifully written, and the descriptions were poetic. It felt like the setting itself was another character.
It was pieces of the plot that I had more trouble with. Not even plot holes, just like "oh, that's it?" moments.
Reid really did a great job setting up for a fantastic story. I think the initial plot line of 
the widow being the true author
was predictable just from the theme of
men exploiting women
that was established very early on. I genuinely don't think a predictable plot is a bad one though, and I had thought that Reid had created enough going on alongside this plot-line to really create a captivating story.
But then, nothing else really happened. There were some super interesting side plot setups:
Effy having some other worldly beauty to the point that even a random boy at the college was annoyed with her until he saw her face then promptly asked her out. Sirens and selkies were even mentioned throughout the story alongside with Effy being a changeling child, but nothing ever came of it.

The war was mentioned quite a bit, but always in passing, like it didn't actually affect anyone we knew. It seemed like the only purpose was for the Sleeper Museum to have a function, and/or for Effy to make vaguely racist comments to Preston when she was mad, but it felt very underdeveloped.

I did like that for awhile we're really not sure if Effy is crazy like everyone thinks or if the Fairy King is real, because even she isn't sure.
Some questions I do still have that people might be able to answer for me:
1.
Why didn't the widow talk to them at all? Why/How did she escape the hall without making a sound if she wasn't a ghost?

2.
The random sex scene felt out of place. It felt less intimate and more like the precursor to a 3rd act breakup

3.
Why was the estate guy so cagey? He was helping Preston one minute, but suspicious of them the next.

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